How to Change the Date on Pictures

As opposed to taking pictures with cumbersome film cameras, digital photography has opened a window to a host of opportunities for photographers. Because digital photos can be uploaded onto a computer, details and settings on pictures can be changed. One of the details that can be altered is the date stamp that appears on a picture. Changing the date of a picture that was taken 5 years ago to today requires little time and the new date will be saved on the picture.

Instructions

How to Change the Date on Pictures

1

Browse for the picture that you want to change the date of. Check in the "My Pictures" or "My Documents" folders if you are having trouble locating your pictures.

2

Right click on the picture and click "Properties". Go to the top menu and click the "Details" tab.

3

Move the cursor and click "Date Taken" under "Origin". Click the down arrow next to the month, day or year that you want to change.

4

Select the date on the calendar that you want to appear on the picture. Click "Apply" to save your changes and "OK" to exit out of the window.

5

Place your cursor over the icon of the image to view the new date that will be on your picture.

---

As opposed to taking pictures with cumbersome film cameras, digital photography has opened a window to a host of opportunities for photographers.

Enhance your photography skill,The Top Secret Photography Techniques

. Because digital photos can be uploaded onto a computer, details and settings on pictures can be changed. One of the details that can be altered is the date stamp that appears on a picture. Changing the date of a picture that was taken 5 years ago to today requires little time and the new date will be saved on the picture.

Instructions

How to Change the Date on Pictures

1

Browse for the picture that you want to change the date of. Check in the "My Pictures" or "My Documents" folders if you are having trouble locating your pictures.

2

Right click on the picture and click "Properties". Go to the top menu and click the "Details" tab.

3

Move the cursor and click "Date Taken" under "Origin". Click the down arrow next to the month, day or year that you want to change.

4

Select the date on the calendar that you want to appear on the picture. Click "Apply" to save your changes and "OK" to exit out of the window.

5

Place your cursor over the icon of the image to view the new date that will be on your picture.

---

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How to Photograph Mountains

Mountains pose a serious challenge to the photographer hoping to capture their scale and majesty in a photograph. You might have experienced the disappointment of returning from a trip to the mountains only to find that your photographs did not capture the sense of awe you had in front of the real subject. You can master a few simple strategies that will help you take better pictures of mountains on your next trip.

Instructions

1

Purchase a polarizing filter to use with your lens. This filter will reduce haze and increase the color saturation in the sky.

2

Purchase a steady tripod and bring it with you on all shooting trips. The tripod will allow you to stabilize your camera for longer exposures, giving you the freedom to choose the appropriate aperture settings.

3

Plan to shoot in the early morning, late afternoon or evening rather than at midday. The side-lighting and back-lighting of these transitional periods will define the shapes and details of the mountains better than the direct, frontal lighting of a bright noonday sun. Prepare to set up any equipment in advance of this time so you'll be ready to capture the light at its best.

4

Shoot with a small aperture (high f-stop number) to maximize depth of field. The smaller the aperture, the more depth of field, meaning more of your image will appear in focus. With maximum depth of field, you can create an image in which both the foreground and distant background appear in focus.

5

Shoot with a higher ISO (film speed or digital sensor sensitivity number) and a slower shutter speed to compensate for the small aperture.

6

Include people in the foreground of your image to give the viewer a sense of the mountains' scale.

---

Mountains pose a serious challenge to the photographer hoping to capture their scale and majesty in a photograph. You might have experienced the disappointment of returning from a trip to the mountains only to find that your photographs did not capture the sense of awe you had in front of the real subject. You can master a few simple strategies that will help you take better pictures of mountains on your next trip.

Instructions

1

Purchase a polarizing filter to use with your lens. This filter will reduce haze and increase the color saturation in the sky.

2

Purchase a steady tripod and bring it with you on all shooting trips. The tripod will allow you to stabilize your camera for longer exposures, giving you the freedom to choose the appropriate aperture settings.

3

Plan to shoot in the early morning, late afternoon or evening rather than at midday. The side-lighting and back-lighting of these transitional periods will define the shapes and details of the mountains better than the direct, frontal lighting of a bright noonday sun.

Enhance your photography skill,The Top Secret Photography Techniques

. Prepare to set up any equipment in advance of this time so you'll be ready to capture the light at its best.
4

Shoot with a small aperture (high f-stop number) to maximize depth of field. The smaller the aperture, the more depth of field, meaning more of your image will appear in focus. With maximum depth of field, you can create an image in which both the foreground and distant background appear in focus.

5

Shoot with a higher ISO (film speed or digital sensor sensitivity number) and a slower shutter speed to compensate for the small aperture.

