Wednesday, October 31, 2018

How to Care for a Tintype Photo

How to Care for a Tintype Photo

A tintype photograph, also called a ferrotype and a melainotype, is a type of photograph that was developed in the 1850s. The image is an underexposed negative image that was produced by exposing light on a collodion emulsion on a piece of iron. A collodion emulsion is a mixture of cellulose nitrate, ether and alcohol. The image on a tintype is fragile and must be treated with care to avoid permanent damage. Tintypes were usually presented in a leather case with a thin piece of glass over the photograph.

Instructions

    1

    Wash your hands before touching a tintype photograph. Wear clean, lint-free cotton gloves when handling tintype photographs to protect the photograph from fingerprints and skin oils that can damage the surface of the photograph. Hold the photograph by the edges.

    2

    Clean the surface of a tintype photograph with a clean, soft brush if the image is not flaking or cracked. Use a new round powder makeup application brush. Wrap loose tintypes (those not in protective cases with a glass cover) in acid-free paper.

    3

    Place tintypes in the original presentation case with glass covers in a polyester bag. Store the tintype upright in an acid-free photograph storage box away from direct sunlight in a closet at about 68 degrees Fahrenheit.

    4

    Keep the humidity level below 40 percent to protect the surface of the photograph from deteriorating. Use a dehumidifier if necessary. Inspect the photographs every couple of months for damage or the presence of mold or mildew.


How to Care for a Tintype Photo

A tintype photograph, also called a ferrotype and a melainotype, is a type of photograph that was developed in the 1850s. The image is an underexposed negative image that was produced by exposing light on a collodion emulsion on a piece of iron. A collodion emulsion is a mixture of cellulose nitrate, ether and alcohol. The image on a tintype is fragile and must be treated with care to avoid permanent damage. Tintypes were usually presented in a leather case with a thin piece of glass over the photograph.

Instructions

    1

    Wash your hands before touching a tintype photograph. Wear clean, lint-free cotton gloves when handling tintype photographs to protect the photograph from fingerprints and skin oils that can damage the surface of the photograph. Hold the photograph by the edges.

    2

    Clean the surface of a tintype photograph with a clean, soft brush if the image is not flaking or cracked. Use a new round powder makeup application brush. Wrap loose tintypes (those not in protective cases with a glass cover) in acid-free paper.

    3

    Place tintypes in the original presentation case with glass covers in a polyester bag. Store the tintype upright in an acid-free photograph storage box away from direct sunlight in a closet at about 68 degrees Fahrenheit.

    4

    Keep the humidity level below 40 percent to protect the surface of the photograph from deteriorating. Use a dehumidifier if necessary. Inspect the photographs every couple of months for damage or the presence of mold or mildew.



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Monday, October 29, 2018

How To Make a Photo Montage Page

How To Make a Photo Montage Page

The wonders of modern technology have demystified the process of creating a photo montage. Now, from the comfort of your desktop, you can create realistic art from your photographs. A montage is a great way to combine two photographs for an interesting narrative. In this tutorial, you will blend several photos together using tricks in Adobe Photoshop. You will also learn how to create unified lighting when using multiple photos.

Instructions

    1

    Open Photoshop and create a new, transparent image, sized 1024 by 768.

    2

    Open the image that you'd like to add by going to File and selecting Open. This tutorial uses a forest image, available in the links section. Next, select the Window menu bar and go to Arrange, and then Tile to equally arrange all the opened images. Drag the image into the new file you just created. Resize each image by going to Edit on the menu bar, then Transform, then Scale. Click on the Maintain Ratio Aspect icon to keep images from distorting.

    3

    Repeat for the process for the boy image, also available in the links section.

    4

    Lock the two bottom layers (Layer 1 and Layer 2) by clicking on the lock icon on the Layers palette. Select the Eraser tool from the tool bar, and start erasing around the boy image.

    5

    Select the Lasso tool from the tool bar, and begin to slowly outline the image of the boy. It may be easier if you zoom in to 300% or more and hide the forest layer. Press the "Delete" key on your keyboard to erase the unwanted parts of the image.

    6

    Select Levels from the Fill/Adjustment icon in the Layers box, and input the following into the RGB Channel: 64 1.00 225.

    7

    Return to Levels and select Color Balance. Input the following color levels: +19 +86 +6 in midtones; +43 -18 -23 in highlights; 0 +54 0 in shadows.

    8

    Right-click on the layer and select Gradient Blending, then choose Drop Shadow.

    9

    Open all the vegetable images, then transfer them over to the main image.

    10

    Create a folder in the Layers box by selecting the Folder icon. Move all vegetable images into the folder. Next, move the folder under the boy layer.

    11

    Click on the first vegetable layer. Go to Blending Options, and add a Drop Shadow, Inner Shadow, and Inner Glow. Change the Blending Mode in Inner Glow to Color Dodge. Click Okay. Right-click again, and select Copy Layer Style. Next, right-click on each vegetable layer and select Paste Layer Style.

    12

    Liquify the asparagus. Go to the asparagus layer, select Filter from the menu bar and choose Liquify. Using the Pucker and Twirl Clockwise tools, distort the asparagus so that it looks like an ominous and spooky character.

