Thursday, July 31, 2014

How to Sell Stock Photography Online

The internet has expanded the opportunities for stock photographers, by increasing the number of media outlets where images are used, and by allowing buyers from around the world to access stock photo collections easily. The numerous stock photography agencies have also made it simple for photographers to present their work for sale online to buyers. Read on to learn how to gain access to these agencies and sell your images to interested buyers.

Instructions

    1

    Create commercial-grade images for submission to stock agencies. Stock photography differs from personal photography in two aspects, the content and technical aspects. You will need to produce images with the needs of the end-user in mind. The content will need to convey a single emotion, action, product or lifestyle clearly. In addition, your images will also need to be exacting in regards to the technical aspects of photography, such as exposure, focus, color and noise.

    2

    Submit applications to stock photography agencies. Once you have created a small portfolio of commercial-grade images you can now apply to one of the many stock photo agencies. Be sure to note the requirements for each one before applying, as each may want a differing number and type of images for the application. The application is typically handled directly through the website of the agency. Here you will fill out your personal information, employment information and upload your sample images. After a specified period of time, usually no more than several weeks, you will receive a response to your application.

    3

    Research the market and develop suitable new material. To increase the size of your stock photo library you will have to develop more and more images over time. Most stock photographers choose to focus on a handful or markets such as sports, fashion, lifestyle, food and niche markets they find themselves. You will need to keep an eye on what is happening in your market by looking at what types of images publishers in your market are using, what types of stories they are covering and other market trends that will create a demand for images you can provide.

    4

    Submit new images to your agency. Most agencies handle this process online, and while convenient, it can also be time consuming. Upload your images through the agency's website or upload tool. Before the file is finished and ready for the inspection process you must also tag the image with keywords that will help buyers find your images amongst the other images in the collection. Lastly, you will need to determine the licensing of the image; this will vary from agency to agency, but the two choices are usually between rights-managed and royalty free licensing. Although, some agencies only deal with one type of licensing, that is, some stock photography agencies only sell images under right-managed licenses while others, are royalty-free only agencies.


The internet has expanded the opportunities for stock photographers, by increasing the number of media outlets where images are used, and by allowing buyers from around the world to access stock photo collections easily. The numerous stock photography agencies have also made it simple for photographers to present their work for sale online to buyers.

Enhance your photography skill,The Top Secret Photography Techniques

. Read on to learn how to gain access to these agencies and sell your images to interested buyers.

Instructions

    1

    Create commercial-grade images for submission to stock agencies. Stock photography differs from personal photography in two aspects, the content and technical aspects. You will need to produce images with the needs of the end-user in mind. The content will need to convey a single emotion, action, product or lifestyle clearly. In addition, your images will also need to be exacting in regards to the technical aspects of photography, such as exposure, focus, color and noise.

    2

    Submit applications to stock photography agencies. Once you have created a small portfolio of commercial-grade images you can now apply to one of the many stock photo agencies. Be sure to note the requirements for each one before applying, as each may want a differing number and type of images for the application. The application is typically handled directly through the website of the agency. Here you will fill out your personal information, employment information and upload your sample images. After a specified period of time, usually no more than several weeks, you will receive a response to your application.

    3

    Research the market and develop suitable new material. To increase the size of your stock photo library you will have to develop more and more images over time. Most stock photographers choose to focus on a handful or markets such as sports, fashion, lifestyle, food and niche markets they find themselves. You will need to keep an eye on what is happening in your market by looking at what types of images publishers in your market are using, what types of stories they are covering and other market trends that will create a demand for images you can provide.

    4

    Submit new images to your agency. Most agencies handle this process online, and while convenient, it can also be time consuming. Upload your images through the agency's website or upload tool. Before the file is finished and ready for the inspection process you must also tag the image with keywords that will help buyers find your images amongst the other images in the collection. Lastly, you will need to determine the licensing of the image; this will vary from agency to agency, but the two choices are usually between rights-managed and royalty free licensing. Although, some agencies only deal with one type of licensing, that is, some stock photography agencies only sell images under right-managed licenses while others, are royalty-free only agencies.



