Sunday, June 28, 2015

How to Use an Analog Light Meter

How to Use an Analog Light Meter

Though most cameras now have built-in light meters, you might still want to use a handheld light meter to take more accurate light readings. Analog light meters work the same way that digital light meters do, except they give you readings on an analog measurement scale rather than on a digital screen. You can purchase analog light meters that will take incident light readings, reflected light readings, or both.

Instructions

    1

    Turn the ISO dial on the light meter until the film speed you are using appears in the window. The light meter will then adjust its readings according to this film speed.

    2

    To take a reflected light reading, point the light meter at your subject. A reflected reading records the amount of light reflecting off of your subject. Though this kind of reading will often be less accurate than an incident light meter reading, it is your only option when you're photographing subjects at a distance.

    3

    To take an incident light reading, place the light meter in the same light as the subject. This kind of reading records the light falling on the subject rather than the light reflecting off the subject. Youll know that your light meter can take incident readings if it has a small white hemisphere over the sensors. Light meters that can take incident and reflected light readings have a moveable hemisphere you can slide back and forth. Slide the hemisphere over the sensor to take an incident light reading.

    4

    Wait for the light meters needle to stabilize. The needle should align with two numbers, including a shutter speed number and an aperture number. This combination of shutter speed and aperture should produce a correct exposure for the given light situation. If you want to adjust one of these settings, make sure you adjust the other accordingly. For example, if you want to use a slower shutter speed than the light meter recommends, compensate for the added light by using a smaller aperture.


How to Use an Analog Light Meter

Though most cameras now have built-in light meters, you might still want to use a handheld light meter to take more accurate light readings. Analog light meters work the same way that digital light meters do, except they give you readings on an analog measurement scale rather than on a digital screen. You can purchase analog light meters that will take incident light readings, reflected light readings, or both.

Enhance your photography skill,The Top Secret Photography Techniques

.

Instructions

    1

    Turn the ISO dial on the light meter until the film speed you are using appears in the window. The light meter will then adjust its readings according to this film speed.

    2

    To take a reflected light reading, point the light meter at your subject. A reflected reading records the amount of light reflecting off of your subject. Though this kind of reading will often be less accurate than an incident light meter reading, it is your only option when you're photographing subjects at a distance.

    3

    To take an incident light reading, place the light meter in the same light as the subject. This kind of reading records the light falling on the subject rather than the light reflecting off the subject. Youll know that your light meter can take incident readings if it has a small white hemisphere over the sensors. Light meters that can take incident and reflected light readings have a moveable hemisphere you can slide back and forth. Slide the hemisphere over the sensor to take an incident light reading.

    4

    Wait for the light meters needle to stabilize. The needle should align with two numbers, including a shutter speed number and an aperture number. This combination of shutter speed and aperture should produce a correct exposure for the given light situation. If you want to adjust one of these settings, make sure you adjust the other accordingly. For example, if you want to use a slower shutter speed than the light meter recommends, compensate for the added light by using a smaller aperture.



  • How To Use A Light Meter (Part 1) - YouTube

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Saturday, June 27, 2015

What Is Sepia Tone?

What Is Sepia Tone?

Commonly used in the early days of photography, the sepia-toning technique gives photographs a range of brown tones, rather than the gray tones of black and white photos. The technique relies on a monochromatic brown color scale, rather than black and white. Today, photographers use simulated or virtual sepia toning for a historical effect.

Origins

    Produced using a pigment from the ink of the Sepia cuttlefish (a relative of the squid), sepia originally was a watercolor pigment. Any painting or drawing, such as Leonardo de Vinci's drawings, created with the reddish-brown sepia pigment is sepia tone.

History

    The sepia tone process for photography developed in the 1700s as a preservation treatment. Stored in identical conditions, photos fixed with sepia-tone (silver sulfide) survived up to 50 percent longer than standard black and white prints fixed only with silver. As modern processes for fixing photographic emulsions became available early in the 20th century, use of sepia tone declined. By the 1930s, Kodachrome color processing took over the market.

Process

    In photography, sepia tone is achieved through a chemical process of adding the sepia pigment to a photographic positive print after is passes through various negative processes. The chemical process converts metallic silver residue to silver sulfide, a chemical that resists degradation and consequently preserves the photographic print. For this reason, most surviving early photography is sepia toned.

Modern Use

    Romantic gothic photography, wedding photography and historically themed portraiture use digital means to produce a sepia-toned appearance. Many digital cameras and camcorders have a sepia tone mode. Simulated sepia, digitally applied to any photo either at the moment of capture or during processing, utilizes various photo-enhancing software techniques.

