Sunday, April 30, 2017

How to Put a Picture on a Switchplate

How to Put a Picture on a Switchplate

Switchplates are some of the most functional, yet often most boring, items around the home. You can turn them from ho-hum to hilarious, or any degree of creative, by adorning them with art. One way is to put a picture on a switchplate. This activity is simple and can make a switchplate stand out or blend in with the room. It also gives you a minishowcase of fond memories around the home. You can put a picture on a switchplate with a few simple steps.

Instructions

    1

    Pick a switchplate. It can be a main light switch or an electrical outlet in the middle of the wall that just needs a touch of adornment. Unscrew or otherwise remove the switchplate from the wall so you have it in front of you to work with. Keep a small cup handy to place the screws in so you do not lose them.

    2

    Measure the switchplate. Gauge the height and width and add at least 1/2 inch to each measurement so you know how big your photo should be. Also gauge the amount of space you will cut out for the switch or electrical outlets to fit through, so you know which type of photo will work best.

    3

    Pick a photo based on the size of the switchplate and size and position of the holes you will need for the switches and outlets. You may want to pick a landscape photo so it will not matter if you cut out part of its center to accommodate the openings. Or you may want to pick someones face so you can have the switch stick out through the persons nose.

    4

    Size and adjust the photo as necessary. You can open the photo in a photo editing program, such as Photoshop, or import it into a word processing program like Microsoft Word. This allows you to adjust the overall size, crop out any unwanted portions and play with the brightness and color.

    5

    Print the photo on sticker paper. You can find a variety of sticker paper at office supply, stationery or arts and crafts stores. Load it into your printer, change the printing option for paper to heavyweight matte or gloss, depending on the type of sticker paper you chose, and send the photo to print.

    6

    Cut the photo to fit the switchplate and stick it on. Use sharp scissors or a pen knife to cut around the photos border first, leaving the extra 1/2 inch to bend around the sides of the switchplate. Place the sticker on the switchplate and, with the plate face down, use a pen knife to cut the holes for the outlets or switch from behind. Bend the sticker around the borders of those holes. Dont forget to poke small holes for the screws.


How to Put a Picture on a Switchplate

Switchplates are some of the most functional, yet often most boring, items around the home. You can turn them from ho-hum to hilarious, or any degree of creative, by adorning them with art. One way is to put a picture on a switchplate. This activity is simple and can make a switchplate stand out or blend in with the room. It also gives you a minishowcase of fond memories around the home. You can put a picture on a switchplate with a few simple steps.

Instructions

    1

    Pick a switchplate. It can be a main light switch or an electrical outlet in the middle of the wall that just needs a touch of adornment. Unscrew or otherwise remove the switchplate from the wall so you have it in front of you to work with. Keep a small cup handy to place the screws in so you do not lose them.

    2

    Measure the switchplate. Gauge the height and width and add at least 1/2 inch to each measurement so you know how big your photo should be. Also gauge the amount of space you will cut out for the switch or electrical outlets to fit through, so you know which type of photo will work best.

    3

    Pick a photo based on the size of the switchplate and size and position of the holes you will need for the switches and outlets. You may want to pick a landscape photo so it will not matter if you cut out part of its center to accommodate the openings. Or you may want to pick someones face so you can have the switch stick out through the persons nose.

    4

    Size and adjust the photo as necessary.

    Enhance your photography skill,The Top Secret Photography Techniques

    . You can open the photo in a photo editing program, such as Photoshop, or import it into a word processing program like Microsoft Word. This allows you to adjust the overall size, crop out any unwanted portions and play with the brightness and color.

    5

    Print the photo on sticker paper. You can find a variety of sticker paper at office supply, stationery or arts and crafts stores. Load it into your printer, change the printing option for paper to heavyweight matte or gloss, depending on the type of sticker paper you chose, and send the photo to print.

    6

    Cut the photo to fit the switchplate and stick it on. Use sharp scissors or a pen knife to cut around the photos border first, leaving the extra 1/2 inch to bend around the sides of the switchplate. Place the sticker on the switchplate and, with the plate face down, use a pen knife to cut the holes for the outlets or switch from behind. Bend the sticker around the borders of those holes. Dont forget to poke small holes for the screws.



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What is a Camera Prism?

Originally, when photographers set up their early camera equipment, they put dark clothes over their heads to keep the light out while the focused the image on a ground glass plate. The problem was, the image was upside down and reversed from left to right. The solution to this came in the camera prism.

