Monday, March 30, 2015

10 Golden Rules of Lomography

10 Golden Rules of Lomography

Lomography is a strong creative and experimental global society that plays with analogue photography. It specializes in casual, snapshot photography and employs such techniques as bluring and over-amplified colors. Lomography has devised a set of 10 golden rules to better instruct its followers in the Lomography philosophy. Understanding these golden rules is essential in capturing what Lomography believes to be the most outstanding photographs.

Lomography History

    In the early 1990s, two Austrian students discovered a Russian camera known as the Lomo Kompakt Automat. This begun their quest to find a new style of experimental, unorthodox photography. The message and style quickly spread, as people around the planet begged for Lomo LC-As. A worldwide distribution contract was soon in the works for the little camera. The 10 golden rules were developed along with guiding principals, exhibitions, events and world congresses. New products, films and accessories became rapidly available.

10 Golden Rules

    In order to achieve and understand Lomography philosophy, it is advised that the following rules be memorized and recited by heart. These steps will bring you closer to the ideology they wish to propose. Expert Lomography photographers suggest you "throw all your inhibitions about photography to the wind."

    1. Take your camera everywhere you go.

    You can never plan when a picture perfect opportunity will arise. The best photos come from spontaneous, impulsive, and unpredictable events, so you can never be too prepared.

    2. Use it any time -- day and night.

    You do not perceive life solely during the day, you are perceiving it at all times of the day, therefore your photographs should reflect that.

    3. Lomography is not an interference in your life, but part of it.

    Your camera is a part of you. Anything you do, your camera will do. It is no mere hobby, it is an extension of you.

    4. Try the shot from the hip.

    Don't be confined to the normal viewpoint of the photographer. Shoot from many different angles; you'd be surprised what you are missing.

    5. Approach the objects of your Lomographic desire as close as possible.

    Your passion and love for a topic or item will shine through your photography. If something feels right, take a picture of it.

    6. Don't think.

    Your first impressions are often the most beautiful. Over-thinking can bring in boring abstract elements you didn't mean to create.

    7. Be fast.

    It's important to be as quick as the world around us. Don't hesitate, just shoot.

    8. You don't have to know beforehand what you captured on film.

    Different and unexpected situations are a Lomographer's best friend. Don't worry about what you are capturing, thrive in the unpredictability.

    9. You don't have to know afterwards either.

    Don't try to analyze your photographs with a generic perspective. You are trying something new; look at them differently, and understand them differently.

    10. Don't worry about any rules.

    Listen to yourself, and follow whatever rules you find to be true. Follow your ultimate dreams and desires.

    And so you have it. These rules summarize the Lomography philosophy, and once mastered, allows you to join in the movement.

The Lomography Mission

    Lomography is devoted to becoming an international socio-cultural movement, using photography as an outlet of creativity. Adherents wish to capture the world, all the while experimenting with creative visual expression. The focus is to capture the unique, while furthering interest in analogue photography.


10 Golden Rules of Lomography

Lomography is a strong creative and experimental global society that plays with analogue photography. It specializes in casual, snapshot photography and employs such techniques as bluring and over-amplified colors. Lomography has devised a set of 10 golden rules to better instruct its followers in the Lomography philosophy. Understanding these golden rules is essential in capturing what Lomography believes to be the most outstanding photographs.

Lomography History

    In the early 1990s, two Austrian students discovered a Russian camera known as the Lomo Kompakt Automat. This begun their quest to find a new style of experimental, unorthodox photography. The message and style quickly spread, as people around the planet begged for Lomo LC-As. A worldwide distribution contract was soon in the works for the little camera. The 10 golden rules were developed along with guiding principals, exhibitions, events and world congresses. New products, films and accessories became rapidly available.

10 Golden Rules

    In order to achieve and understand Lomography philosophy, it is advised that the following rules be memorized and recited by heart. These steps will bring you closer to the ideology they wish to propose. Expert Lomography photographers suggest you "throw all your inhibitions about photography to the wind."

    1. Take your camera everywhere you go.

    You can never plan when a picture perfect opportunity will arise. The best photos come from spontaneous, impulsive, and unpredictable events, so you can never be too prepared.

    2. Use it any time -- day and night.

    You do not perceive life solely during the day, you are perceiving it at all times of the day, therefore your photographs should reflect that.

    3. Lomography is not an interference in your life, but part of it.

    Your camera is a part of you. Anything you do, your camera will do. It is no mere hobby, it is an extension of you.

    4. Try the shot from the hip.

    Don't be confined to the normal viewpoint of the photographer. Shoot from many different angles; you'd be surprised what you are missing.