Digital Sepia Tone

    Photo-manipulation software programs offer sepia tone presets or processes for digitally enhancing images with a sepia tint. Sophisticated software programs utilize the halftone or duotone process with yellows and browns to create the sepia-toned look with depth, while simpler programs offer a monochrome version. In processed color applications, no single color produces sepia since it is a range of yellow and magenta mixtures for CMYK (cyan-magenta-yellow-black) print processing applications and red and green shades for RGB (red-green-blue) video or Web applications.

Historic Applications

    Many famous images are sepia-toned, from Edward Weston's photographs of Carmel to the Kansas scenes in "The Wizard of Oz." French cinematographer, Henri Alekan used a sepia-based process he called light and shadows in his 1987 classic "Der Himmel ber Berlin" ("Wings of Desire") to show the angels' point of view in sepia-tinted monochrome and the human point of view in full color.


What Is Sepia Tone?

Commonly used in the early days of photography, the sepia-toning technique gives photographs a range of brown tones, rather than the gray tones of black and white photos. The technique relies on a monochromatic brown color scale, rather than black and white. Today, photographers use simulated or virtual sepia toning for a historical effect.

Origins

    Produced using a pigment from the ink of the Sepia cuttlefish (a relative of the squid), sepia originally was a watercolor pigment. Any painting or drawing, such as Leonardo de Vinci's drawings, created with the reddish-brown sepia pigment is sepia tone.

History

    The sepia tone process for photography developed in the 1700s as a preservation treatment. Stored in identical conditions, photos fixed with sepia-tone (silver sulfide) survived up to 50 percent longer than standard black and white prints fixed only with silver.

    Enhance your photography skill,The Top Secret Photography Techniques

    . As modern processes for fixing photographic emulsions became available early in the 20th century, use of sepia tone declined. By the 1930s, Kodachrome color processing took over the market.

Process

    In photography, sepia tone is achieved through a chemical process of adding the sepia pigment to a photographic positive print after is passes through various negative processes. The chemical process converts metallic silver residue to silver sulfide, a chemical that resists degradation and consequently preserves the photographic print. For this reason, most surviving early photography is sepia toned.

Modern Use

    Romantic gothic photography, wedding photography and historically themed portraiture use digital means to produce a sepia-toned appearance. Many digital cameras and camcorders have a sepia tone mode. Simulated sepia, digitally applied to any photo either at the moment of capture or during processing, utilizes various photo-enhancing software techniques.

Digital Sepia Tone

    Photo-manipulation software programs offer sepia tone presets or processes for digitally enhancing images with a sepia tint. Sophisticated software programs utilize the halftone or duotone process with yellows and browns to create the sepia-toned look with depth, while simpler programs offer a monochrome version. In processed color applications, no single color produces sepia since it is a range of yellow and magenta mixtures for CMYK (cyan-magenta-yellow-black) print processing applications and red and green shades for RGB (red-green-blue) video or Web applications.

Historic Applications

    Many famous images are sepia-toned, from Edward Weston's photographs of Carmel to the Kansas scenes in "The Wizard of Oz." French cinematographer, Henri Alekan used a sepia-based process he called light and shadows in his 1987 classic "Der Himmel ber Berlin" ("Wings of Desire") to show the angels' point of view in sepia-tinted monochrome and the human point of view in full color.



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    Constant level of nervous stimulation to the muscles in the blood vessel walls. This gives the muscles a resting level of contraction.


  • Sepia Tones Introduction.m4v - YouTube

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    Create a painting from your photo with a Sepia Tones painting kit.


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Head Shot Posing Tips

Head Shot Posing Tips

Whether business cards, a modeling portfolio or a promotional publicity portrait need updating, a head shot portrait session is the answer. A clear, close-up head and shoulders portrait looks best when the subject is relaxed and sitting in a natural posture. Small talk with the photographer or cracking a few jokes will help your nervous feelings about being in front of the camera melt away, allowing your personality to shine through.

Shoulder Position

    When posing for a head shot, remain relaxed and assume a natural posture. Rarely does a person sit with a straight back, facing directly forward. Lose the rigidity of a straight spine and angle the shoulders toward or away from the camera, advises Darren Rowse of the Digital Photography School online. Leaning toward the camera gives the subject an aggressive, powerful look. Real estate brokers, professional athletes and high-powered businesspeople look good with a slight tilt forward. Leaning the shoulders away from the camera and back slightly creates a more submissive appeal perfect for demure modeling head shots, portraits of welcoming teachers or physicians.

Body Language

    Try standing and sitting poses during a head shot session, says professional photographer Daniel Colegrove of Southern California. When standing and waiting for the session, a comfortable standing pose may naturally occur. Whether your hands are gently tucked into your pockets or a coy swagger is evident with hands on the hips, your upper body will assume a unique posture. Allow body language to come through. For some purposes, hands add character to the classic head and shoulder head shot. A head shot of an author may show him with his reading glasses dangling from a loose hand. An angelic graduate may rest her head gently in the palm of a cupped hand and stare soulfully away from the camera to give a "pondering the future" look.