History

    Ansel Adams used a view camera. That is, he used a camera that consisted of a lens, bellows, focusing screen, film plates and a tripod. It was bulky and heavy, yet he carted it up and down the mountains of Yosemite National Park and the Sierras. All the time, he had to view an image that was upside down and reversed. This got a little better for other photographers with the introduction of the twin-lens reflex and single-lens reflex cameras, but Adams kept to his old standard.

Types

    The twin-lens reflex camera has both a viewing lens and a taking lens, the former above the latter. The taking lens goes straight back to the film plane and, when the shutter is released, exposes a direct image, still upside down and reversed right to left. The viewing lens, however, which sends the image to a mirror then to a ground glass screen corrects the image top to bottom, but not right to left.

Significance

    The single-lens reflex camera, primarily the 35mm-type, finally fixed the image by using a pentaprism. This is a five-sided prism that straights the image. This means that looking through the viewfinder shows the image exactly as it appears in real life. This makes viewing and composing a photographic scene easier and more efficient.

Effects

    A single-lens reflex camera uses the same lens to view the scene as it does to take the photo. This is accomplished by use of a mirror behind the lens which flips up at the time of exposure. This mirror is at a 45-degree angle and sends the image from the lens up to the pentaprism where it is bounced to the top, then the front, then back to the eyepiece.

Considerations

    The camera prism came in to wide use for SLRs by the 1960s and still is in general use today. Bigger similar prism began to be used on medium-format cameras such as the Hasselblad, Bronica, Mamiya and Pentax 645. It never became standard on the Hasselblad until the introduction of the digital model, the H1, but always was built-in to the Pentax 645.


Originally, when photographers set up their early camera equipment, they put dark clothes over their heads to keep the light out while the focused the image on a ground glass plate. The problem was, the image was upside down and reversed from left to right. The solution to this came in the camera prism.

History

    Ansel Adams used a view camera. That is, he used a camera that consisted of a lens, bellows, focusing screen, film plates and a tripod. It was bulky and heavy, yet he carted it up and down the mountains of Yosemite National Park and the Sierras.

    Enhance your photography skill,The Top Secret Photography Techniques

    . All the time, he had to view an image that was upside down and reversed. This got a little better for other photographers with the introduction of the twin-lens reflex and single-lens reflex cameras, but Adams kept to his old standard.

Types

    The twin-lens reflex camera has both a viewing lens and a taking lens, the former above the latter. The taking lens goes straight back to the film plane and, when the shutter is released, exposes a direct image, still upside down and reversed right to left. The viewing lens, however, which sends the image to a mirror then to a ground glass screen corrects the image top to bottom, but not right to left.

Significance

    The single-lens reflex camera, primarily the 35mm-type, finally fixed the image by using a pentaprism. This is a five-sided prism that straights the image. This means that looking through the viewfinder shows the image exactly as it appears in real life. This makes viewing and composing a photographic scene easier and more efficient.

Effects

    A single-lens reflex camera uses the same lens to view the scene as it does to take the photo. This is accomplished by use of a mirror behind the lens which flips up at the time of exposure. This mirror is at a 45-degree angle and sends the image from the lens up to the pentaprism where it is bounced to the top, then the front, then back to the eyepiece.

Considerations

    The camera prism came in to wide use for SLRs by the 1960s and still is in general use today. Bigger similar prism began to be used on medium-format cameras such as the Hasselblad, Bronica, Mamiya and Pentax 645. It never became standard on the Hasselblad until the introduction of the digital model, the H1, but always was built-in to the Pentax 645.



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Friday, April 28, 2017

How to Do Butterfly Lighting in Film

How to Do Butterfly Lighting in Film

Some lighting effects are so appealing; they deserve a name of their own. Such is the case with butterfly lighting, an effect made popular by Paramount Studios in the 1950s. Since this lighting creates a small butterfly shadow under the nose and obscures the nostrils, many starlets requested it during their photo shoots. When youre shooting with film as opposed to digital, you can easily adapt your camera to shoot a model under butterfly lighting.

Instructions

    1

    Begin by positioning your studio lights. Two separate studio lights create the butterfly effect under the nose; the key light is the main light and will be the most intense. Position your key light high and directly facing your model. The key light will shine downwards on the models face from a 45-degree angle so step to the side and view the angle. Adjust the height of the light pole, if necessary.

    2

    Place your second light, the fill light, directly below the key light. The fill light softens the effect of the shadow under the nose so depending upon how much intensity the fill light emits you can adjust the butterfly effect. The fill light is in a vertical line with the key light but it is only as high as the models nose.

    3

    Position your camera to the side of the lights, facing your model. The model will face the lights directly.