    5. Approach the objects of your Lomographic desire as close as possible.

    Your passion and love for a topic or item will shine through your photography. If something feels right, take a picture of it.

    6. Don't think.

    Your first impressions are often the most beautiful. Over-thinking can bring in boring abstract elements you didn't mean to create.

    7. Be fast.

    It's important to be as quick as the world around us. Don't hesitate, just shoot.

    8. You don't have to know beforehand what you captured on film.

    Different and unexpected situations are a Lomographer's best friend. Don't worry about what you are capturing, thrive in the unpredictability.

    9. You don't have to know afterwards either.

    Don't try to analyze your photographs with a generic perspective. You are trying something new; look at them differently, and understand them differently.

    10. Don't worry about any rules.

    Listen to yourself, and follow whatever rules you find to be true. Follow your ultimate dreams and desires.

    And so you have it. These rules summarize the Lomography philosophy, and once mastered, allows you to join in the movement.

The Lomography Mission

    Lomography is devoted to becoming an international socio-cultural movement, using photography as an outlet of creativity. Adherents wish to capture the world, all the while experimenting with creative visual expression. The focus is to capture the unique, while furthering interest in analogue photography.



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    The Lomography Shop has a huge selection of analogue cameras and films. Buy all kinds of 35mm, 110, 120 and instant photography essentials. Happy shopping!


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  • Lomography The Home Of Creative Analogue Photography &

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Saturday, March 28, 2015

How to Control Light in Primary Subjects in Black and White Photography

How to Control Light in Primary Subjects in Black and White Photography

In black and white photography, lighting a primary subject and its surroundings affects tone and mood. As artists, photographers are free to use lighting in any way they choose. Since creative black and white photography is all about shades of gray, guidelines for tonality determine how primary subjects are interpreted. Rather than stringent rules, lighting guidelines for black and white photography serve as aids to controlling the medium and the message.

Instructions

    1

    Use logic. If a subject is dark, the background should be light. If a subject is light, the background will be dark. Subjects of intermediate shades should contrast against a contrasting background.

    2

    Use artificial illumination with the most easily produced use of light to differentiate between subject and background.

    3

    Directly illuminate either subject or background to render one darker than the other. For example, if you want to light a black statue against a light background, illuminating the statue renders the statue light and the background is shaded.

    4

    Create a heightened impression of three-dimensionality with shadows and blur. Shadows utilize gray scale values to define subjects. Shadow with highlights and reflection further add dimension between subject and background. When a subject is out of focus, the lack of stark contrast creates an impression of dimensionality.


How to Control Light in Primary Subjects in Black and White Photography

In black and white photography, lighting a primary subject and its surroundings affects tone and mood. As artists, photographers are free to use lighting in any way they choose. Since creative black and white photography is all about shades of gray, guidelines for tonality determine how primary subjects are interpreted. Rather than stringent rules, lighting guidelines for black and white photography serve as aids to controlling the medium and the message.

Instructions

    1

    Use logic. If a subject is dark, the background should be light. If a subject is light, the background will be dark.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Subjects of intermediate shades should contrast against a contrasting background.

    2

    Use artificial illumination with the most easily produced use of light to differentiate between subject and background.

    3

    Directly illuminate either subject or background to render one darker than the other. For example, if you want to light a black statue against a light background, illuminating the statue renders the statue light and the background is shaded.

    4

    Create a heightened impression of three-dimensionality with shadows and blur. Shadows utilize gray scale values to define subjects. Shadow with highlights and reflection further add dimension between subject and background. When a subject is out of focus, the lack of stark contrast creates an impression of dimensionality.



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Thursday, March 26, 2015

How to Use Film Scanners

Scanning film can be a time-consuming operation, but nothing looks as good as film. Some professional photographers still use film cameras, process the film, then scan it because it gives them the look they want. Most people have boxes of old photos with film still in the sleeves. Reproducing the images from paper pictures will lose a lot of quality. Scanning the filmnegatives or slidescan bring back color and images that may have faded. Film scanners range from flatbed to per-frame models. Flatbeds are less expensive and more common, but not all of them will scan film. If there is a lot of film to be scanned, a flatbed that has multiple image scanning capability is necessary, and per-frame scanners can be left to the pros. Here well use a standard flatbed with batch scanning capability.

Instructions

    1

    Clean the scanner glass with the proper materials. Lint or streaks can affect image quality. A standard glass cleaner may damage film. Scanners come with instructions for what should be used to clean the scanning surface.