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Saturday, July 26, 2014

How to Add a Wind Effect to an Image

How to Add a Wind Effect to an Image

Looking through my old pictures I found this rather boring picture of a small part of Downtown Pittsburgh. Although the image has nice lighting, it really is not useful as a picture of Pittsburgh and has no power or story. Could I save this image and turn it into something else? I had an idea that maybe I could take one building and apply a wind effect to make it look like it was blowing away. I was sure GIMP must have such a tool--and right I was. I am not sure if the final image works; you be the judge. Read on to find out how to apply a wind effect to part of your image.

Instructions

    1
    Open Original

    Find a suitable image. You could really choose anything: a flower, a building or any other object that suits you. In this case I wanted to see if I could apply the effect to a single building in this mini-skyscraper image. Once you select your file, open it in GIMP.

    2

    Select the "Fuzzy Select" or magic wand tool. Notice there are different modes in the tool control box. I used anti-aliasing and select transparent settings. Once I selected the base image I used the ADD TO and SUBTRACT FROM modes to select as much as I wanted. This takes some time to get exactly the area that you want to impact with the wind effect. You can also use the COLOR SELECT or LASSO tool to select the area. Use whatever tool you are most comfortable with.

    3
    Apply Wind Effect

    Open the WIND tool panel form the FILTERS tab. The LOWER the threshold number, the greater the effect. The HIGHER the effect numbers, the greater the effect. Experiment with the different settings and observe the results in the preview window. Remember, the effect will only be applied in the selected area, so move your previewer to see the impacted area. Once you are satisfied, click OK to render the image.

    4
    Final Image

    Save the image under a new file name so you can see the impact. You will not be able to see it well after rendering, since the FUZZY SELECT will block your view. You can UNDO the fuzzy select to see the impact, but if it isn't what you want you will have to reselect, which is the hardest part of this exercise. Does it work? I don't know, but it is easy to do, and I think I will select a flower for my next try.


How to Add a Wind Effect to an Image

Looking through my old pictures I found this rather boring picture of a small part of Downtown Pittsburgh. Although the image has nice lighting, it really is not useful as a picture of Pittsburgh and has no power or story. Could I save this image and turn it into something else? I had an idea that maybe I could take one building and apply a wind effect to make it look like it was blowing away.

Enhance your photography skill,The Top Secret Photography Techniques

. I was sure GIMP must have such a tool--and right I was. I am not sure if the final image works; you be the judge. Read on to find out how to apply a wind effect to part of your image.

Instructions

    1
    Open Original

    Find a suitable image. You could really choose anything: a flower, a building or any other object that suits you. In this case I wanted to see if I could apply the effect to a single building in this mini-skyscraper image. Once you select your file, open it in GIMP.

    2

    Select the "Fuzzy Select" or magic wand tool. Notice there are different modes in the tool control box. I used anti-aliasing and select transparent settings. Once I selected the base image I used the ADD TO and SUBTRACT FROM modes to select as much as I wanted. This takes some time to get exactly the area that you want to impact with the wind effect. You can also use the COLOR SELECT or LASSO tool to select the area. Use whatever tool you are most comfortable with.

    3
    Apply Wind Effect

    Open the WIND tool panel form the FILTERS tab. The LOWER the threshold number, the greater the effect. The HIGHER the effect numbers, the greater the effect. Experiment with the different settings and observe the results in the preview window. Remember, the effect will only be applied in the selected area, so move your previewer to see the impacted area. Once you are satisfied, click OK to render the image.

    4
    Final Image

    Save the image under a new file name so you can see the impact. You will not be able to see it well after rendering, since the FUZZY SELECT will block your view. You can UNDO the fuzzy select to see the impact, but if it isn't what you want you will have to reselect, which is the hardest part of this exercise. Does it work? I don't know, but it is easy to do, and I think I will select a flower for my next try.