    4

    Adjust your aperture and shutter settings to allow a slightly underexposed shot if you want to emulate the butterfly effect used by Paramount Studios. The models eyes will be slightly dark and shadows may appear under them but instead of being unflattering, the shadows hover around the outside edges, creating a sultry look.

    5

    Try using black and white film for a close facsimile of a starlet photo. When the butterfly lighting effect became popular, only black and white film was in use. Of course, you can achieve a butterfly effect with color film as well.


How to Do Butterfly Lighting in Film

Some lighting effects are so appealing; they deserve a name of their own. Such is the case with butterfly lighting, an effect made popular by Paramount Studios in the 1950s. Since this lighting creates a small butterfly shadow under the nose and obscures the nostrils, many starlets requested it during their photo shoots. When youre shooting with film as opposed to digital, you can easily adapt your camera to shoot a model under butterfly lighting.

Instructions

    1

    Begin by positioning your studio lights. Two separate studio lights create the butterfly effect under the nose; the key light is the main light and will be the most intense. Position your key light high and directly facing your model. The key light will shine downwards on the models face from a 45-degree angle so step to the side and view the angle. Adjust the height of the light pole, if necessary.

    2

    Place your second light, the fill light, directly below the key light. The fill light softens the effect of the shadow under the nose so depending upon how much intensity the fill light emits you can adjust the butterfly effect. The fill light is in a vertical line with the key light but it is only as high as the models nose.

    3

    Position your camera to the side of the lights, facing your model. The model will face the lights directly.

    4

    Adjust your aperture and shutter settings to allow a slightly underexposed shot if you want to emulate the butterfly effect used by Paramount Studios. The models eyes will be slightly dark and shadows may appear under them but instead of being unflattering, the shadows hover around the outside edges, creating a sultry look.

    5

    Try using black and white film for a close facsimile of a starlet photo. When the butterfly lighting effect became popular, only black and white film was in use.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Of course, you can achieve a butterfly effect with color film as well.



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Thursday, April 27, 2017

How to Make a Portfolio Mount

How to Make a Portfolio Mount

A portfolio is a collection of work that showcases the artist's talent. Graphic artists, writers and photographers use portfolios to show potential clients and employers what they've done. A professionally mounted portfolio is particularly important when it comes to a photography or graphic art portfolio. The manner in which the pictures are presented communicates the professionalism of the artist. Portfolio mounts also segment your work into relevant categories. Fill your portfolio with samples that most closely resemble the potential client's business.

Instructions

    1

    Select samples of photographs and projects that you consider your best work. Choose a variety of projects, photos or graphics for your portfolio unless you have enough work to create separate portfolios for large amounts of work. Separate food photographs, for example, from senior pictures. Divide logo designs into a separate portfolio case from the rest of your work if you have enough samples to fill a separate portfolio.

    2

    Purchase a professional portfolio case with a clasped flap that opens and which is capable of securing 10 to 20 black presentation boards measuring 15-by-20 inches.

    3

    Using a utility knife and straight edge, cut photo mats or black foam core board that is 1/4-inch larger than the photographs you want to include in your portfolio. Coat the back of the photographs with spray mount adhesive and press them onto the foam core board or photo mats.

    4

    Organize the photos by date or category and visualize how you will lay them out on your presentation boards. Plan for one to four photos on each presentation board. Leave enough space between the mounted photos so that the presentation board doesn't appear crowded or cluttered. Allow a 2-by-4-inch space in the bottom right hand corner of the presentation board for a descriptive label. The label includes information explaining the date and subject or company that the work featured represents. Attach a piece of double-sided tape to the back of the mounted photographs and press the mounts onto your presentation boards.

    5

    Print off other samples of your work such as T-shirt designs, logo designs, website artwork, magazine layouts or book covers. Print the work on high quality white bond paper in full color. Organize the samples by date or category, as you did with the photographs. Plan how you will lay them out on the presentation boards so they don't appear crowded or cluttered. Spray the back of the paper with spray mount adhesive and press the papers onto your presentation boards.

    6

    Create descriptive labels for every page of your portfolio and print them on pieces of white bond paper cut to measure 2 inches tall by 4 inches wide. Add the year created, company and medium or materials used on the labels. Affix the labels to the bottom right corner of every presentation board with double-sided tape.

    7

    Slide the presentation boards into the portfolio case. Take the case with you on appointments with prospective clients and employers.


How to Make a Portfolio Mount

A portfolio is a collection of work that showcases the artist's talent. Graphic artists, writers and photographers use portfolios to show potential clients and employers what they've done. A professionally mounted portfolio is particularly important when it comes to a photography or graphic art portfolio. The manner in which the pictures are presented communicates the professionalism of the artist. Portfolio mounts also segment your work into relevant categories. Fill your portfolio with samples that most closely resemble the potential client's business.

