Tuesday, November 26, 2013

Photo Copyright Law

Photo Copyright Law

In the past, photo labs would agree to make printsw from negatives or reproductions of photos in the belief that you probably had the right to reproduce those images. However, many hoto labs are looking out for photos that appear to have been taken by a photographer other than the customer or pilfered from the Internet. Photo labs are refusing to reproduce photos that fall into these categories because photographers have sued photo labs for failing to uphold copyright laws, according to Brian Bergstein's article "Copyright-Worried Labs Reject Some Digital Printing Jobs" on USAToday.com.

Identification

    The Constitution and the Federal Copyright Act provide copyright protection to authors for such original works as photographs. The creator of a photograph is thus the owner of the copyright.

Protected Rights

    Copyright holders have the the right to make copies of their work, prepare other works based on those works, distribute copies of their work to the public by sales, lease, rental or lending, and to publicly perform and display their work.

Photo Reproduction

    A photo lab or shop has the right to refuse to reproduce old family photographs. Whether the store owners knew they were violating copyright law by copying the image, they can still be liable for any copyright violations, according to U.S. Copyright Office.

Fair Use

    The difference between "fair use" and copyright infringement can be unclear. The Copyright Office says the factors used by courts to determine the difference include the purpose and character of the use, the nature of the work, how much of the original was used, and the effect of the use on the potential market for the copyrighted work.

Public Domain

    Photos that are in the public domain are not protected by copyright laws and can be used without permission or the payment of fees. Images enter the public domain after the copyright has expired, if the image is a work of the U.S. government, or the copyright holder fails to satisfy copyright formalities, according to Lolly Gasaway's article "When U.S. Works Fall into the Public Domain."


Photo Copyright Law

In the past, photo labs would agree to make printsw from negatives or reproductions of photos in the belief that you probably had the right to reproduce those images. However, many hoto labs are looking out for photos that appear to have been taken by a photographer other than the customer or pilfered from the Internet. Photo labs are refusing to reproduce photos that fall into these categories because photographers have sued photo labs for failing to uphold copyright laws, according to Brian Bergstein's article "Copyright-Worried Labs Reject Some Digital Printing Jobs" on USAToday.com.

Identification

    The Constitution and the Federal Copyright Act provide copyright protection to authors for such original works as photographs. The creator of a photograph is thus the owner of the copyright.

Protected Rights

    Copyright holders have the the right to make copies of their work, prepare other works based on those works, distribute copies of their work to the public by sales, lease, rental or lending, and to publicly perform and display their work.

Photo Reproduction

    A photo lab or shop has the right to refuse to reproduce old family photographs.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Whether the store owners knew they were violating copyright law by copying the image, they can still be liable for any copyright violations, according to U.S. Copyright Office.

Fair Use

    The difference between "fair use" and copyright infringement can be unclear. The Copyright Office says the factors used by courts to determine the difference include the purpose and character of the use, the nature of the work, how much of the original was used, and the effect of the use on the potential market for the copyrighted work.

Public Domain

    Photos that are in the public domain are not protected by copyright laws and can be used without permission or the payment of fees. Images enter the public domain after the copyright has expired, if the image is a work of the U.S. government, or the copyright holder fails to satisfy copyright formalities, according to Lolly Gasaway's article "When U.S. Works Fall into the Public Domain."



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How to Do Group Poses

How to Do Group Poses

Group poses can seem daunting to even a professional photographer but with these tips, anyone can try to get a professional picture.

Instructions

    1

    Before the group arrives, discuss with them what kind of shot they would like. Is this going to be a formal portrait or something more casual? Will everyone be in formal wear or jeans?

    2

    If possible, take the picture outside on an overcast day. Taking a group pose outdoors is very helpful because there is generally more room to work with.

    3
    This photo would not have depth if everyone was lined up next to each other

    For more formal poses, arrange the group in a "V" shape or triangular shapes. This gives a picture depth and character.

    4

    Informal shots can be easier to get than formal shots. For a distinctive informal group shot, set up an area large enough to hold the amount of people in the group. Tell the group members to stand whereever they would like and to stand however they want in the designated area. Climb on top of a ladder to take a downward shot of the entire group.

    5
    The family in this photo loved this shot of their granddaughter not posing with the group

    Sometimes it is best to let whatever happens happen. If a child is acting up or looking around then let them. Some of the best shots can be of children acting like children.


How to Do Group Poses

Group poses can seem daunting to even a professional photographer but with these tips, anyone can try to get a professional picture.

Instructions

    1

    Before the group arrives, discuss with them what kind of shot they would like. Is this going to be a formal portrait or something more casual? Will everyone be in formal wear or jeans?

    2

    If possible, take the picture outside on an overcast day. Taking a group pose outdoors is very helpful because there is generally more room to work with.

    3
    This photo would not have depth if everyone was lined up next to each other

    For more formal poses, arrange the group in a "V" shape or triangular shapes.

    Enhance your photography skill,The Top Secret Photography Techniques

    . This gives a picture depth and character.

    4

    Informal shots can be easier to get than formal shots. For a distinctive informal group shot, set up an area large enough to hold the amount of people in the group. Tell the group members to stand whereever they would like and to stand however they want in the designated area. Climb on top of a ladder to take a downward shot of the entire group.

    5
    The family in this photo loved this shot of their granddaughter not posing with the group

    Sometimes it is best to let whatever happens happen. If a child is acting up or looking around then let them. Some of the best shots can be of children acting like children.



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Should I Use Reflective or Shoot-Through Umbrellas?

Should I Use Reflective or Shoot-Through Umbrellas?

    Shoot-through umbrellas create softer light for photographers.
    Shoot-through umbrellas create softer light for photographers.

Shoot-Throughs Offer Softer Light

    Shoot-through umbrellas are ideal for close-up photography because they create soft light and evenly illuminate the subject you're shooting. When placed close to the subject, shoot-throughs also work well for outdoor head shots where you want to create natural light and subdued shadows, photographer David Hobby writes at Strobist.com.

Reflective Umbrellas Create Shadows

    Because light bounces off reflective umbrellas, they can create more dramatic, pronounced shadows than shoot-through umbrellas can, according to the Camera Dojo website. They work well for portraits where contrast is desired and can create even coverage over larger areas than shoot-throughs for full-length or large group portraits.

Bottom Line

    Photographer David Hobby recommends having both types of umbrella on hand so that you can rotate them as needed for specific types of shots. Photography umbrellas are relatively inexpensive. Having more than one can expand the range of effects in your photos.


Should I Use Reflective or Shoot-Through Umbrellas?

    Shoot-through umbrellas create softer light for photographers.
    Shoot-through umbrellas create softer light for photographers.

Shoot-Throughs Offer Softer Light

    Shoot-through umbrellas are ideal for close-up photography because they create soft light and evenly illuminate the subject you're shooting. When placed close to the subject, shoot-throughs also work well for outdoor head shots where you want to create natural light and subdued shadows, photographer David Hobby writes at Strobist.com.

Reflective Umbrellas Create Shadows

    Because light bounces off reflective umbrellas, they can create more dramatic, pronounced shadows than shoot-through umbrellas can, according to the Camera Dojo website. They work well for portraits where contrast is desired and can create even coverage over larger areas than shoot-throughs for full-length or large group portraits.

Bottom Line

    Photographer David Hobby recommends having both types of umbrella on hand so that you can rotate them as needed for specific types of shots. Photography umbrellas are relatively inexpensive. Having more than one can expand the range of effects in your photos.



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