Friday, November 27, 2015

Traditional Photo Processing

Traditional Photo Processing

Traditional photo processing techniques began in the 19th century, and technology developers have drawn upon traditional techniques in engineering new technology for the digital photo age. As of August 2010, photographic companies continue to manufacture photographic materials, allowing photographers to continue traditional development techniques.

History

    Frenchman Joseph Nicephore Niepce produced the first photograph in 1826. Niepce created the first image using a camera obscura (first camera design), produced on a pewter plate. The image of the French countryside required an eight-hour exposure.

Traditional Photo Processing Requirements

    Minimum requirements for traditional photo processing include a darkroom, photo chemistry, photosensitive paper, and a light source for exposing film to the paper. Darkroom equipment and chemistry can vary, depending on the use of color or black and white film and paper, and can employ trays or specialized drums in development of prints.

Traditional Processing Quality

    Archival prints represent the highest quality photos produced using traditional photo processing. Archival quality is rated by the number of years a photo can last before suffering a color shift or fading, typically over 100 years. Producing archival photos requires special papers, additional processing requirements, and specialized chemistry, such as toners, to ensure quality.


Traditional Photo Processing

Traditional photo processing techniques began in the 19th century, and technology developers have drawn upon traditional techniques in engineering new technology for the digital photo age. As of August 2010, photographic companies continue to manufacture photographic materials, allowing photographers to continue traditional development techniques.

History

    Frenchman Joseph Nicephore Niepce produced the first photograph in 1826. Niepce created the first image using a camera obscura (first camera design), produced on a pewter plate. The image of the French countryside required an eight-hour exposure.

Traditional Photo Processing Requirements

    Minimum requirements for traditional photo processing include a darkroom, photo chemistry, photosensitive paper, and a light source for exposing film to the paper. Darkroom equipment and chemistry can vary, depending on the use of color or black and white film and paper, and can employ trays or specialized drums in development of prints.

Traditional Processing Quality

    Archival prints represent the highest quality photos produced using traditional photo processing. Archival quality is rated by the number of years a photo can last before suffering a color shift or fading, typically over 100 years. Producing archival photos requires special papers, additional processing requirements, and specialized chemistry, such as toners, to ensure quality.



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How to Create Your Own Portrait Studio Photos

How to Create Your Own Portrait Studio Photos

Take Portrait Studio Photos in the comforts of your own home with a little creativity!

Instructions

    1

    Take a long sheet and drape it down the wall. Making sure you hang it on the wall high enough so that if you stand in front of it and frame you picture in the camera you do not see the top of the sheet.

    2

    All you need is a decent photographer to take some pictures of you and the fam in your best outfits. The sheet makes the background look just like the studio, just make sure there is no ruffles in the sheet. Props like chairs, stools, and toys can be used in each photo without the usually cost per pose or background.

    3

    Photoshop can be used to add those little camera flash stars, different tints and other cool things at your digression. Other photo editing programs work just as well when you want to change only the tint of the photo.


How to Create Your Own Portrait Studio Photos

Take Portrait Studio Photos in the comforts of your own home with a little creativity!

Instructions

    1

    Take a long sheet and drape it down the wall. Making sure you hang it on the wall high enough so that if you stand in front of it and frame you picture in the camera you do not see the top of the sheet.

    2

    All you need is a decent photographer to take some pictures of you and the fam in your best outfits. The sheet makes the background look just like the studio, just make sure there is no ruffles in the sheet. Props like chairs, stools, and toys can be used in each photo without the usually cost per pose or background.

    3

    Photoshop can be used to add those little camera flash stars, different tints and other cool things at your digression.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Other photo editing programs work just as well when you want to change only the tint of the photo.



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    How to paint a portrait limited color palette for Oil painting, how to match skin and flesh tones in painting

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Wednesday, November 25, 2015

Mixed Media Photography Techniques

Mixed Media Photography Techniques

A photograph by itself is sometimes insufficient to express an artist's vision. Incorporating other forms of media and artistic expression in the photograph can give flexibility to the art. Artists can experiment with paint, found objects, sandpaper and digital programs for different effects.