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Friday, July 25, 2014

The Best Bird Photography Sites

The Best Bird Photography Sites

You might assume that bird photography is a nearly impossible hobby for the casual photographer. Birds move quickly, and setting up the perfect shot without knowing how long a bird might linger can be frustrating. However, there are several well-produced websites, ranging from professional to personal sites, which assert that bird photography is, in fact, something easily mastered by anyone with a digital SLR camera.

Mike Atkinson Bird Photography

    Mike Atkinson's bird photography site covers all the bases of bird photography, offering detailed tutorials, photo galleries, links and one-day workshops. His free tutorials include basic photography topics such as camera settings, equipment, and basic composition. He also writes on more particular aspects of bird photography, such as birds and water, basic field techniques and how to photograph different types of birds, such as wildfowl or garden birds.

David Hemmings Bird Photography

    World-renowned for his bird photography, which is displayed in the American Museum of Natural History in New York City and published in National Geographic, David Hemmings operates a site featuring his photos and art prints, as well as information about his workshops and tours. His photo albums exemplify professional composition and technique, listing birds by type (such as snowy owls, birds of Belize, and shorebirds). His nature photography workshops and private lessons take place all over the world.

Ken Rockwell's How to Photograph Birds

    Unlike David Hemmings who has made his profession photographing birds, Ken Rockwell takes photos for fun and operates his site, How to Photograph Birds, simply as a hobby. Ken Rockwell gives advice on what makes a great bird photo, as well as what attitude to assume when you're on the prowl with your camera in hand. He also recommends what kind of equipment to use based on your budget, for example, what to buy under $100, or what to buy in the $5,000-$9,000 price range.

Nature Photographers Online Magazine: Bird Photography

    A section of the Nature Photographers Network Official Website, this site provides a long list of links to relevant articles on the subject of bird photography. These articles mostly pertain to specific situations that a photographer might encounter when taking pictures of birds; titles include "Armchair Nature Photography," "The Dos and Don'ts of Nest Photography," and "Top Ten Tips for Photographing Small Birds." In addition, the site's Avian Image Critique Gallery and Bird Photography Discussion Forum allow viewers to connect to other photographers by commenting on posted bird photos or discussing technique and location for bird photography.


The Best Bird Photography Sites

You might assume that bird photography is a nearly impossible hobby for the casual photographer. Birds move quickly, and setting up the perfect shot without knowing how long a bird might linger can be frustrating. However, there are several well-produced websites, ranging from professional to personal sites, which assert that bird photography is, in fact, something easily mastered by anyone with a digital SLR camera.

Mike Atkinson Bird Photography

    Mike Atkinson's bird photography site covers all the bases of bird photography, offering detailed tutorials, photo galleries, links and one-day workshops. His free tutorials include basic photography topics such as camera settings, equipment, and basic composition. He also writes on more particular aspects of bird photography, such as birds and water, basic field techniques and how to photograph different types of birds, such as wildfowl or garden birds.

David Hemmings Bird Photography

    World-renowned for his bird photography, which is displayed in the American Museum of Natural History in New York City and published in National Geographic, David Hemmings operates a site featuring his photos and art prints, as well as information about his workshops and tours. His photo albums exemplify professional composition and technique, listing birds by type (such as snowy owls, birds of Belize, and shorebirds). His nature photography workshops and private lessons take place all over the world.

Ken Rockwell's How to Photograph Birds

    Unlike David Hemmings who has made his profession photographing birds, Ken Rockwell takes photos for fun and operates his site, How to Photograph Birds, simply as a hobby. Ken Rockwell gives advice on what makes a great bird photo, as well as what attitude to assume when you're on the prowl with your camera in hand. He also recommends what kind of equipment to use based on your budget, for example, what to buy under $100, or what to buy in the $5,000-$9,000 price range.