Facial Expression

    To smile, or not to smile--that is the question. Most portrait photographers encourage both looks. A serious, closed mouth expression evokes a stern, responsible appeal. Think of head shot poses of police officers and lawyers. A small smile evokes sincerity, with an air of friendliness. A wide-eyed, laughing smile showcases a comedian, actor or patient preschool teacher. Some people practice their facial expressions in a mirror before heading to the studio. This helps eliminate unrealized squinting, awkward teeth clenching or habitual lip-biting.


Head Shot Posing Tips

Whether business cards, a modeling portfolio or a promotional publicity portrait need updating, a head shot portrait session is the answer. A clear, close-up head and shoulders portrait looks best when the subject is relaxed and sitting in a natural posture. Small talk with the photographer or cracking a few jokes will help your nervous feelings about being in front of the camera melt away, allowing your personality to shine through.

Shoulder Position

    When posing for a head shot, remain relaxed and assume a natural posture. Rarely does a person sit with a straight back, facing directly forward. Lose the rigidity of a straight spine and angle the shoulders toward or away from the camera, advises Darren Rowse of the Digital Photography School online. Leaning toward the camera gives the subject an aggressive, powerful look. Real estate brokers, professional athletes and high-powered businesspeople look good with a slight tilt forward. Leaning the shoulders away from the camera and back slightly creates a more submissive appeal perfect for demure modeling head shots, portraits of welcoming teachers or physicians.

Body Language

    Try standing and sitting poses during a head shot session, says professional photographer Daniel Colegrove of Southern California. When standing and waiting for the session, a comfortable standing pose may naturally occur. Whether your hands are gently tucked into your pockets or a coy swagger is evident with hands on the hips, your upper body will assume a unique posture. Allow body language to come through. For some purposes, hands add character to the classic head and shoulder head shot. A head shot of an author may show him with his reading glasses dangling from a loose hand. An angelic graduate may rest her head gently in the palm of a cupped hand and stare soulfully away from the camera to give a "pondering the future" look.

Facial Expression

    To smile, or not to smile--that is the question.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Most portrait photographers encourage both looks. A serious, closed mouth expression evokes a stern, responsible appeal. Think of head shot poses of police officers and lawyers. A small smile evokes sincerity, with an air of friendliness. A wide-eyed, laughing smile showcases a comedian, actor or patient preschool teacher. Some people practice their facial expressions in a mirror before heading to the studio. This helps eliminate unrealized squinting, awkward teeth clenching or habitual lip-biting.



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How to Pose for Graduation Portraits

Senior portraits show who you are. No longer does a guy have to dress in a suit and tie or a girl in a fancy dress. Today's photos show you wearing your favorite jeans and t-shirt, one outfit that you would wear at special events, a high school team uniform or normal everyday clothes that fit your style. Posing can be a little nerve wracking. The portrait photographer has been working with graduating seniors and will know how to help you pose for each shot. Plan ahead for these once-in-a-lifetime portraits.

Instructions

    1

    Visit the portrait studio or website to view portrait poses. Write down the ones that seem right for you. Give this list to the photographer when you go for your portrait session.

    2

    Dress in your most formal outfit the day of your portraits. Take along several items that are a major part of who you are, sports you are involved in and clothes that you normally wear. Take a couple of your favorite CDs that can be playing in the background to help you loosen up.

    3

    Listen to the photographer. He will have you sit on various props for a formal portrait. He may have you sit on a stool while looking off into the distance or sit cross-legged on the floor, one hand on a bare foot and the other on the side of your neck. You may also be asked to stand with your back to the photographer, turning your head to show your facial profile over your shoulder. Lift your chin and look at the ceiling across the room for a unique pose.

    4

    Smile or simply relax your mouth, do what is most comfortable for you. An excellent portrait photographer will talk to you and help you relax as you continue to follow his direction for poses.

    5

    Change into a less formal set of clothes. Relax and enjoy talking with the photographer as you pose for more natural portraits of who you are. Go outside for less formal settings next to trees, flowers and natural scenery. Spin a basketball on your finger, strum a guitar, hold an open book on your lap, swing in a hammock, choose what will show who you are in your senior year of school.


Senior portraits show who you are. No longer does a guy have to dress in a suit and tie or a girl in a fancy dress. Today's photos show you wearing your favorite jeans and t-shirt, one outfit that you would wear at special events, a high school team uniform or normal everyday clothes that fit your style. Posing can be a little nerve wracking. The portrait photographer has been working with graduating seniors and will know how to help you pose for each shot. Plan ahead for these once-in-a-lifetime portraits.

Enhance your photography skill,The Top Secret Photography Techniques

.