Instructions

    1

    Select samples of photographs and projects that you consider your best work. Choose a variety of projects, photos or graphics for your portfolio unless you have enough work to create separate portfolios for large amounts of work. Separate food photographs, for example, from senior pictures. Divide logo designs into a separate portfolio case from the rest of your work if you have enough samples to fill a separate portfolio.

    2

    Purchase a professional portfolio case with a clasped flap that opens and which is capable of securing 10 to 20 black presentation boards measuring 15-by-20 inches.

    3

    Using a utility knife and straight edge, cut photo mats or black foam core board that is 1/4-inch larger than the photographs you want to include in your portfolio. Coat the back of the photographs with spray mount adhesive and press them onto the foam core board or photo mats.

    4

    Organize the photos by date or category and visualize how you will lay them out on your presentation boards. Plan for one to four photos on each presentation board. Leave enough space between the mounted photos so that the presentation board doesn't appear crowded or cluttered. Allow a 2-by-4-inch space in the bottom right hand corner of the presentation board for a descriptive label. The label includes information explaining the date and subject or company that the work featured represents. Attach a piece of double-sided tape to the back of the mounted photographs and press the mounts onto your presentation boards.

    5

    Print off other samples of your work such as T-shirt designs, logo designs, website artwork, magazine layouts or book covers. Print the work on high quality white bond paper in full color. Organize the samples by date or category, as you did with the photographs. Plan how you will lay them out on the presentation boards so they don't appear crowded or cluttered. Spray the back of the paper with spray mount adhesive and press the papers onto your presentation boards.

    6

    Create descriptive labels for every page of your portfolio and print them on pieces of white bond paper cut to measure 2 inches tall by 4 inches wide. Add the year created, company and medium or materials used on the labels. Affix the labels to the bottom right corner of every presentation board with double-sided tape.

    7

    Slide the presentation boards into the portfolio case. Take the case with you on appointments with prospective clients and employers.



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Wednesday, April 26, 2017

Facts About Pinhole Cameras

Facts About Pinhole Cameras

A pinhole camera is a box that is entirely light-tight except for a tiny pinhole on one side. When the photographer opens the shutter, light passes through the pinhole and exposes the photo-sensitive paper on the other side of the box, creating an image.

Materials

    Pinhole cameras can be made out of shoeboxes, oatmeal boxes, photographic paper boxes, and a variety of other boxes of different sizes.

Focal Length and Depth of Field

    A pinhole camera with a longer distance between the pinhole and the photographic paper has a longer focal length and will show objects in closer focus than pinhole cameras with a shorter focal length. The longer the focal length, the less depth of field the image will have; in other words, less of the image area will appear in focus. If the distance between the pinhole and the paper is very short, more of the image will appear in focus.

Exposure Time

    Pinhole cameras require long exposure times because they only allow light to pass through a very small area (a pinhole). You might need to keep the shutter open for a full minute to make a good exposure.

Warped Images

    Pinhole images often appear warped around the edges in a circular shape when the paper is larger than the size of the projected image.

Camera Obscuras

    Pinhole cameras create images directly onto photographic paper loaded into the camera in complete darkness. Once processed, these images will appear as negatives, with the darkest areas appearing the lightest, and vice versa.


Facts About Pinhole Cameras

A pinhole camera is a box that is entirely light-tight except for a tiny pinhole on one side. When the photographer opens the shutter, light passes through the pinhole and exposes the photo-sensitive paper on the other side of the box, creating an image.

Enhance your photography skill,The Top Secret Photography Techniques

.

Materials

    Pinhole cameras can be made out of shoeboxes, oatmeal boxes, photographic paper boxes, and a variety of other boxes of different sizes.

Focal Length and Depth of Field

    A pinhole camera with a longer distance between the pinhole and the photographic paper has a longer focal length and will show objects in closer focus than pinhole cameras with a shorter focal length. The longer the focal length, the less depth of field the image will have; in other words, less of the image area will appear in focus. If the distance between the pinhole and the paper is very short, more of the image will appear in focus.

Exposure Time

    Pinhole cameras require long exposure times because they only allow light to pass through a very small area (a pinhole). You might need to keep the shutter open for a full minute to make a good exposure.

Warped Images

    Pinhole images often appear warped around the edges in a circular shape when the paper is larger than the size of the projected image.

Camera Obscuras

    Pinhole cameras create images directly onto photographic paper loaded into the camera in complete darkness. Once processed, these images will appear as negatives, with the darkest areas appearing the lightest, and vice versa.



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