Acrylic

    Acrylic paint can be applied over the top of a photograph to add elements of texture to the piece. For instance, artists will paint over features of a photograph, such as a mountain in the background, to give a rockier or more jagged appearance to the mountain. This technique blends parts of the photograph that are otherwise realistic with more ethereal, fantasized versions of other objects in the scene. Artists may even paint on the mat that surrounds a photograph, such as extending flowers in a scene to spill onto the mat.

Found Objects

    Artists can add found objects, such as bottle caps, leaves or clothespins to their photographs to give added depth. The art piece can be arranged like a collage with the found objects scattered over the top of the photograph, or the found objects can be attached to the photograph in a more specific, organized way. For instance, the artist may paste small leaves over the top of a tree in a photograph to give a layer of depth and realism to an otherwise static image.

Sandpaper

    Photographic prints can be distressed with sandpaper or any other abrasive surface. This distressing can be used to artificially age the portrait, or can be done specifically to create a sense of movement in the piece. Because sandpaper will remove some---but not all---of the print on a photograph, the artist can create lines and patterns in the background to suggest something specific about the scene. For example, elements can be rubbed away to downplay their importance, or a sea can be distressed randomly to suggest storminess or turbulence. With a more refined abrasive tool, such as an awl, the artist can also highlight important areas of an image, such as adding a halo around text or an individual's head.

Digital

    Artists use digital photo manipulation programs such as Adobe's Photoshop, Google's Picasa or the open-source GIMP for more than just retouching their photos. The powerful graphic design elements of each piece of software can also blend digital art with photography. For instance, stylized fire can be added to a fireplace to give a scene a deeper fantasy feel, or facial features can be exaggerated or manipulated to make a real person appear like a monster or cartoon character. Digital software also allows the artist to manipulate colors, letting the artist depict an otherwise drab sky, for example, as an explosion of color.


Mixed Media Photography Techniques

A photograph by itself is sometimes insufficient to express an artist's vision. Incorporating other forms of media and artistic expression in the photograph can give flexibility to the art. Artists can experiment with paint, found objects, sandpaper and digital programs for different effects.

Acrylic

    Acrylic paint can be applied over the top of a photograph to add elements of texture to the piece. For instance, artists will paint over features of a photograph, such as a mountain in the background, to give a rockier or more jagged appearance to the mountain. This technique blends parts of the photograph that are otherwise realistic with more ethereal, fantasized versions of other objects in the scene. Artists may even paint on the mat that surrounds a photograph, such as extending flowers in a scene to spill onto the mat.

Found Objects

    Artists can add found objects, such as bottle caps, leaves or clothespins to their photographs to give added depth. The art piece can be arranged like a collage with the found objects scattered over the top of the photograph, or the found objects can be attached to the photograph in a more specific, organized way. For instance, the artist may paste small leaves over the top of a tree in a photograph to give a layer of depth and realism to an otherwise static image.

Sandpaper

    Photographic prints can be distressed with sandpaper or any other abrasive surface. This distressing can be used to artificially age the portrait, or can be done specifically to create a sense of movement in the piece. Because sandpaper will remove some---but not all---of the print on a photograph, the artist can create lines and patterns in the background to suggest something specific about the scene. For example, elements can be rubbed away to downplay their importance, or a sea can be distressed randomly to suggest storminess or turbulence. With a more refined abrasive tool, such as an awl, the artist can also highlight important areas of an image, such as adding a halo around text or an individual's head.

Digital

    Artists use digital photo manipulation programs such as Adobe's Photoshop, Google's Picasa or the open-source GIMP for more than just retouching their photos. The powerful graphic design elements of each piece of software can also blend digital art with photography.

    Enhance your photography skill,The Top Secret Photography Techniques

    . For instance, stylized fire can be added to a fireplace to give a scene a deeper fantasy feel, or facial features can be exaggerated or manipulated to make a real person appear like a monster or cartoon character. Digital software also allows the artist to manipulate colors, letting the artist depict an otherwise drab sky, for example, as an explosion of color.



