Friday, July 27, 2018

What Lights Do Photographers Use to Do an Outside Photo Shoot?

What Lights Do Photographers Use to Do an Outside Photo Shoot?

A photographer uses different tricks and techniques to get the finished photograph that he's looking for. There are many kinds of tactics from creative angles to specialized lighting, all depending on the type of photography. When photographing outdoors, a photographer may use lighting to help balance shadows, add highlights or brighten a photograph.

Lighting Overview

    Most studio photographers use lighting in order to control the brightness and the shadows of the subject. What one photographer chooses to use may vary from what another would choose to use. The most common types of studio lighting are strobes, soft boxes, umbrellas, tungsten light bulbs and daylight bulbs. Different types of light bulbs give different colors and brightness levels. Other accessories help to control the lighting so the photographer can create the effects that he'd like. How the lighting is set up will also depend on what the photographer is trying to achieve.

Common Outdoor Lighting

    Some photographer simply use a flash to fill in lighting and decrease shadows on subjects. The flash may be a stand-alone flash or a built-in flash system. This is a simple way to counteract shadows.

    For more controlled lighting, a photographer may use some of the lighting equipment you'd find in a studio. The soft box and umbrella systems are the most commonly used in outdoor photo shoots. The photographer may use shades to block harsh natural lighting while filling in with artificial lighting. This helps to prevent shadows and give even lighting while still photographing outdoors.

    A photographer may use tungsten light bulbs for a warmer glow or may use bright day-light bulbs to replicate the natural lighting. This will depend on the brightness and color that the photographer would like to achieve.

Is Outdoor Lighting Necessary?

    In most instances, outdoor lighting isn't necessary during the day. Overcast skies can give very bright, natural light while minimizing shadows. In the bright sun, you can find natural shade or create your own. If you have a flash, you can use it to fill in lighting.

    If you are doing a shoot during low-light or if you would like to control the lighting, you may want to consider using outdoor lighting equipment. You will need to make sure you are near a power source to plug in the equipment.

Learning More About Lighting

    If you are uncertain about lighting and when to use it, you can experiment on your own. You don't need to invest a lot of money in lighting equipment. You can create your own with lamps, different types of light bulbs and different diffusers. If you are looking for a more formal learning experience, consider taking a class on lighting.


What Lights Do Photographers Use to Do an Outside Photo Shoot?

A photographer uses different tricks and techniques to get the finished photograph that he's looking for. There are many kinds of tactics from creative angles to specialized lighting, all depending on the type of photography. When photographing outdoors, a photographer may use lighting to help balance shadows, add highlights or brighten a photograph.

Lighting Overview

    Most studio photographers use lighting in order to control the brightness and the shadows of the subject. What one photographer chooses to use may vary from what another would choose to use. The most common types of studio lighting are strobes, soft boxes, umbrellas, tungsten light bulbs and daylight bulbs. Different types of light bulbs give different colors and brightness levels. Other accessories help to control the lighting so the photographer can create the effects that he'd like. How the lighting is set up will also depend on what the photographer is trying to achieve.

Common Outdoor Lighting

    Some photographer simply use a flash to fill in lighting and decrease shadows on subjects. The flash may be a stand-alone flash or a built-in flash system. This is a simple way to counteract shadows.

    For more controlled lighting, a photographer may use some of the lighting equipment you'd find in a studio. The soft box and umbrella systems are the most commonly used in outdoor photo shoots. The photographer may use shades to block harsh natural lighting while filling in with artificial lighting. This helps to prevent shadows and give even lighting while still photographing outdoors.

    A photographer may use tungsten light bulbs for a warmer glow or may use bright day-light bulbs to replicate the natural lighting. This will depend on the brightness and color that the photographer would like to achieve.

Is Outdoor Lighting Necessary?

    In most instances, outdoor lighting isn't necessary during the day. Overcast skies can give very bright, natural light while minimizing shadows. In the bright sun, you can find natural shade or create your own. If you have a flash, you can use it to fill in lighting.

    If you are doing a shoot during low-light or if you would like to control the lighting, you may want to consider using outdoor lighting equipment. You will need to make sure you are near a power source to plug in the equipment.

Learning More About Lighting

    If you are uncertain about lighting and when to use it, you can experiment on your own. You don't need to invest a lot of money in lighting equipment. You can create your own with lamps, different types of light bulbs and different diffusers. If you are looking for a more formal learning experience, consider taking a class on lighting.