Nature Photographers Online Magazine: Bird Photography

    A section of the Nature Photographers Network Official Website, this site provides a long list of links to relevant articles on the subject of bird photography. These articles mostly pertain to specific situations that a photographer might encounter when taking pictures of birds; titles include "Armchair Nature Photography," "The Dos and Don'ts of Nest Photography," and "Top Ten Tips for Photographing Small Birds." In addition, the site's Avian Image Critique Gallery and Bird Photography Discussion Forum allow viewers to connect to other photographers by commenting on posted bird photos or discussing technique and location for bird photography.



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Thursday, July 24, 2014

Ideas for Photo Shoots

Photo shoots traditionally are done in beautiful locations, whether indoors or outside, to highlight the subjects' own beauty. That doesn't mean they always have to be shot in such locations. Unusual settings can give a wide variety of striking images. The cliche in choosing such locations might be to "think outside the box," but the reality is unusual locations allow you to create your own worldview.

Black and White

    Old, abandoned houses can make good settings, especially if you are photographing a rock band or an artist. Old houses also can work for glamor photography as well, however, because of the stark contrast between the crumbling beauty of the house and the shining beauty of your model.

    Shooting in black and white gives greater contrast, too, between your model and the background. Use the background, though. Look for the peeling wallpaper, the rickety stairs, the ragged, tattered curtains. Place the model at the window looking out and shoot from both inside and outside the house. Have the band members stand on different steps of the stairs in vague tribute to The Beatles from "Magical Mystery Tour." Show the artist contemplating old, half-hanging art. Use the widow's walk and even the dungeon-esque basement.

Use the Crowd

    Public parks may seem traditional, but a busy one can make for an interesting moving-through-the-crowds photo shoot with lots of extras. Be careful not to get clear shots of the people you're not intending for the shoot or be prepared to get them to sign release forms in order to publish or sell the photos.
    Shoot with a telephoto with narrow focus on your models, however, and you will get the other people just a unrecognizable blurs. Use the parts of the park not usually seen in wedding photos. Look under the bridge and away from archways and trellises.

Junkyard Beauty

    Junkyards are the most unglamorous locations, yet using one for unusual shots can work. Get permission to do the photo shoot from the owner.
    Use the jagged edges of scrap metal and the stacks of automobiles as contrasting backdrops for your soft models. Use the automatic contrast between soft human beings and the uncompromising hardness of refuse.


Photo shoots traditionally are done in beautiful locations, whether indoors or outside, to highlight the subjects' own beauty. That doesn't mean they always have to be shot in such locations. Unusual settings can give a wide variety of striking images. The cliche in choosing such locations might be to "think outside the box," but the reality is unusual locations allow you to create your own worldview.

Black and White

    Old, abandoned houses can make good settings, especially if you are photographing a rock band or an artist. Old houses also can work for glamor photography as well, however, because of the stark contrast between the crumbling beauty of the house and the shining beauty of your model.

    Shooting in black and white gives greater contrast, too, between your model and the background. Use the background, though. Look for the peeling wallpaper, the rickety stairs, the ragged, tattered curtains. Place the model at the window looking out and shoot from both inside and outside the house. Have the band members stand on different steps of the stairs in vague tribute to The Beatles from "Magical Mystery Tour." Show the artist contemplating old, half-hanging art. Use the widow's walk and even the dungeon-esque basement.

Use the Crowd

    Public parks may seem traditional, but a busy one can make for an interesting moving-through-the-crowds photo shoot with lots of extras. Be careful not to get clear shots of the people you're not intending for the shoot or be prepared to get them to sign release forms in order to publish or sell the photos.
    Shoot with a telephoto with narrow focus on your models, however, and you will get the other people just a unrecognizable blurs. Use the parts of the park not usually seen in wedding photos. Look under the bridge and away from archways and trellises.

Junkyard Beauty

    Junkyards are the most unglamorous locations, yet using one for unusual shots can work.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Get permission to do the photo shoot from the owner.
    Use the jagged edges of scrap metal and the stacks of automobiles as contrasting backdrops for your soft models. Use the automatic contrast between soft human beings and the uncompromising hardness of refuse.



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