Friday, November 28, 2014

Portrait Ideas for 3 Children

Portrait Ideas for 3 Children

Three makes a great number for a photograph. Artistically, odd numbers are more aesthetically pleasing, yet three is still a small enough number to get a good, tight shot. There are a lot of interesting, fun ways that three children can be positioned to get a great photograph. While working with kids, always think ahead and do what you can to help them relax.

Composition

    An inverted triangular composition.

    Compositions that work well with three children are linear and triangular. Linear compositions are when you line children in a row. The tallest should be in the middle, or the children should be lined in height order from tallest to shortest. This composition is great for wide-angle or full-body shots. With triangular compositions, the heads are staggered so that they form the point of an imaginary triangle. This gives you a tighter composition for close-ups, and the triangular arrangement is visually pleasing.

Wardrobe

    Coordinated wardrobe with a linear composition.

    When taking photos of three children, plan a wardrobe so they are dressed similarly. Avoid having two in casual jeans and T-shirts while one is wearing a party dress. They should all be dressed casually or all be dressed up. Have them dress seasonally, such as all three wearing a comfortable sweater for a winter shot, or all wearing sun dresses at the beach. Try dressing them in the same color or in coordinating colors. For example, dress them all in white for a clean, classic look, or dress each one in a bright primary color: red, yellow and blue.

Angles

    Taking photos from behind add interest.

    Pay attention to body angles. Positioning the body to a three-quarter angle often creates a more flattering, interesting look. Have children angle their bodies and faces inward toward the center of the composition. Have them lean in toward the child in the center, or tilt their heads inward toward each other. Take a photo at an unexpected angle, such as with their backs to you. Pay attention to your camera angles, too. Shooting small children from a standing adult's height can make them look smaller than they are. While this can make for a great shot, also try getting down to their level or getting lower than they are and shooting upward at them. Different camera angles can create great different looks, even with the same pose.

Props

    Giving children props can help them pose better. Kids can be unsure of how to stand or what to do with their hands in a photo. When holding a fun prop, they relax and position their bodies more naturally. Give them each the same type of prop, such as a stuffed animal or hat, and see what each personality does with it. Alternately, distribute different props with a similar theme, such as sports equipment (ball, bat and glove, for example). Allow the kids to hold props in a way that feels natural to them, but make sure the props aren't obstructing any faces.

Settings

    Natural, fun settings relax the subjects.

    When looking for portrait settings, look for places where kids are comfortable. The outdoors provide great backdrops and natural lighting. Find settings that play on the "three" theme. For example, a teeter-totter makes a great setting for three, with one child on each end and one in the center. For a linear composition, use a landscape. For a triangular setting, use places where you can stagger their heights, such as stairs, jungle gyms or a park bench in which two can be on the seats and one on the table. If taking photos indoors, find a neutral wall that does not have a lot of distracting elements, or hang a sheet to act as a backdrop.


Portrait Ideas for 3 Children

Three makes a great number for a photograph. Artistically, odd numbers are more aesthetically pleasing, yet three is still a small enough number to get a good, tight shot. There are a lot of interesting, fun ways that three children can be positioned to get a great photograph. While working with kids, always think ahead and do what you can to help them relax.

Composition

    An inverted triangular composition.

    Compositions that work well with three children are linear and triangular. Linear compositions are when you line children in a row. The tallest should be in the middle, or the children should be lined in height order from tallest to shortest.

    Enhance your photography skill,The Top Secret Photography Techniques

    . This composition is great for wide-angle or full-body shots. With triangular compositions, the heads are staggered so that they form the point of an imaginary triangle. This gives you a tighter composition for close-ups, and the triangular arrangement is visually pleasing.

Wardrobe

    Coordinated wardrobe with a linear composition.

    When taking photos of three children, plan a wardrobe so they are dressed similarly. Avoid having two in casual jeans and T-shirts while one is wearing a party dress. They should all be dressed casually or all be dressed up. Have them dress seasonally, such as all three wearing a comfortable sweater for a winter shot, or all wearing sun dresses at the beach. Try dressing them in the same color or in coordinating colors. For example, dress them all in white for a clean, classic look, or dress each one in a bright primary color: red, yellow and blue.

Angles

    Taking photos from behind add interest.

    Pay attention to body angles. Positioning the body to a three-quarter angle often creates a more flattering, interesting look. Have children angle their bodies and faces inward toward the center of the composition. Have them lean in toward the child in the center, or tilt their heads inward toward each other. Take a photo at an unexpected angle, such as with their backs to you. Pay attention to your camera angles, too. Shooting small children from a standing adult's height can make them look smaller than they are. While this can make for a great shot, also try getting down to their level or getting lower than they are and shooting upward at them. Different camera angles can create great different looks, even with the same pose.

