Monday, August 31, 2015

35mm Landscape Photography Techniques

35mm Landscape Photography Techniques

Whether you're on vacation or live in an area with postcard-worthy vistas, photographing landscapes is simple with a 35mm camera and versatile lenses. Changing lenses and adjusting depth of field, exposure and shutter speed on a 35mm camera elevates your landscape photography skills from point-and-shoot to artistic.

Vantage Points

    Take the time to scout a location, according to Robert Caputo, author of "Photography Field Guide: Landscapes" and "Ultimate Photography Field Guide: Landscapes" who is featured on the National Geographic website. The first image you see may be beautiful, but consider finding a landscape that is even more pristine by shooting high above the telephone poles and or beyond the gray asphalt of a parking lot. Look for hilltops, the roof of a parking garage, lookout towers or trails that offer a unique vantage point. Attach a long lens on the 35mm camera to zoom into the landscape from a high vantage point. Try a 100mm fixed focal length lens or a multi-purpose 70-200mm telephoto lens to get close views of the uninterrupted landscape.

Lighting

    Use a compass to determine where the light will rise and fall for the day. Some landscapes, like mountains and cliffs, are more impressive with long, dark shadows highlighting texture and height. Adjust the aperture on the 35mm camera to open up the shadows a touch, so the scene isn't too dark. If an automatic setting suggests an aperture of f8, manually set the camera to an aperture of f5.6 to brighten the shadow details. Determine where the sun will set and use the warm evening hues to make the landscape scene dazzle. A shiny lake may be beautiful, but when orange and pink clouds are reflected in the ripples, it is breathtaking. Add a wide angle lens, such as a 17mm, to the 35mm camera to get a wide sweeping view of the entire lake.

Choosing Subjects

    Sometimes you have to hunt down landscapes. Not every postcard moment will appear before your eyes by accident. Drive down an unmarked gravel road to find fields of blooming wildflowers or hike through wooded areas to find a majestic bend in a creek. Place the 35mm camera on a tripod and slow down the shutter speed to 1/20 of a second (or even slower) to create a painterly effect from rushing water cascading over rocks. The stable rocks and trees in the scene will remain sharp, while the water artistically blurs from its movement.

Patterns

    Naturally occurring patterns found in nature create thought-provoking landscape photography subjects. Caputo recommends compressing a row of symmetrical tree trunks with a telephoto lens. The shallow depth of field creates a visual not seen by the naked eye. Stand back from the trees and try a 300mm lens for a dramatic composition. Also look for windswept circles in wheat fields and the perfectly spaced peaks of a mountain range.


35mm Landscape Photography Techniques

Whether you're on vacation or live in an area with postcard-worthy vistas, photographing landscapes is simple with a 35mm camera and versatile lenses. Changing lenses and adjusting depth of field, exposure and shutter speed on a 35mm camera elevates your landscape photography skills from point-and-shoot to artistic.

Vantage Points

    Take the time to scout a location, according to Robert Caputo, author of "Photography Field Guide: Landscapes" and "Ultimate Photography Field Guide: Landscapes" who is featured on the National Geographic website. The first image you see may be beautiful, but consider finding a landscape that is even more pristine by shooting high above the telephone poles and or beyond the gray asphalt of a parking lot. Look for hilltops, the roof of a parking garage, lookout towers or trails that offer a unique vantage point. Attach a long lens on the 35mm camera to zoom into the landscape from a high vantage point. Try a 100mm fixed focal length lens or a multi-purpose 70-200mm telephoto lens to get close views of the uninterrupted landscape.

Lighting

    Use a compass to determine where the light will rise and fall for the day. Some landscapes, like mountains and cliffs, are more impressive with long, dark shadows highlighting texture and height. Adjust the aperture on the 35mm camera to open up the shadows a touch, so the scene isn't too dark. If an automatic setting suggests an aperture of f8, manually set the camera to an aperture of f5.6 to brighten the shadow details. Determine where the sun will set and use the warm evening hues to make the landscape scene dazzle. A shiny lake may be beautiful, but when orange and pink clouds are reflected in the ripples, it is breathtaking. Add a wide angle lens, such as a 17mm, to the 35mm camera to get a wide sweeping view of the entire lake.

Choosing Subjects

    Sometimes you have to hunt down landscapes. Not every postcard moment will appear before your eyes by accident. Drive down an unmarked gravel road to find fields of blooming wildflowers or hike through wooded areas to find a majestic bend in a creek. Place the 35mm camera on a tripod and slow down the shutter speed to 1/20 of a second (or even slower) to create a painterly effect from rushing water cascading over rocks.