Instructions

    1

    Visit the portrait studio or website to view portrait poses. Write down the ones that seem right for you. Give this list to the photographer when you go for your portrait session.

    2

    Dress in your most formal outfit the day of your portraits. Take along several items that are a major part of who you are, sports you are involved in and clothes that you normally wear. Take a couple of your favorite CDs that can be playing in the background to help you loosen up.

    3

    Listen to the photographer. He will have you sit on various props for a formal portrait. He may have you sit on a stool while looking off into the distance or sit cross-legged on the floor, one hand on a bare foot and the other on the side of your neck. You may also be asked to stand with your back to the photographer, turning your head to show your facial profile over your shoulder. Lift your chin and look at the ceiling across the room for a unique pose.

    4

    Smile or simply relax your mouth, do what is most comfortable for you. An excellent portrait photographer will talk to you and help you relax as you continue to follow his direction for poses.

    5

    Change into a less formal set of clothes. Relax and enjoy talking with the photographer as you pose for more natural portraits of who you are. Go outside for less formal settings next to trees, flowers and natural scenery. Spin a basketball on your finger, strum a guitar, hold an open book on your lap, swing in a hammock, choose what will show who you are in your senior year of school.



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Friday, June 26, 2015

How to Take Pictures of Old Tombstones

How to Take Pictures of Old Tombstones

Old tombstones provide valuable information about history. Genealogists often photograph tombstones as part of their research. Tombstones record the birth and death information of members of a family's past generations. Historians often photograph old tombstones for the information they hold about a town's early settlers. Finally, some people photograph old tombstones for aesthetic reasons. Unlike modern tombstones, old gravestones often contain hand-carved patterns. Angels and lambs adorn many old tombstones.

Instructions

    1

    Remove any trash near the tombstone.

    2

    Trim grass and weeds obscuring the stone with scissors or shears. Do not use gas weed trimmers because the string can damage the stone.

    3

    Clean the tombstone with water and a soft plastic or nylon brush or your hand. Do not use abrasive cleaners or a wire brush because they can damage the stone.

    4

    Position the camera parallel to the surface of the tombstone. If the plane of the camera is not parallel to the plane of the tombstone, the shape of the tombstone will be distorted and the lettering will be difficult to read.

    5

    Wait for bright sunlight to hit the tombstone's face.

    6

    Reflect light to parts of the tombstone face that are in shadow. Hold the reflector so the sunlight hits it and bounces the light back to the stone. Move the reflector slightly until the sunlight is bounced to the correct spot.

    7

    Set the camera on "P," or program, mode to have the camera determine a proper exposure. If you want to control the camera's depth of field, use "A," for aperture priority mode. A small aperture allows for a larger depth of field and will ensure all of the inscriptions are readable if you're not able to put the camera on a plane that is perfectly parallel to the tombstone.

    8

    Take the picture.

    9

    Check the camera's LCD screen to make sure you are able to read the tombstone inscription. Many cameras have a feature so you can zoom in on portions of the image to make it easier to see if the inscription is in focus.


How to Take Pictures of Old Tombstones

Old tombstones provide valuable information about history. Genealogists often photograph tombstones as part of their research. Tombstones record the birth and death information of members of a family's past generations. Historians often photograph old tombstones for the information they hold about a town's early settlers. Finally, some people photograph old tombstones for aesthetic reasons. Unlike modern tombstones, old gravestones often contain hand-carved patterns. Angels and lambs adorn many old tombstones.

Instructions

    1

    Remove any trash near the tombstone.

    2

    Trim grass and weeds obscuring the stone with scissors or shears. Do not use gas weed trimmers because the string can damage the stone.

    3

    Clean the tombstone with water and a soft plastic or nylon brush or your hand. Do not use abrasive cleaners or a wire brush because they can damage the stone.

    4

    Position the camera parallel to the surface of the tombstone. If the plane of the camera is not parallel to the plane of the tombstone, the shape of the tombstone will be distorted and the lettering will be difficult to read.

    5

    Wait for bright sunlight to hit the tombstone's face.

    6

    Reflect light to parts of the tombstone face that are in shadow. Hold the reflector so the sunlight hits it and bounces the light back to the stone. Move the reflector slightly until the sunlight is bounced to the correct spot.

    7

    Set the camera on "P," or program, mode to have the camera determine a proper exposure. If you want to control the camera's depth of field, use "A," for aperture priority mode. A small aperture allows for a larger depth of field and will ensure all of the inscriptions are readable if you're not able to put the camera on a plane that is perfectly parallel to the tombstone.

    8

    Take the picture.

    9

    Check the camera's LCD screen to make sure you are able to read the tombstone inscription. Many cameras have a feature so you can zoom in on portions of the image to make it easier to see if the inscription is in focus.



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