Props

    Giving children props can help them pose better. Kids can be unsure of how to stand or what to do with their hands in a photo. When holding a fun prop, they relax and position their bodies more naturally. Give them each the same type of prop, such as a stuffed animal or hat, and see what each personality does with it. Alternately, distribute different props with a similar theme, such as sports equipment (ball, bat and glove, for example). Allow the kids to hold props in a way that feels natural to them, but make sure the props aren't obstructing any faces.

Settings

    Natural, fun settings relax the subjects.

    When looking for portrait settings, look for places where kids are comfortable. The outdoors provide great backdrops and natural lighting. Find settings that play on the "three" theme. For example, a teeter-totter makes a great setting for three, with one child on each end and one in the center. For a linear composition, use a landscape. For a triangular setting, use places where you can stagger their heights, such as stairs, jungle gyms or a park bench in which two can be on the seats and one on the table. If taking photos indoors, find a neutral wall that does not have a lot of distracting elements, or hang a sheet to act as a backdrop.



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Friday, November 21, 2014

The Difference Between a Pinhole Camera and the Eye

The Difference Between a Pinhole Camera and the Eye

A pinhole camera is a simple camera made out of a light-tight box or similar container. Light enters the camera through a tiny pinhole and projects an image onto light-sensitive paper at the back of the camera. Studying and working with a pinhole camera can help you understand how more complex cameras work, as well as how our own eyes work.

Lens

    A pinhole camera has no lens. Light entering a pinhole camera passes through a hole, rather than through any glass or focusing apparatus. The human eye, on the other hand, does have a lens. According to the University of Edinburgh School of Informatics, light entering the eye must pass through the cornea, the aqueous humor, the lens and finally the vitreous humor before it hits the retina at the back of the eye.

Focus

    Because a pinhole camera has no lens, the photographer cannot focus it on individual objects. As a result, pinhole cameras have very wide depth of field, meaning that much more of an image's foreground and background appears in focus in a pinhole camera image than in an image taken with a camera with a lens. The human eye more closely resembles a camera with a lens, in that it can focus on particular objects. According to the University of Edinburgh School of Informatics, muscular adjustment of the eye's lens allows it to focus on particular objects. Eyeglasses and contacts can correct faulty muscular adjustment of the eye's lens.

Aperture

    Because it has no lens, a pinhole camera has no variable aperture; unless you break a larger hole in the camera, light must always pass through the same sized hole. Photographers using cameras with lenses, on the other hand, can choose to open or close the lens's aperture, allowing more or less light to pass through the lens. The human eye functions this way as well. Our pupils can open or close, or dilate or shrink, to accommodate different light conditions.

Perspective

    A pinhole camera, like most other cameras, has only one hole, making its angle of view quite different from that of a human. Humans see through two eyes, combining visual information from both to produce one image. Because pinhole cameras allow light to pass through only one hole, the images they produce often have a strange perspective, with subject matter curving around the edges in extreme cases.

Similarities

    Light passes through both pinhole cameras and human eyes to project an upside-down image. In a pinhole camera, light passes through the pinhole to project an upside-down image onto the back of the box, and in the human eye, light passes through the lens to project an upside-down image on the back of the retina. The brain then flips that image so that we experience it with the right side up.


The Difference Between a Pinhole Camera and the Eye

A pinhole camera is a simple camera made out of a light-tight box or similar container.

Enhance your photography skill,The Top Secret Photography Techniques

. Light enters the camera through a tiny pinhole and projects an image onto light-sensitive paper at the back of the camera. Studying and working with a pinhole camera can help you understand how more complex cameras work, as well as how our own eyes work.

Lens

    A pinhole camera has no lens. Light entering a pinhole camera passes through a hole, rather than through any glass or focusing apparatus. The human eye, on the other hand, does have a lens. According to the University of Edinburgh School of Informatics, light entering the eye must pass through the cornea, the aqueous humor, the lens and finally the vitreous humor before it hits the retina at the back of the eye.

Focus

    Because a pinhole camera has no lens, the photographer cannot focus it on individual objects. As a result, pinhole cameras have very wide depth of field, meaning that much more of an image's foreground and background appears in focus in a pinhole camera image than in an image taken with a camera with a lens. The human eye more closely resembles a camera with a lens, in that it can focus on particular objects. According to the University of Edinburgh School of Informatics, muscular adjustment of the eye's lens allows it to focus on particular objects. Eyeglasses and contacts can correct faulty muscular adjustment of the eye's lens.

Aperture

    Because it has no lens, a pinhole camera has no variable aperture; unless you break a larger hole in the camera, light must always pass through the same sized hole. Photographers using cameras with lenses, on the other hand, can choose to open or close the lens's aperture, allowing more or less light to pass through the lens. The human eye functions this way as well. Our pupils can open or close, or dilate or shrink, to accommodate different light conditions.

Perspective

    A pinhole camera, like most other cameras, has only one hole, making its angle of view quite different from that of a human. Humans see through two eyes, combining visual information from both to produce one image. Because pinhole cameras allow light to pass through only one hole, the images they produce often have a strange perspective, with subject matter curving around the edges in extreme cases.