6

Include people in the foreground of your image to give the viewer a sense of the mountains' scale.

---

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Types of Photo Compositions

Photography can be an art form, whether it is amateur or professional. Photographers often use different types of composition to enhance a picture. Using compositions involves trying to highlight various aspects of the subject in an effort to have the viewer see it from a different perspective.

A Picture in Thirds

One type of composition is known as "thirds." The photographer pictures the shot in a grid made up of two equally spaced lines from top to the bottom and two equally spaced from left to right. This turns the picture into nine smaller pictures or "thirds." This allows the most important aspects of the picture to be placed where the photographer wants them.

Balance in a Frame

Another method of composition is called "balance." Photographers can place the object they are photographing away from the center of the picture. It is sometimes recommended to place another object in the space that is left empty. For example, a picture of a child that is sitting in the upper left portion of the picture can be counter balanced by placing a toy or a pet in the lower right of the picture.

Leading the Eye

Viewer's eyes often follow lines or paths contained in a picture. These paths can be used to lead the eyes to the real object the photographer wants highlighted. An example of this type of composition is a kite string that leads the eyes first to the string then all the way up to the kite hovering in the sky.

Various Patterns

Photographers often try to capture the inherent symmetry of objects. Some examples of this are faces, table settings, spider webs and birds flying in a "v" formation. Sometimes, broken patterns are captured, such as a smile with a missing front tooth.

Point of View

Point of view is another form of composition used to show different perspectives. For example, the point of view of a child looking up at a very large object or person. The opposite viewpoint is also used of a tall person looking down on something that is smaller in size. This technique can also be used to show a far away viewpoint as opposed to one that is very close up to the subject of a photo.

Frame within a Frame

An object being "framed" by another object is a method of composition called framing. An example of this is a picture taken of a person standing in front of an archway. Not only will he be framed by the four corners of the picture, he has the additional natural frame of the archway as well.

Photo Cropping

Small objects that are meant to be the center of attention in a picture sometimes get lost among larger objects. Photographers can employ a composition method known as cropping to bring the main focus on these smaller objects. For example, a picture of a button may get lost on a colorful shirt. The photographer can crop or cut the picture to show the button with only a little part of the shirt around it.

---

Photography can be an art form, whether it is amateur or professional. Photographers often use different types of composition to enhance a picture. Using compositions involves trying to highlight various aspects of the subject in an effort to have the viewer see it from a different perspective.

A Picture in Thirds

One type of composition is known as "thirds." The photographer pictures the shot in a grid made up of two equally spaced lines from top to the bottom and two equally spaced from left to right. This turns the picture into nine smaller pictures or "thirds." This allows the most important aspects of the picture to be placed where the photographer wants them.

Balance in a Frame

Another method of composition is called "balance." Photographers can place the object they are photographing away from the center of the picture.

Enhance your photography skill,The Top Secret Photography Techniques

. It is sometimes recommended to place another object in the space that is left empty. For example, a picture of a child that is sitting in the upper left portion of the picture can be counter balanced by placing a toy or a pet in the lower right of the picture.

Leading the Eye

Viewer's eyes often follow lines or paths contained in a picture. These paths can be used to lead the eyes to the real object the photographer wants highlighted. An example of this type of composition is a kite string that leads the eyes first to the string then all the way up to the kite hovering in the sky.

Various Patterns

Photographers often try to capture the inherent symmetry of objects. Some examples of this are faces, table settings, spider webs and birds flying in a "v" formation. Sometimes, broken patterns are captured, such as a smile with a missing front tooth.

Point of View

Point of view is another form of composition used to show different perspectives. For example, the point of view of a child looking up at a very large object or person. The opposite viewpoint is also used of a tall person looking down on something that is smaller in size. This technique can also be used to show a far away viewpoint as opposed to one that is very close up to the subject of a photo.

Frame within a Frame

An object being "framed" by another object is a method of composition called framing. An example of this is a picture taken of a person standing in front of an archway. Not only will he be framed by the four corners of the picture, he has the additional natural frame of the archway as well.

Photo Cropping

Small objects that are meant to be the center of attention in a picture sometimes get lost among larger objects. Photographers can employ a composition method known as cropping to bring the main focus on these smaller objects. For example, a picture of a button may get lost on a colorful shirt. The photographer can crop or cut the picture to show the button with only a little part of the shirt around it.