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Tuesday, November 24, 2015

How to Merge Images Into a Montage to Tell a Story

How to Merge Images Into a Montage to Tell a Story

I believe that good photographs tell a story or create a mood or feeling. Sometimes, it is not possible to tell a story with a single image. In this article we will explore using multiple images to describe a single event or tell a story. Before you can merge your images, however, you'll need to adjust size, white balance and color balance. To find out how to do this, please reference my article "How to Prepare Images for Merging into a Photo Montage" (see Resources below). Then proceed on with this article to learn how to put them together.

Instructions

    1
    Create New Iamge

    Create a new image with the dimensions of one of the single images prepared for merging. In this example I am using GIMP, but you can use other imaging editing software like Adobe Photoshop to create photomontages.

    2
    Open as Layers

    Select and open your images as layers. In GIMP this will open each image and place them in the NEW image you just opened. It will place each image layer on top of the previous layer. If you do not use OPEN AS LAYERS, GIMP will open each image in a new and separate window.

    3
    Set Canvas Size

    Each layer is tacked on top of the other. The image on top is the last layer that was opened. Notice the yellow dotted line, which frames the active layer. Before you can arrange the layers, you need to expand the canvas to be large enough to contain the images. Note the size of each image and adjust the canvas size to contain the images with a border around each, so that they are separated.

    4
    Move Layers

    After you have expanded the canvas, each image can be moved to the proper position by simply dragging it and placing it in the proper spot. Use the grid and rulers to line up each image to the exact desired position in the montage.

    5
    Save Image

    After you have placed the images in the proper spot it is time to save your image. Remember to pick a unique name and save the image to the proper directory on your computer.

    6
    Final Image

    The final image tells the story. You can experiment with different color backgrounds by adding a background color to the canvas. You can also adjust the canvas size so the images have no space between them, but for this series I liked the black background and the separation between the images.


How to Merge Images Into a Montage to Tell a Story

I believe that good photographs tell a story or create a mood or feeling. Sometimes, it is not possible to tell a story with a single image. In this article we will explore using multiple images to describe a single event or tell a story. Before you can merge your images, however, you'll need to adjust size, white balance and color balance. To find out how to do this, please reference my article "How to Prepare Images for Merging into a Photo Montage" (see Resources below). Then proceed on with this article to learn how to put them together.

Instructions

    1
    Create New Iamge

    Create a new image with the dimensions of one of the single images prepared for merging. In this example I am using GIMP, but you can use other imaging editing software like Adobe Photoshop to create photomontages.

    2
    Open as Layers

    Select and open your images as layers. In GIMP this will open each image and place them in the NEW image you just opened.

    Enhance your photography skill,The Top Secret Photography Techniques

    . It will place each image layer on top of the previous layer. If you do not use OPEN AS LAYERS, GIMP will open each image in a new and separate window.

    3
    Set Canvas Size

    Each layer is tacked on top of the other. The image on top is the last layer that was opened. Notice the yellow dotted line, which frames the active layer. Before you can arrange the layers, you need to expand the canvas to be large enough to contain the images. Note the size of each image and adjust the canvas size to contain the images with a border around each, so that they are separated.

    4
    Move Layers

    After you have expanded the canvas, each image can be moved to the proper position by simply dragging it and placing it in the proper spot. Use the grid and rulers to line up each image to the exact desired position in the montage.

    5
    Save Image

    After you have placed the images in the proper spot it is time to save your image. Remember to pick a unique name and save the image to the proper directory on your computer.

    6
    Final Image

    The final image tells the story. You can experiment with different color backgrounds by adding a background color to the canvas. You can also adjust the canvas size so the images have no space between them, but for this series I liked the black background and the separation between the images.



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  • How to Merge Two Photographs Together eHow

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  • How to Take Great Group Photos - Digital Photography Tips:

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