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Thursday, July 26, 2018

Alternative Photography Techniques

Alternative Photography Techniques

Not all photographic techniques rely on having the latest gadget. You can make your own camera, buy discontinued photography equipment from used camera markets or adapt your camera to produce photographs through alternative means.

Pinhole Photography

    Opening a very small hole in a lightproof box inverts a scene onto film or photographic paper on the inside of the camera.
    Opening a very small hole in a lightproof box inverts a scene onto film or photographic paper on the inside of the camera.

    Pinhole photographs are taken with a lens-less camera. The camera comprises a lightproof box with a round hole about the size of a sewing needle. Film or photographic paper sits against the inside wall opposite the opening. The photographer removes lightproof cover over the hole so light can pass through the pinhole, projecting an inverted image inside the box onto the film or photo paper. Pinhole cameras require a long exposure time (from seconds to days). Generally, the smaller the pinhole, the sharper the image.

Polaroid Emulsion Lifts

    Polaroid emulsion lifts are unpredictable yet beautiful.
    Polaroid emulsion lifts are unpredictable yet beautiful.

    The image on a 669 Polaroid film print is lifted through a process of hot water soaks. Once the emulsion is free from the paper backings, it is then applied to a new surface such as watercolor paper, glass, stone or board. The artist often intentionally wrinkles the image to make a spectacular yet unpredictable new image.

Infrared

    Infrared photography can be fine art or forensic science.
    Infrared photography can be fine art or forensic science.

    Infrared photography involves capturing light that is invisible to the human eye onto film. A common technique is to use an infrared filter that blocks most of the visible light but allows infrared light to pass through the camera to be captured on film and later printed. As a mode of fine art it is bold, brilliant and sometimes a little bit eerie. It is also a crime-busting technique for forensic science.


Alternative Photography Techniques

Not all photographic techniques rely on having the latest gadget. You can make your own camera, buy discontinued photography equipment from used camera markets or adapt your camera to produce photographs through alternative means.

Pinhole Photography

    Opening a very small hole in a lightproof box inverts a scene onto film or photographic paper on the inside of the camera.
    Opening a very small hole in a lightproof box inverts a scene onto film or photographic paper on the inside of the camera.

    Pinhole photographs are taken with a lens-less camera. The camera comprises a lightproof box with a round hole about the size of a sewing needle. Film or photographic paper sits against the inside wall opposite the opening. The photographer removes lightproof cover over the hole so light can pass through the pinhole, projecting an inverted image inside the box onto the film or photo paper. Pinhole cameras require a long exposure time (from seconds to days). Generally, the smaller the pinhole, the sharper the image.

Polaroid Emulsion Lifts

    Polaroid emulsion lifts are unpredictable yet beautiful.
    Polaroid emulsion lifts are unpredictable yet beautiful.

    The image on a 669 Polaroid film print is lifted through a process of hot water soaks. Once the emulsion is free from the paper backings, it is then applied to a new surface such as watercolor paper, glass, stone or board. The artist often intentionally wrinkles the image to make a spectacular yet unpredictable new image.

Infrared

    Infrared photography can be fine art or forensic science.
    Infrared photography can be fine art or forensic science.

    Infrared photography involves capturing light that is invisible to the human eye onto film. A common technique is to use an infrared filter that blocks most of the visible light but allows infrared light to pass through the camera to be captured on film and later printed. As a mode of fine art it is bold, brilliant and sometimes a little bit eerie. It is also a crime-busting technique for forensic science.



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How to Learn to Photograph Squirrels

How to Learn to Photograph Squirrels

Have squirrels become friendly in your backyard or campsite? It's not uncommon for urban squirrels to share a sidewalk or picnic table with their human neighbors. Photographing squirrels is simple with a few key pieces of camera equipment and a lot of patience. The fast and furry creatures are curious of humans and will often stop for a quick peek at your camera while trying to photograph them.

Instructions

Instructions:

    1

    Choose the location. Pick an area to photograph squirrels where you have seen them many times. This may be as simple as stepping into the backyard or driving to a local park where guests often feed the squirrels. Look for an area with tall sturdy trees, fences or bird feeders. Go during daylight hours and be prepared to wait.

    2

    Prepare the camera for wildlife photography. Attach a long zoom lens to a SLR camera. Choose a lens with a minimum zoom of 200mm. Because squirrels are flighty, you won't be able to get physically close to them without disturbing their behavior. Use a 70-200mm zoom lens for the ability to recompose quickly if the squirrel moves closer to the camera.