    2

    Clean the negatives and slides. There are special solutions for this. Dont use water. It can ruin the images. Film cleaner is available from photo and other stores. Use lint-free gloves to handle film.

    3

    Place the negatives or slides in the appropriate film adapter. Most flatbed film scanners will have adapters for 35mm, 120, Instamatic and other film types. They will be labeled. Follow the scanner's instructions for fitting negatives or slides into the adapters. Use lint-free gloves and handle the film with care.

    4

    Scanners come with software, but scanning directly into a photo program may give better results. Some basic settings such as brightness, contrast and tone can be set prior to the scan in scanning software. For photo manipulation software, scan as is and make adjustments later. Set the scanning software to the highest resolution available. Resolution is described in dots per inch. The best quality is necessary to have details of each negative or slide available for processing in a photo manipulation program, but it will take longer to scan. Most film scanners will have a top resolution of 4,800 to 9,600 dpi. The higher the dpi, the better the image quality.

    5

    Begin the scan. At these resolutions, it will take some time for each set of negatives or slides. Make sure not to move the scanner during the process

    6

    Save the batch film scan as one file immediately. TIFF format is best for quality, but JPEG saves hard drive space. This will help prevent accidental image editing on the "master" scan.

    7

    Open the batch file and select one film frame. Copy it and paste it into a new file and save. Work on the new file to fix color, contrast, sharpness and other attributes before printing. Don't alter the batch file, because that could mean rescanning.


Scanning film can be a time-consuming operation, but nothing looks as good as film. Some professional photographers still use film cameras, process the film, then scan it because it gives them the look they want. Most people have boxes of old photos with film still in the sleeves. Reproducing the images from paper pictures will lose a lot of quality. Scanning the filmnegatives or slidescan bring back color and images that may have faded. Film scanners range from flatbed to per-frame models. Flatbeds are less expensive and more common, but not all of them will scan film. If there is a lot of film to be scanned, a flatbed that has multiple image scanning capability is necessary, and per-frame scanners can be left to the pros. Here well use a standard flatbed with batch scanning capability.

Instructions

    1

    Clean the scanner glass with the proper materials. Lint or streaks can affect image quality. A standard glass cleaner may damage film. Scanners come with instructions for what should be used to clean the scanning surface.

    2

    Clean the negatives and slides. There are special solutions for this. Dont use water. It can ruin the images. Film cleaner is available from photo and other stores. Use lint-free gloves to handle film.

    3

    Place the negatives or slides in the appropriate film adapter. Most flatbed film scanners will have adapters for 35mm, 120, Instamatic and other film types. They will be labeled. Follow the scanner's instructions for fitting negatives or slides into the adapters. Use lint-free gloves and handle the film with care.

    4

    Scanners come with software, but scanning directly into a photo program may give better results. Some basic settings such as brightness, contrast and tone can be set prior to the scan in scanning software. For photo manipulation software, scan as is and make adjustments later. Set the scanning software to the highest resolution available. Resolution is described in dots per inch. The best quality is necessary to have details of each negative or slide available for processing in a photo manipulation program, but it will take longer to scan.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Most film scanners will have a top resolution of 4,800 to 9,600 dpi. The higher the dpi, the better the image quality.

    5

    Begin the scan. At these resolutions, it will take some time for each set of negatives or slides. Make sure not to move the scanner during the process

    6

    Save the batch film scan as one file immediately. TIFF format is best for quality, but JPEG saves hard drive space. This will help prevent accidental image editing on the "master" scan.

    7

    Open the batch file and select one film frame. Copy it and paste it into a new file and save. Work on the new file to fix color, contrast, sharpness and other attributes before printing. Don't alter the batch file, because that could mean rescanning.



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How to Prepare Images to Merge Into a Photo Montage

How to Prepare Images to Merge Into a Photo Montage

There may be times when you want to merge multiple images to tell a story. Sometimes, a single image cannot convey what you are trying to express and combining images will help you to convey your feelings. Before you can merge the images into a single image, however, you will need to prepare the images. Here I will explain the key points to consider before beginning the merging process.

Instructions

    1
    Compare Images

    Open all the images you want to merge and compare them. Compare the highlight and shadow values and determine if they will require adjustment in editing. Compare the white balance and color qualities to see if they will look similar when they are merged into a single image. Different color values will make the combined image look unprofessional when merged.

    2
    Adjust Curves

    Use the curves tool or highlight and shadow tools to adjust the images so the color balance of the images is similar. They do not have to be precisely the same, but should still look similar. Keep "eye flow" in mind. In a photomontage you want the eye to travel from image to image without interruption. Different color balance will interrupt the eye flow and interfere with your ability to tell a story with your montage

    3
    Scale Images

    The images should be the same size unless your "story" requires one image to be larger or smaller. Use the scaling feature of your photo editing software to adjust the size of each image. During the scaling step, crop any images to make then visually appealing.