    Enhance your photography skill,The Top Secret Photography Techniques

    . The stable rocks and trees in the scene will remain sharp, while the water artistically blurs from its movement.

Patterns

    Naturally occurring patterns found in nature create thought-provoking landscape photography subjects. Caputo recommends compressing a row of symmetrical tree trunks with a telephoto lens. The shallow depth of field creates a visual not seen by the naked eye. Stand back from the trees and try a 300mm lens for a dramatic composition. Also look for windswept circles in wheat fields and the perfectly spaced peaks of a mountain range.



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Wednesday, August 26, 2015

Polaroid Vs. Digital

Polaroid Vs. Digital

Unlike traditional film-based cameras, both Polaroid instant cameras and digital cameras are able to produce instant results, making photography quick and easy. However, the two formats have many important differences. As digital photography continues to increase in popularity, Polaroid instant cameras are becoming a rare sight.

Quality

    In terms of image quality, most consumer-level digital cameras surpassed the clarity and color reproduction of Polaroid instant cameras sometime in the early 2000s. While the earliest digital cameras produced low-quality images, the continued advancement of the design of image sensors had led to ever-increasing megapixel resolutions. Digital cameras also allow users to perform a number of adjustments, unlike the simple controls on a Polaroid instant camera. Digital photos can be further enhanced by using image-editing software.

Cost

    Even the most basic digital cameras are likely to cost more than a Polaroid instant camera, though digital camera costs are frequently being lowered as new models are made available for sale. Another key difference between the formats is the need to constantly reload film in a Polaroid camera, whereas a digital camera with even a modestly sized memory card is capable of storing dozens of images. The cost of film may make a Polaroid instant camera more expensive to use than a digital camera over long periods of time, even if you turn digital images into high-quality prints.

Availability

    Perhaps the biggest difference between Polaroid instant cameras and digital cameras today is the availability of media. Polaroid instant film is no longer manufactured by Polaroid itself, and finding it can be a difficult and expensive proposition. Meanwhile, the price of SD memory cards has plummeted in recent years, making digital photography more affordable than ever. New printers and digital display solutions make digital photography an even more appealing replacement to Polaroid.

Use By Artists

    The availability of professional digital camera models has led many art photographers to make the transition from film to digital, though few of these artists would have used Polaroid instant cameras in the first place due to their low level of image quality and the lack of a photographic negative for making multiple prints. Some artists today use Polaroid instant film as a reference to amateur, low-fidelity technology that is already somewhat archaic or nostalgic. One advantage Polaroid still holds is the archival quality of its instant prints, which may last far longer than even good-quality digital prints before colors begin to fade or the paper deteriorates.

Potential

    The limited availability of Polaroid instant film makes digital photography a far more convenient, inexpensive solution to picture taking for the vast majority of photographers. Polaroid photography has developed a dedicated Internet following, producing numerous petitions aimed at getting Polaroid to reinstate its instant film production. Meanwhile, third-party manufacturers have made plans to produce the film but none have done so on a mass scale able to supply photographers sufficiently. New digital cameras with instant printing capability, including one from Polaroid itself, may be the near-future replacement that sees digital photography take on yet another new task.


Polaroid Vs. Digital

Unlike traditional film-based cameras, both Polaroid instant cameras and digital cameras are able to produce instant results, making photography quick and easy. However, the two formats have many important differences. As digital photography continues to increase in popularity, Polaroid instant cameras are becoming a rare sight.

Quality

    In terms of image quality, most consumer-level digital cameras surpassed the clarity and color reproduction of Polaroid instant cameras sometime in the early 2000s. While the earliest digital cameras produced low-quality images, the continued advancement of the design of image sensors had led to ever-increasing megapixel resolutions. Digital cameras also allow users to perform a number of adjustments, unlike the simple controls on a Polaroid instant camera. Digital photos can be further enhanced by using image-editing software.

Cost

    Even the most basic digital cameras are likely to cost more than a Polaroid instant camera, though digital camera costs are frequently being lowered as new models are made available for sale. Another key difference between the formats is the need to constantly reload film in a Polaroid camera, whereas a digital camera with even a modestly sized memory card is capable of storing dozens of images.

    Enhance your photography skill,The Top Secret Photography Techniques

    . The cost of film may make a Polaroid instant camera more expensive to use than a digital camera over long periods of time, even if you turn digital images into high-quality prints.

Availability

    Perhaps the biggest difference between Polaroid instant cameras and digital cameras today is the availability of media. Polaroid instant film is no longer manufactured by Polaroid itself, and finding it can be a difficult and expensive proposition. Meanwhile, the price of SD memory cards has plummeted in recent years, making digital photography more affordable than ever. New printers and digital display solutions make digital photography an even more appealing replacement to Polaroid.