    3

    Load the camera with medium- to high-speed daylight balanced film, such as 400 ASA or 800 ASA. Set the ISO setting on a digital camera to 400 or 800.

    4

    Set the camera on shutter priority mode and choose a fast enough shutter speed to capture the squirrel's movements. Start at 1/500 for sharp photographs. If the light is dim, experiment with a slower shutter speed setting and increase the film speed for a focused and balanced exposure.

    5

    Use a tripod to steady the camera. Weight the legs of the tripod if it is a windy day. Use a cable release if it is a film camera, to avoid motion blur when pressing the shutter button. Set the legs of the tripod at a low angle, not your height. Squirrels are on the ground as much as they are in trees. Don't forget to get on their level for a clear angle.

    6

    Bait the squirrels. Bring a bag of nuts, bread, corn on the cob or apples. Entice the squirrels by placing some treats at the base of a tree. Wait for them to come down and snap away.


How to Learn to Photograph Squirrels

Have squirrels become friendly in your backyard or campsite? It's not uncommon for urban squirrels to share a sidewalk or picnic table with their human neighbors. Photographing squirrels is simple with a few key pieces of camera equipment and a lot of patience. The fast and furry creatures are curious of humans and will often stop for a quick peek at your camera while trying to photograph them.

Instructions

Instructions:

    1

    Choose the location. Pick an area to photograph squirrels where you have seen them many times. This may be as simple as stepping into the backyard or driving to a local park where guests often feed the squirrels. Look for an area with tall sturdy trees, fences or bird feeders. Go during daylight hours and be prepared to wait.

    2

    Prepare the camera for wildlife photography. Attach a long zoom lens to a SLR camera. Choose a lens with a minimum zoom of 200mm. Because squirrels are flighty, you won't be able to get physically close to them without disturbing their behavior. Use a 70-200mm zoom lens for the ability to recompose quickly if the squirrel moves closer to the camera.

    3

    Load the camera with medium- to high-speed daylight balanced film, such as 400 ASA or 800 ASA. Set the ISO setting on a digital camera to 400 or 800.

    4

    Set the camera on shutter priority mode and choose a fast enough shutter speed to capture the squirrel's movements. Start at 1/500 for sharp photographs.

    Enhance your photography skill,The Top Secret Photography Techniques

    . If the light is dim, experiment with a slower shutter speed setting and increase the film speed for a focused and balanced exposure.

    5

    Use a tripod to steady the camera. Weight the legs of the tripod if it is a windy day. Use a cable release if it is a film camera, to avoid motion blur when pressing the shutter button. Set the legs of the tripod at a low angle, not your height. Squirrels are on the ground as much as they are in trees. Don't forget to get on their level for a clear angle.

    6

    Bait the squirrels. Bring a bag of nuts, bread, corn on the cob or apples. Entice the squirrels by placing some treats at the base of a tree. Wait for them to come down and snap away.



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    Our animal and wildlife control specialists at Skedaddle have helped over 200,000 customers keep their property pest-free. Call us for all wildlife problems.


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    How to Crop Photos. Cropping your photos not only improves the photograph, it can improve your layout. Try some of these 7 cropping tips and tricks.


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Monday, July 23, 2018

Definition of Telephoto Lens

Definition of Telephoto Lens

A telephoto lens is any lens that contains a grouping of telephoto elements. This results in a lens with a long focal length, such that the lens itself is shorter than its own focal length. Telephoto lenses can be used to magnify distant subjects or to achieve zoom effects.

Development

    Theories about the possibility of constructing a telephoto lens predate photography. In fact, many of the same optical principles are at work in telescopes that date back to the 17th century.
    The telephoto lens was adapted for photography by Thomas Dallmeyer. His telephoto lens, built in 1891, resembled the modern telephoto lens. But Dallmeyer's status as "inventor" of the telephoto lens is a subject of debate, as other practitioners of the new medium of photography developed similar lenses at about the same time. Alexander McKay is notable for making his own telephoto lens out of the glass from discarded liquor bottles as early as the 1880s.

Optics

    In a standard lens with a fixed focal length, the perspective and magnification are set and unchangeable. In a lens with varying focal lengths, the physical lengthening of the lens allows the photographer to magnify a distant subject by increasing the focal length.
    In a telephoto lens, the telephoto group (a series of lens elements) is positioned close to the focal plane and distorts the light coming from lens elements farther away. This gives the illusion that the focal length is much longer than it actually is, longer even than the lens would be capable of producing if not for the presence of the telephoto group.