    4
    Layout and Visual Check

    Before you save each edited image, lay them out side by side on the screen to make sure you have achieved your editing goals. If you don't like what you see, then fine-tune the images until you are satisfied.

    5
    Save Image

    Save each image under a new name. To help you during the merging process I find it helpful to assign each new image a number to indicate the proper sequence during merging. It took me a while to learn how to do this, but after I had to reopen each image multiple times to discover the proper sequence position, I learned from the experience. When you are done, you are now ready to create your photo montage.


How to Prepare Images to Merge Into a Photo Montage

There may be times when you want to merge multiple images to tell a story. Sometimes, a single image cannot convey what you are trying to express and combining images will help you to convey your feelings. Before you can merge the images into a single image, however, you will need to prepare the images. Here I will explain the key points to consider before beginning the merging process.

Instructions

    1
    Compare Images

    Open all the images you want to merge and compare them. Compare the highlight and shadow values and determine if they will require adjustment in editing. Compare the white balance and color qualities to see if they will look similar when they are merged into a single image. Different color values will make the combined image look unprofessional when merged.

    2
    Adjust Curves

    Use the curves tool or highlight and shadow tools to adjust the images so the color balance of the images is similar. They do not have to be precisely the same, but should still look similar. Keep "eye flow" in mind.

    Enhance your photography skill,The Top Secret Photography Techniques

    . In a photomontage you want the eye to travel from image to image without interruption. Different color balance will interrupt the eye flow and interfere with your ability to tell a story with your montage

    3
    Scale Images

    The images should be the same size unless your "story" requires one image to be larger or smaller. Use the scaling feature of your photo editing software to adjust the size of each image. During the scaling step, crop any images to make then visually appealing.

    4
    Layout and Visual Check

    Before you save each edited image, lay them out side by side on the screen to make sure you have achieved your editing goals. If you don't like what you see, then fine-tune the images until you are satisfied.

    5
    Save Image

    Save each image under a new name. To help you during the merging process I find it helpful to assign each new image a number to indicate the proper sequence during merging. It took me a while to learn how to do this, but after I had to reopen each image multiple times to discover the proper sequence position, I learned from the experience. When you are done, you are now ready to create your photo montage.



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  • How to Make a Photo Collage - EzineArticles Submission -

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    Sep 20, 2006 A little time and patience is all that is required to Make a Photo Collage. It is not as difficult as one might think and it makes a very unique and ...


  • Learn how to make a photo collage, and the top 9 reasons for

    www.best-family-photography-tips.com/how-to-make-a-photo-collage.html

    Discovering how to make a photo collage is like finding dozens of undelivered gifts in your closet. Find out how easy it is to create inexpensive but valuable looking ...


  • How To Make Digital Photos Look Like Lomo Photography

    www.digital-photography-school.com/how-to-make-digital-ph

    The following tip on getting digital images to look like Lomo Images was submitted by DPS reader Frank Lazaro. You can see his photography at his Flickr page and ...


  • How to Make a Collage in Picmonkey - Something Swanky

    www.somethingswanky.com/how-to-make-collage-in-picmonkey

    Tips/Notes: When you insert the image into your blog post, dont size it to any larger than Original Size (which should be plenty large enough unless the width of ...


  • Photoshop CS5 Tutorials - How to Merge/Combine two photos in ...

    www.youtube.com/watch?v=v3UuTc-Fcq4

    How to Merge/Combine two photos/pictures in photoshop CS5 Photoshop CS5-Merge two pictures. This is step by step tutorial on how to merge/combine two ...


  • How to Create a photo collage style image with Photoshop

    photoshop-tutorials.wonderhowto.com/how-to/create-photo-collage...

    Create a stylish effect in an image with Photoshop by making it look like a pile of photos. Create a photo collage style image with Photoshop. Click through to watch ...


  • How to Make a Picture Collage in Word eHow

    www.ehow.com Computer Software Word Processing Software

    The artistic style of collage, or assembling and gluing different pictures or objects on paper, is an art form dating to the 12th century in Japan, when calligraphers ...


  • 14 Tips on How to Make a Great Collage - wikiHow

    www.wikihow.com Crafts Paper Craft Collages

    How to Make a Collage. A collage is a work of art composed of numerous materials, such as paper, newsprint, photographs, ribbons or other objects attached to ...