Use By Artists

    The availability of professional digital camera models has led many art photographers to make the transition from film to digital, though few of these artists would have used Polaroid instant cameras in the first place due to their low level of image quality and the lack of a photographic negative for making multiple prints. Some artists today use Polaroid instant film as a reference to amateur, low-fidelity technology that is already somewhat archaic or nostalgic. One advantage Polaroid still holds is the archival quality of its instant prints, which may last far longer than even good-quality digital prints before colors begin to fade or the paper deteriorates.

Potential

    The limited availability of Polaroid instant film makes digital photography a far more convenient, inexpensive solution to picture taking for the vast majority of photographers. Polaroid photography has developed a dedicated Internet following, producing numerous petitions aimed at getting Polaroid to reinstate its instant film production. Meanwhile, third-party manufacturers have made plans to produce the film but none have done so on a mass scale able to supply photographers sufficiently. New digital cameras with instant printing capability, including one from Polaroid itself, may be the near-future replacement that sees digital photography take on yet another new task.



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Sunday, August 23, 2015

How to Photograph Sunsets

How to Photograph Sunsets

Photographing sunsets isn't as hard as finding the perfect sunset to be your subject. Clear days do not yield the best sunset pictures, while cloudy skies give drama to the skies. Thick clouds obscure portions of the sky, and wispy clouds take on colors of their own, according to "How to Take Great Photographs of Sunsets with a Film or Digital Camera" on CameraWorld.com.

Instructions

    1

    Know where the sun will be setting and scout spots beforehand from which to take your picture.

    2

    Arrive at least 30 minutes before sunset to give yourself enough time to set up. The colors and cloud effects just before and after the sun sets often are more picturesque than at actual sunset.

    3

    Manually focus the camera before it gets dark. A camera's autofocus often has difficulty locking in on a subject when it gets dark. Sunset shots are typically focused at infinity.

    4

    Use a tripod. Most people cannot hold a camera still enough to produce sharply focused pictures at anything less than one-thirtieth of a second.

    5

    Look for recognizable, prominent subjects to silhouette. Palm trees work for sunset shots on beaches. Sailboats work well for sunsets on a lake. A barn could work for a sunset in the countryside.

    6

    Take a light reading with the sun outside the frame. To do so, point the lens just to the left or the right of the sun and lock the exposure with the camera's exposure lock feature if it has one, according to Jeff Wignall's "Shoot Better Sunset and Sunrise Photos." Most digital cameras "lock" the exposure by pressing the shutter button halfway down, according to Wignall. Hold it there and recompose your shot. To take the photo, press the shutter the rest of the way down.

    7

    Bracket some shots by using the camera's exposure-compensation feature. The exposure compensation is usually changed by the control dial and adds or subtracts stops of light by one-third-stop increments.


How to Photograph Sunsets

Photographing sunsets isn't as hard as finding the perfect sunset to be your subject.

Enhance your photography skill,The Top Secret Photography Techniques

. Clear days do not yield the best sunset pictures, while cloudy skies give drama to the skies. Thick clouds obscure portions of the sky, and wispy clouds take on colors of their own, according to "How to Take Great Photographs of Sunsets with a Film or Digital Camera" on CameraWorld.com.

Instructions

    1

    Know where the sun will be setting and scout spots beforehand from which to take your picture.

    2

    Arrive at least 30 minutes before sunset to give yourself enough time to set up. The colors and cloud effects just before and after the sun sets often are more picturesque than at actual sunset.

    3

    Manually focus the camera before it gets dark. A camera's autofocus often has difficulty locking in on a subject when it gets dark. Sunset shots are typically focused at infinity.

    4

    Use a tripod. Most people cannot hold a camera still enough to produce sharply focused pictures at anything less than one-thirtieth of a second.

    5

    Look for recognizable, prominent subjects to silhouette. Palm trees work for sunset shots on beaches. Sailboats work well for sunsets on a lake. A barn could work for a sunset in the countryside.

    6

    Take a light reading with the sun outside the frame. To do so, point the lens just to the left or the right of the sun and lock the exposure with the camera's exposure lock feature if it has one, according to Jeff Wignall's "Shoot Better Sunset and Sunrise Photos." Most digital cameras "lock" the exposure by pressing the shutter button halfway down, according to Wignall. Hold it there and recompose your shot. To take the photo, press the shutter the rest of the way down.

    7

    Bracket some shots by using the camera's exposure-compensation feature. The exposure compensation is usually changed by the control dial and adds or subtracts stops of light by one-third-stop increments.