Variations

    A retrofocus lens is essentially an inverted telephoto lens. It has the ability to make objects seem more distant using the same optical principles as the telephoto lens. Many modern lenses incorporate both the telephoto and retrofocus groupings to provide an extremely versatile zoom lens with a widely variable focal length.
    Telephoto lenses (and their related zoom lens variants) have been incorporated into film cameras, and they are an important tool for photographers and cinematographers alike.

Effects

    The basic purpose of the telephoto lens is magnification. This allows photographers to maintain a distance from a subject or to capture images in greater detail than their proximity would otherwise allow.
    Other applications of the telephoto lens that might be explored by photographers include the manipulation of depth of field, which allows for only a portion of the image to remain in focus while objects in the distance or nearer the camera appear out of focus. The flattening of distance that is common to telephoto lenses can also be used to distort space in interesting ways or flatter a portrait subject by de-emphasizing sharp or elongated features.

Drawbacks

    The chief complaint about the telephoto lens is its distortion of perspective. This phenomenon is known as "constant object size," and it refers to the compression of distance that is a function of the optics of a telephoto lens. It occurs because of the fact that as a telephoto lens is used to zoom in on a subject, the size of that subject relative to anything else in the frame remains constant instead of shifting due to a perspective shift. This shift could be achieved by physically changing the position of the camera, but this is not always possible due to spatial constraints.
    When the zoom lens was popularized in the cinema, zooms were often criticized as unrealistic and conspicuous, but over time viewers became accustomed to their presence. In still photography, the old axiom that the camera never lies should at least be questioned in the case of perspective when a telephoto lens was used.


Definition of Telephoto Lens

A telephoto lens is any lens that contains a grouping of telephoto elements. This results in a lens with a long focal length, such that the lens itself is shorter than its own focal length. Telephoto lenses can be used to magnify distant subjects or to achieve zoom effects.

Development

    Theories about the possibility of constructing a telephoto lens predate photography. In fact, many of the same optical principles are at work in telescopes that date back to the 17th century.
    The telephoto lens was adapted for photography by Thomas Dallmeyer. His telephoto lens, built in 1891, resembled the modern telephoto lens. But Dallmeyer's status as "inventor" of the telephoto lens is a subject of debate, as other practitioners of the new medium of photography developed similar lenses at about the same time.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Alexander McKay is notable for making his own telephoto lens out of the glass from discarded liquor bottles as early as the 1880s.

Optics

    In a standard lens with a fixed focal length, the perspective and magnification are set and unchangeable. In a lens with varying focal lengths, the physical lengthening of the lens allows the photographer to magnify a distant subject by increasing the focal length.
    In a telephoto lens, the telephoto group (a series of lens elements) is positioned close to the focal plane and distorts the light coming from lens elements farther away. This gives the illusion that the focal length is much longer than it actually is, longer even than the lens would be capable of producing if not for the presence of the telephoto group.

Variations

    A retrofocus lens is essentially an inverted telephoto lens. It has the ability to make objects seem more distant using the same optical principles as the telephoto lens. Many modern lenses incorporate both the telephoto and retrofocus groupings to provide an extremely versatile zoom lens with a widely variable focal length.
    Telephoto lenses (and their related zoom lens variants) have been incorporated into film cameras, and they are an important tool for photographers and cinematographers alike.

Effects

    The basic purpose of the telephoto lens is magnification. This allows photographers to maintain a distance from a subject or to capture images in greater detail than their proximity would otherwise allow.
    Other applications of the telephoto lens that might be explored by photographers include the manipulation of depth of field, which allows for only a portion of the image to remain in focus while objects in the distance or nearer the camera appear out of focus. The flattening of distance that is common to telephoto lenses can also be used to distort space in interesting ways or flatter a portrait subject by de-emphasizing sharp or elongated features.

Drawbacks

    The chief complaint about the telephoto lens is its distortion of perspective. This phenomenon is known as "constant object size," and it refers to the compression of distance that is a function of the optics of a telephoto lens. It occurs because of the fact that as a telephoto lens is used to zoom in on a subject, the size of that subject relative to anything else in the frame remains constant instead of shifting due to a perspective shift. This shift could be achieved by physically changing the position of the camera, but this is not always possible due to spatial constraints.
    When the zoom lens was popularized in the cinema, zooms were often criticized as unrealistic and conspicuous, but over time viewers became accustomed to their presence. In still photography, the old axiom that the camera never lies should at least be questioned in the case of perspective when a telephoto lens was used.



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