    13

    Duplicate each vegetable layer. On the copies, which should be on top of their originals, create a Gaussian blur effect. Do this by going to Filter, selecting Blur, and then Gaussian Blur. Change the radius to 6.1 px. Next, in the Layers box, select Color Burn. Repeat for each vegetable layer.

    14

    Return to the boy layer, and add a Drop Shadow in the Blending Options. Change the Drop Shadow Blend Mode to Normal, and the distance to 4 px, spread to 20% and size to 59 px.

    15

    Merge all the vegetable layers together. Hide all of the other layers by clicking on the eyeball icon in the Layers palette, so that only the vegetable layers are visible. Next, go to Layer and select Merge Visible.

    16

    Right-click on the newly merged vegetable layer and select Blending Options. Select Drop Shadow, Inner Shadow, and Bevel.

    17

    Create a new layer, and draw faces over the vegetables, adding an animated quality to the work. Select Blending Options, then select Drop Shadow and Inner Shadow.

    18

    Save your work. You're done!


How To Make a Photo Montage Page

The wonders of modern technology have demystified the process of creating a photo montage. Now, from the comfort of your desktop, you can create realistic art from your photographs. A montage is a great way to combine two photographs for an interesting narrative. In this tutorial, you will blend several photos together using tricks in Adobe Photoshop. You will also learn how to create unified lighting when using multiple photos.

Instructions

    1

    Open Photoshop and create a new, transparent image, sized 1024 by 768.

    2

    Open the image that you'd like to add by going to File and selecting Open. This tutorial uses a forest image, available in the links section. Next, select the Window menu bar and go to Arrange, and then Tile to equally arrange all the opened images. Drag the image into the new file you just created. Resize each image by going to Edit on the menu bar, then Transform, then Scale. Click on the Maintain Ratio Aspect icon to keep images from distorting.

    3

    Repeat for the process for the boy image, also available in the links section.

    4

    Lock the two bottom layers (Layer 1 and Layer 2) by clicking on the lock icon on the Layers palette.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Select the Eraser tool from the tool bar, and start erasing around the boy image.

    5

    Select the Lasso tool from the tool bar, and begin to slowly outline the image of the boy. It may be easier if you zoom in to 300% or more and hide the forest layer. Press the "Delete" key on your keyboard to erase the unwanted parts of the image.

    6

    Select Levels from the Fill/Adjustment icon in the Layers box, and input the following into the RGB Channel: 64 1.00 225.

    7

    Return to Levels and select Color Balance. Input the following color levels: +19 +86 +6 in midtones; +43 -18 -23 in highlights; 0 +54 0 in shadows.

    8

    Right-click on the layer and select Gradient Blending, then choose Drop Shadow.

    9

    Open all the vegetable images, then transfer them over to the main image.

    10

    Create a folder in the Layers box by selecting the Folder icon. Move all vegetable images into the folder. Next, move the folder under the boy layer.

    11

    Click on the first vegetable layer. Go to Blending Options, and add a Drop Shadow, Inner Shadow, and Inner Glow. Change the Blending Mode in Inner Glow to Color Dodge. Click Okay. Right-click again, and select Copy Layer Style. Next, right-click on each vegetable layer and select Paste Layer Style.

    12

    Liquify the asparagus. Go to the asparagus layer, select Filter from the menu bar and choose Liquify. Using the Pucker and Twirl Clockwise tools, distort the asparagus so that it looks like an ominous and spooky character.

    13

    Duplicate each vegetable layer. On the copies, which should be on top of their originals, create a Gaussian blur effect. Do this by going to Filter, selecting Blur, and then Gaussian Blur. Change the radius to 6.1 px. Next, in the Layers box, select Color Burn. Repeat for each vegetable layer.

    14

    Return to the boy layer, and add a Drop Shadow in the Blending Options. Change the Drop Shadow Blend Mode to Normal, and the distance to 4 px, spread to 20% and size to 59 px.

    15

    Merge all the vegetable layers together. Hide all of the other layers by clicking on the eyeball icon in the Layers palette, so that only the vegetable layers are visible. Next, go to Layer and select Merge Visible.

    16

    Right-click on the newly merged vegetable layer and select Blending Options. Select Drop Shadow, Inner Shadow, and Bevel.

    17

    Create a new layer, and draw faces over the vegetables, adding an animated quality to the work. Select Blending Options, then select Drop Shadow and Inner Shadow.

    18

    Save your work. You're done!



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Fireplace Photo Ideas

Fireplace Photo Ideas

Fireplaces provide a classic photo opportunity for families, artists and friends alike. Fireplaces are comforting and bring warmth and coziness to a home. They are a photo staple to many family portraits, and a selling point for many homes. There are a variety of photo ideas you can incorporate with your fireplace.

Family Photo

    The fireplace makes a perfect background for family portraits and family holiday cards. The photo can vary depending on the size of the family and desired family arrangement. There are several options for the arrangement of the photo: everyone standing; some people standing and some sitting in chairs; or everyone sitting on a rug on the floor. Usually, there is a fire burning in the fireplace in the photo.