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How to Photograph High School Seniors

How to Photograph High School Seniors

One of the most most prized traditions of becoming a high school senior is the senior portraits that many have done. The professional sitting fees for these portraits can be very expensive. Instead of paying professional prices, take the pictures yourself. You do not even have to have a professional camera to take good pictures; most likely, your own digital camera will work, or you could rent one for the day from your local photography store.

Instructions

    1

    Spend some time talking to the senior and trying to help her relax. You may explain to her what you will be doing and asking them what poses or props they would like to use. Ask her questions about her school and hobbies as you are setting up until she seem more comfortable around you.

    2
    The senior in this image brought along her high school jersey as a prop.

    Bring some props to use when you photograph high school seniors, and have them bring their own. You could easily make a number prop out of foam for the year the senior is graduating, or you could bring along old hats and scarves. The foam year could be set beside the senior. Hats and scarves can not only be worn, but can also be used to create a distinctive background. Ask the senior to bring something to do with the sport or activity he does for school. Some students could bring their basketballs or cheerleading outfits, while others could bring their musical instruments or even their textbooks.

    3
    The rock and greenery in this image make a good backdrop for this senior.

    Take pictures outside, if possible. Taking pictures outside is better for the amateur photographer, because you do not have to concern yourself as much with lighting. Overcast days are best to photograph high school seniors because you do not have to worry so much about shadows. If you do have to take pictures on a sunny day, then try to position the seniors in areas with shade to reduce the amount of shadows that fall across their faces.

    4
    Be ready at all times with your camera.  This shot was snapped while photographing another senior.

    Search the Internet for "senior portraits" to find ideas for poses. There are several poses that are common, such as leaning against a tree or standing next to a brick wall. Often these shots are just sets in a professional studio, but if you are doing it yourself, you can go outside and find an actual brick wall or tree. As you go through your portrait session, try new poses as you think of them. You may find that some of your favorite shots are not the ones usually seen done by professional photography studios.

    5
    Photo editing software was used to make this image.

    Use photo editing software to help create better pictures. Once you have taken the pictures, load them on your computer. Even simple photo editing software allows you to crop a picture and often lets you change an image to black and white or add a sepia tone. You may find you need to crop out unnecessary parts of an image or find that changing an image to black and white creates a much different image than the one in color.


How to Photograph High School Seniors

One of the most most prized traditions of becoming a high school senior is the senior portraits that many have done. The professional sitting fees for these portraits can be very expensive. Instead of paying professional prices, take the pictures yourself. You do not even have to have a professional camera to take good pictures; most likely, your own digital camera will work, or you could rent one for the day from your local photography store.

Instructions

    1

    Spend some time talking to the senior and trying to help her relax. You may explain to her what you will be doing and asking them what poses or props they would like to use. Ask her questions about her school and hobbies as you are setting up until she seem more comfortable around you.

    2
    The senior in this image brought along her high school jersey as a prop.

    Bring some props to use when you photograph high school seniors, and have them bring their own.

    Enhance your photography skill,The Top Secret Photography Techniques

    . You could easily make a number prop out of foam for the year the senior is graduating, or you could bring along old hats and scarves. The foam year could be set beside the senior. Hats and scarves can not only be worn, but can also be used to create a distinctive background. Ask the senior to bring something to do with the sport or activity he does for school. Some students could bring their basketballs or cheerleading outfits, while others could bring their musical instruments or even their textbooks.

    3
    The rock and greenery in this image make a good backdrop for this senior.

    Take pictures outside, if possible. Taking pictures outside is better for the amateur photographer, because you do not have to concern yourself as much with lighting. Overcast days are best to photograph high school seniors because you do not have to worry so much about shadows. If you do have to take pictures on a sunny day, then try to position the seniors in areas with shade to reduce the amount of shadows that fall across their faces.

    4
    Be ready at all times with your camera.  This shot was snapped while photographing another senior.

    Search the Internet for "senior portraits" to find ideas for poses. There are several poses that are common, such as leaning against a tree or standing next to a brick wall. Often these shots are just sets in a professional studio, but if you are doing it yourself, you can go outside and find an actual brick wall or tree. As you go through your portrait session, try new poses as you think of them. You may find that some of your favorite shots are not the ones usually seen done by professional photography studios.

    5
    Photo editing software was used to make this image.

    Use photo editing software to help create better pictures. Once you have taken the pictures, load them on your computer. Even simple photo editing software allows you to crop a picture and often lets you change an image to black and white or add a sepia tone. You may find you need to crop out unnecessary parts of an image or find that changing an image to black and white creates a much different image than the one in color.



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