---

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About Photography Lighting

In order to understand photography you must understand light. If you have poor lighting you will have bad photographs. Good lighting creates brilliant pictures. Every photographer needs to pay close attention to lighting conditions and, whenever possible, manipulate those conditions for effect. There are basics of photography lighting that every photographer should know. After mastering the fundamentals, it is up to the individual photographer to use light in her own unique way.

The Facts

Photography lighting basics require three light sources. The most important is the "key" light source. This is the brightest light and must shine directly on the subject of the photograph. The key light should be behind the photographer at an angle. The second light source is the "fill" light. It shines across the key light with less intensity and softens shadows. The fill light should ideally be close to a right angle to the key light. The third light source is the "back" or "background" light. This goes behind the subject of the photograph. If the background is important then the light should point away from the subject and light up the surroundings. If the subject is blending into the background the light can be pointed at the subject's back. This will distinguish the subject from the background. Other light sources can also be added to highlight specific things in the frame.

Misconceptions

Many amateur photographers believe that the automatic flash on a camera will take care of all lighting needs. The opposite is true. Automatic flashes usually wash out a photograph. They do not adapt for specific situations. They just saturate the frame with light. This is why people often appear to have red eyes when there is a flash in a dark place. Sometimes a flash will light up something close to the camera while leaving the background dark. Flashes are also ineffective at lighting up things at a distance. To get good photographs you must deliberately light what you are shooting.

Type

Photographers use a variety of light sources. The sun is the most obvious one. It provides great natural light but can cast harsh shadows. The sun is often in the wrong place from a photographer's perspective. In that case the photographer must change position or wait for the sun to move. Artificial lights can be moved at the photographer's whim. Photography lights can flash, strobe or provide constant illumination. They come with different kinds of bulbs that produce different color light. Filters, barn doors and gels are useful to diffuse and reduce harsh light. Reflectors act like light sources even though they don't produce their own light.

Benefits

A well lit photograph is a thing of beauty. It brings out elements in a scene that are not witnessed or appreciated by the naked eye. A little effort lighting a photograph goes a long way toward improving the picture. It doesn't have to be complicated. Simply having the sun behind you at a 45 degree angle to your subject and a reflector on the other side of the camera to remove shadows can produce a stunning picture. Since it is daytime, a background light probably isn't necessary. When taking pictures indoors use the lights you have around you. Turn as many on as you can find then position your subject to take advantage of where the light shines. As long as you understand photography lighting basics you can adapt to improve your photos.

Effects

Photography lighting allows you to create special effects. Colored lights and filters can change shades of what you see. Over lighting, under lighting and back lighting can create dramatic images with shadows. Focused lighting can illuminate specific objects while leaving the rest of the frame dark. The options are limitless when manipulating light for photography.

---

In order to understand photography you must understand light. If you have poor lighting you will have bad photographs. Good lighting creates brilliant pictures. Every photographer needs to pay close attention to lighting conditions and, whenever possible, manipulate those conditions for effect. There are basics of photography lighting that every photographer should know. After mastering the fundamentals, it is up to the individual photographer to use light in her own unique way.

Enhance your photography skill,The Top Secret Photography Techniques

.

The Facts

Photography lighting basics require three light sources. The most important is the "key" light source. This is the brightest light and must shine directly on the subject of the photograph. The key light should be behind the photographer at an angle. The second light source is the "fill" light. It shines across the key light with less intensity and softens shadows. The fill light should ideally be close to a right angle to the key light. The third light source is the "back" or "background" light. This goes behind the subject of the photograph. If the background is important then the light should point away from the subject and light up the surroundings. If the subject is blending into the background the light can be pointed at the subject's back. This will distinguish the subject from the background. Other light sources can also be added to highlight specific things in the frame.

Misconceptions

Many amateur photographers believe that the automatic flash on a camera will take care of all lighting needs. The opposite is true. Automatic flashes usually wash out a photograph. They do not adapt for specific situations. They just saturate the frame with light. This is why people often appear to have red eyes when there is a flash in a dark place. Sometimes a flash will light up something close to the camera while leaving the background dark. Flashes are also ineffective at lighting up things at a distance. To get good photographs you must deliberately light what you are shooting.

Type

Photographers use a variety of light sources. The sun is the most obvious one. It provides great natural light but can cast harsh shadows. The sun is often in the wrong place from a photographer's perspective. In that case the photographer must change position or wait for the sun to move. Artificial lights can be moved at the photographer's whim. Photography lights can flash, strobe or provide constant illumination. They come with different kinds of bulbs that produce different color light. Filters, barn doors and gels are useful to diffuse and reduce harsh light. Reflectors act like light sources even though they don't produce their own light.