Engagement Photo

    Fireplaces are a great element to incorporate into engagement photos. The photo can be done in various ways, depending on the vision of the couple and the photographer. Choose from close-ups to distance shots. However the shot is composed, the fireplace will add an extra touch of romance to the couple's engagement photos.

    Fireplaces are also a wonderful spot for anniversary photos, such as 10th, 25th or 50th anniversaries. It is extra-special if your original engagement photos were taken in front of the fireplace.

Children and Animals

    Fireplace photos of children and animals are a classic American vision. For a great Christmas card photo, photograph small children looking up the chimney for Santa Claus; include the family stockings in the shot. Or, photograph babies lying on a blanket near the fireplace at Christmastime for baby announcements. Photos of family pets looking adorable lying near a fireplace makes for a great legacy shot of a loved pet.


Fireplace Photo Ideas

Fireplaces provide a classic photo opportunity for families, artists and friends alike. Fireplaces are comforting and bring warmth and coziness to a home. They are a photo staple to many family portraits, and a selling point for many homes. There are a variety of photo ideas you can incorporate with your fireplace.

Family Photo

    The fireplace makes a perfect background for family portraits and family holiday cards. The photo can vary depending on the size of the family and desired family arrangement. There are several options for the arrangement of the photo: everyone standing; some people standing and some sitting in chairs; or everyone sitting on a rug on the floor. Usually, there is a fire burning in the fireplace in the photo.

Engagement Photo

    Fireplaces are a great element to incorporate into engagement photos. The photo can be done in various ways, depending on the vision of the couple and the photographer. Choose from close-ups to distance shots. However the shot is composed, the fireplace will add an extra touch of romance to the couple's engagement photos.

    Fireplaces are also a wonderful spot for anniversary photos, such as 10th, 25th or 50th anniversaries. It is extra-special if your original engagement photos were taken in front of the fireplace.

Children and Animals

    Fireplace photos of children and animals are a classic American vision. For a great Christmas card photo, photograph small children looking up the chimney for Santa Claus; include the family stockings in the shot. Or, photograph babies lying on a blanket near the fireplace at Christmastime for baby announcements. Photos of family pets looking adorable lying near a fireplace makes for a great legacy shot of a loved pet.



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Sunday, October 28, 2018

How to Change the Dots Per Inch of a Digital Photo

Dots per inch, or DPI, refers to the way an image is printed on a piece of paper. Dots per inch is different from the pixels per inch, or PPI, that an image has on a digital camera or on screen. When printing a digital photo, you may want to change the dots per inch to meet the requirements of a home or professional printer. You can change the dots per inch of a digital image using photo editing software. You can use a professional photo editing program, such as Adobe Photoshop, or you may be able to use the image editing software that came with your digital camera or printer. You can also download free photo editing software using the resource link below.

Instructions

    1

    Open the photo editing software, such as Adobe Photoshop, Photoshop Elements, Paint Shop Pro or Irfanview.

    2

    Go the File menu and choose Open. Choose the digital photo you want to open and click OK.

    3

    Go to the Image menu, then choose Image Size, Resize or Resample. Or use the photo editing softwares help system to find a similar command. A dialog box with resizing and dots per inch information will appear.

    4

    Make sure that any option to Resample Image is unchecked in the dialog box. If it is checked, click it to uncheck it. Make sure that any Maintain original size option is checked.

    5

    Type the dots per inch you want in the DPI or Resolution box. Click OK. The photo will now have a new DPI setting without changing the size of the image.

    6

    Go the File menu and choose Save As. Give the photo with the changed dots per inch a new name (you may want to include the new DPI number in the file name) and click OK to save it.


Dots per inch, or DPI, refers to the way an image is printed on a piece of paper. Dots per inch is different from the pixels per inch, or PPI, that an image has on a digital camera or on screen. When printing a digital photo, you may want to change the dots per inch to meet the requirements of a home or professional printer. You can change the dots per inch of a digital image using photo editing software.

Enhance your photography skill,The Top Secret Photography Techniques

. You can use a professional photo editing program, such as Adobe Photoshop, or you may be able to use the image editing software that came with your digital camera or printer. You can also download free photo editing software using the resource link below.

Instructions

    1

    Open the photo editing software, such as Adobe Photoshop, Photoshop Elements, Paint Shop Pro or Irfanview.

    2

    Go the File menu and choose Open. Choose the digital photo you want to open and click OK.

    3

    Go to the Image menu, then choose Image Size, Resize or Resample. Or use the photo editing softwares help system to find a similar command. A dialog box with resizing and dots per inch information will appear.

    4

    Make sure that any option to Resample Image is unchecked in the dialog box. If it is checked, click it to uncheck it. Make sure that any Maintain original size option is checked.

    5

    Type the dots per inch you want in the DPI or Resolution box. Click OK. The photo will now have a new DPI setting without changing the size of the image.

    6

    Go the File menu and choose Save As. Give the photo with the changed dots per inch a new name (you may want to include the new DPI number in the file name) and click OK to save it.



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