Similarities

    Light passes through both pinhole cameras and human eyes to project an upside-down image. In a pinhole camera, light passes through the pinhole to project an upside-down image onto the back of the box, and in the human eye, light passes through the lens to project an upside-down image on the back of the retina. The brain then flips that image so that we experience it with the right side up.



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How to Take Photographs Under Fluorescent Light

Fluorescent lighting can produce unwanted blue/gray effects in photographs. With a digital camera, you can compensate for these unwanted effects. In fact, you can prevent them with settings programmed right into your camera. If you don't have your user manual with you, don't worry. The adjustments are quite easy to make.

Instructions

    1

    Find the manual or program mode on your camera. It's often located on a dial on the top.

    2

    Turn the dial to the manual or program mode.

    3

    Press the Function Set button. When you press the Function Set button, icons appear on the screen.

    4

    Scroll down to the AWB, or Auto White Balance, icon. This reveals icons for incandescent lighting, sunny days and other lighting options, in addition to fluorescent. The shapes of these icons vary, depending on the brand of your camera. The fluorescent icon for the Canon PowerShot A560, for example, is a tiny rectangle with rays.

    5

    Select the fluorescent icon to automatically adjust your camera flash settings to accommodate fluorescent light. As you scroll over the different light adjustment icons, the tint of the image on your camera screen changes.


Fluorescent lighting can produce unwanted blue/gray effects in photographs. With a digital camera, you can compensate for these unwanted effects. In fact, you can prevent them with settings programmed right into your camera. If you don't have your user manual with you, don't worry. The adjustments are quite easy to make.

Enhance your photography skill,The Top Secret Photography Techniques

.

Instructions

    1

    Find the manual or program mode on your camera. It's often located on a dial on the top.

    2

    Turn the dial to the manual or program mode.

    3

    Press the Function Set button. When you press the Function Set button, icons appear on the screen.

    4

    Scroll down to the AWB, or Auto White Balance, icon. This reveals icons for incandescent lighting, sunny days and other lighting options, in addition to fluorescent. The shapes of these icons vary, depending on the brand of your camera. The fluorescent icon for the Canon PowerShot A560, for example, is a tiny rectangle with rays.

    5

    Select the fluorescent icon to automatically adjust your camera flash settings to accommodate fluorescent light. As you scroll over the different light adjustment icons, the tint of the image on your camera screen changes.



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How to Shrink a Photo File Size

Most digital cameras have a high resolution that creates large files that are very large and take too long to upload via websites or email. These large file sizes are necessary to print large, detailed photos, but you will need to shrink the file size in order to share them easily through a digital format. Luckily, whether you have a Macintosh or a PC computer, shrinking files to a manageable size doesn't require too much effort.

Instructions

    1

    Open the photo file with any basic image editing software or even the previewing software that came with your computer.

    2

    Look in the toolbar menu for a command that reads "Image Size," "Resize" or "Resample," and click on that option. Often, these commands are in the "Edit" or "Tools" menu.

    3

    Enable the "Resample" and "Constrain Proportions" or "Keep Aspect Ratio" options. Resampling is needed to make any image smaller, because it changes the pixel dimensions. Maintaining the same aspect ratio keeps your images from being stretched out or distorted. With this option enabled, you need to change only one side's dimensions, and the other changes automatically.

    4

    Change the image dimensions. Most programs let you change it in inches, centimeters, pixels and other measurements. These options allow you to convert the photo file in measurements that are familiar to you.

    5

    Save the photo as a JPG file, which is a small image file. Make sure to click on "Save As," so you don't erase your original, high-resolution image.


Most digital cameras have a high resolution that creates large files that are very large and take too long to upload via websites or email. These large file sizes are necessary to print large, detailed photos, but you will need to shrink the file size in order to share them easily through a digital format. Luckily, whether you have a Macintosh or a PC computer, shrinking files to a manageable size doesn't require too much effort.

Instructions

    1

    Open the photo file with any basic image editing software or even the previewing software that came with your computer.

    2

    Look in the toolbar menu for a command that reads "Image Size," "Resize" or "Resample," and click on that option. Often, these commands are in the "Edit" or "Tools" menu.

    3

    Enable the "Resample" and "Constrain Proportions" or "Keep Aspect Ratio" options. Resampling is needed to make any image smaller, because it changes the pixel dimensions. Maintaining the same aspect ratio keeps your images from being stretched out or distorted. With this option enabled, you need to change only one side's dimensions, and the other changes automatically.

    4

    Change the image dimensions. Most programs let you change it in inches, centimeters, pixels and other measurements. These options allow you to convert the photo file in measurements that are familiar to you.

    5

    Save the photo as a JPG file, which is a small image file. Make sure to click on "Save As," so you don't erase your original, high-resolution image.



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