Benefits

A well lit photograph is a thing of beauty. It brings out elements in a scene that are not witnessed or appreciated by the naked eye. A little effort lighting a photograph goes a long way toward improving the picture. It doesn't have to be complicated. Simply having the sun behind you at a 45 degree angle to your subject and a reflector on the other side of the camera to remove shadows can produce a stunning picture. Since it is daytime, a background light probably isn't necessary. When taking pictures indoors use the lights you have around you. Turn as many on as you can find then position your subject to take advantage of where the light shines. As long as you understand photography lighting basics you can adapt to improve your photos.

Effects

Photography lighting allows you to create special effects. Colored lights and filters can change shades of what you see. Over lighting, under lighting and back lighting can create dramatic images with shadows. Focused lighting can illuminate specific objects while leaving the rest of the frame dark. The options are limitless when manipulating light for photography.

---

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How to Add Long Hair to Pictures

Adding long hair to pictures is simple if you have a powerful image processing program, such as Paint Shop Pro. The trick is to use the clone tool, which allows you to use a part of an image as if it were a paint color. In any picture, hair is just a mass of color and texture which can be easily reproduced and worked in to seamlessly blend with other areas of hair.

Instructions

1




Gather together several pictures which were taken on the same day and in the same lighting conditions. Scan them all into your computer, or download them from your digital camera.

2

Import the pictures into Paint Shop Pro by clicking the browse button, which looks like a file cabinet. Then click the clone button, which looks a little like two people joined by an arrow going to the right. Open all the pictures which you scanned or downloaded. If you're planning to work from the same picture, save the picture using two different file names. Open both copies of the picture in Paint Shop Pro.

3




Find an area of the hair that looks like it's flowing in a downward direction. Right click on the copy of the picture which you intend to leave intact. Left click on the destination picture, and begin to paint the hair in, carefully watching your source picture to avoid getting outside of the hair boundary. If you do overstep the hair boundary slightly, however, it can be fixed later by cloning in the proper texture for that area.

4




Add some hair volume in different areas so that the two masses of long hair don't look like perfect copies of one another. One trick is to reduce the size of the brush in the Tool Options Palette, then draw the hair in strands. Try a few different things, and click Edit > Undo if they don't look right.

5

Right click on the original ends of the hair in your source picture. Use the clone tool to add these ends to the ends of the added long hair strands to make them look real.

6




Select the soften tool from the toolbar. Zoom in on the edited image with your mouse's scroll wheel and look for any area which seems to have a hard, harsh edge. Stipple over these areas with the soften brush. Do not attempt to drag the cursor across the sharp areas, as this will not have the desired effect.

7

Save your image with a new file name.

---

Adding long hair to pictures is simple if you have a powerful image processing program, such as Paint Shop Pro. The trick is to use the clone tool, which allows you to use a part of an image as if it were a paint color. In any picture, hair is just a mass of color and texture which can be easily reproduced and worked in to seamlessly blend with other areas of hair.

Instructions

1




Gather together several pictures which were taken on the same day and in the same lighting conditions. Scan them all into your computer, or download them from your digital camera.

2

Import the pictures into Paint Shop Pro by clicking the browse button, which looks like a file cabinet. Then click the clone button, which looks a little like two people joined by an arrow going to the right. Open all the pictures which you scanned or downloaded. If you're planning to work from the same picture, save the picture using two different file names. Open both copies of the picture in Paint Shop Pro.

3




Find an area of the hair that looks like it's flowing in a downward direction.

Enhance your photography skill,The Top Secret Photography Techniques

. Right click on the copy of the picture which you intend to leave intact. Left click on the destination picture, and begin to paint the hair in, carefully watching your source picture to avoid getting outside of the hair boundary. If you do overstep the hair boundary slightly, however, it can be fixed later by cloning in the proper texture for that area.
4




Add some hair volume in different areas so that the two masses of long hair don't look like perfect copies of one another. One trick is to reduce the size of the brush in the Tool Options Palette, then draw the hair in strands. Try a few different things, and click Edit > Undo if they don't look right.

5

Right click on the original ends of the hair in your source picture. Use the clone tool to add these ends to the ends of the added long hair strands to make them look real.

6




Select the soften tool from the toolbar. Zoom in on the edited image with your mouse's scroll wheel and look for any area which seems to have a hard, harsh edge. Stipple over these areas with the soften brush. Do not attempt to drag the cursor across the sharp areas, as this will not have the desired effect.

7

Save your image with a new file name.

---

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  Burning My Hair Off -ORIGINAL VIDEO- (Hair Tutorial Gone

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