Tuesday, September 29, 2015

How to Print Photos on Glass

How to Print Photos on Glass

If you are a photographer or artist, the idea of printing photographs on glass has probably crossed your mind. Artists have been printing photographs on surfaces other than paper since the beginning of photography. While printing photographs on glass is not a particularly difficult task for experienced photographers, it takes time and experimenting to get professional results. There are many ways to print photos on glass, but the absolute best is to use the classic direct liquid emulsion process. Knowledge of darkroom techniques is required for this tutorial.

Instructions

    1

    Capture the image you want to print to glass using any film camera. Black and white photography works best for printing to glass, especially when you are a beginner.

    2

    Select a small section of glass you wish to print to. Cover the edges of the glass with tape to avoid cutting yourself during the process. Thoroughly clean the glass. Any minute amount of dirt or debris on the glass will cause problems with the outcome.

    3

    Apply a very thin layer of matte medium to the surface of the glass. The purpose of this step is to add slight texture to the glass in order for the emulsion to adhere to the surface. From this point forward, do not touch the surface of the glass with your fingers or other objects. Allow approximately 30 minutes for the matte medium to dry.

    4

    Prepare the darkroom for processing like you would with a normal print. Turn your safelight on. From this point forward, you cannot allow direct light to shine on the glass. Bring the glass and film into the darkroom.

    5

    Apply a generous amount of the liquid emulsion to the surface of the glass. Allow approximately 15 minutes for it to completely dry.

    6

    Expose an image onto the glass in the same way you would expose a photograph onto paper. Exposure time may take more time than a usual print. For this step, you may have to experiment on several pieces of glass to get your desired effect.


How to Print Photos on Glass

If you are a photographer or artist, the idea of printing photographs on glass has probably crossed your mind. Artists have been printing photographs on surfaces other than paper since the beginning of photography. While printing photographs on glass is not a particularly difficult task for experienced photographers, it takes time and experimenting to get professional results. There are many ways to print photos on glass, but the absolute best is to use the classic direct liquid emulsion process. Knowledge of darkroom techniques is required for this tutorial.

Instructions

    1

    Capture the image you want to print to glass using any film camera. Black and white photography works best for printing to glass, especially when you are a beginner.

    2

    Select a small section of glass you wish to print to. Cover the edges of the glass with tape to avoid cutting yourself during the process. Thoroughly clean the glass. Any minute amount of dirt or debris on the glass will cause problems with the outcome.

    3

    Apply a very thin layer of matte medium to the surface of the glass. The purpose of this step is to add slight texture to the glass in order for the emulsion to adhere to the surface. From this point forward, do not touch the surface of the glass with your fingers or other objects. Allow approximately 30 minutes for the matte medium to dry.

    4

    Prepare the darkroom for processing like you would with a normal print. Turn your safelight on. From this point forward, you cannot allow direct light to shine on the glass. Bring the glass and film into the darkroom.

    5

    Apply a generous amount of the liquid emulsion to the surface of the glass. Allow approximately 15 minutes for it to completely dry.

    6

    Expose an image onto the glass in the same way you would expose a photograph onto paper. Exposure time may take more time than a usual print. For this step, you may have to experiment on several pieces of glass to get your desired effect.



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Monday, September 28, 2015

Tips on Photographing Bald Men

Baldness was once something men tried to prevent, however in recent years bald has become a bold and stylish fashion choice. When photographing a bald subject, remember that there are certain challenges you must be aware of or pictures may not always come out as you intended. A little knowledge about lighting and angles will help you correct any potential problems when composing your shots.

Attitude

    Remember that your subject may not see baldness as an affliction, so don't treat it as such. Many men shave their heads purposely. You don't want to insult a bald man by acting as though his head is a problem. Some men may want their bald head accentuated because they see it as a distinguishing feature.

    On the flip side, some men who are not bald by choice may feel uncomfortable being photographed. Keep the lighting and angles in your own mind, make adjustments or ask him to move, but you don't have to point out you're doing it because of his head.

    Don't ask him if he'd like to cover up his head. If he wanted to do that, he'd have worn a hat. Set him at ease by accepting him as he is and not making a fuss over his bald head.

Lighting

    Consider your light source. You can use natural light or artificial light to photograph a bald head, just pay attention to the direction and the strength of the light. Any strong, direct light that shines on a downward angle onto the top of a bald head can reflect back at the camera, causing glare.

    Move your subject out of direct sunlight if you're outdoors. Soft sun in the early morning or late afternoon, when it's on an angle, is most flattering and will eliminate problems with glare. Cloudy, overcast days are also preferable. If the sun is high in the sky and beaming down, stand your subject in the shade of a tree or a building.

    Avoid directly overhead light sources if photographing indoors. Move your subject out of the way of strong overhead light sources, such as track lighting or reading lamps. Lower lights on adjustable light stands to be at equal height with the subject's face. If you're using a studio lighting set up, turn off the hair light.

    If you're using a flash, keep the flash at equal height, or slightly lower, than the subject's face. A diffuser on your flash will help avoid glare on the head, however not all cameras are equipped to hold a diffuser. Alternately, you can use a polarizing filter on your lens, which will intensify colors and cut down on glare.

Angles and Background

    Consider the angle you are shooting from. The angle can draw more attention to the bald head, or less, depending on the desired effect. Make a bald man's forehead look shorter by shooting from equal or lower height than his head, or by having him hold his head straight to the camera or slightly tilted up. Make his head look longer and more drawn out by shooting downward from above, or by having him lower his head to the camera.

    You can draw less attention to a bald head by using a light colored backdrop for fair skin, or a dark color backdrop for dark skin. Some men may wish to accentuate their bald head. In this case, you can do the opposite. Use a dark color backdrop for fair skin, and a light colored backdrop for dark skin.

    Be careful if the background is busy; make sure it doesn't look like anything is "growing" out of his head by standing him in front of a sapling, lamp post or shelving with items stacked on it. In most cases, the simpler the background, the better.


Baldness was once something men tried to prevent, however in recent years bald has become a bold and stylish fashion choice. When photographing a bald subject, remember that there are certain challenges you must be aware of or pictures may not always come out as you intended. A little knowledge about lighting and angles will help you correct any potential problems when composing your shots.

Attitude

    Remember that your subject may not see baldness as an affliction, so don't treat it as such. Many men shave their heads purposely. You don't want to insult a bald man by acting as though his head is a problem. Some men may want their bald head accentuated because they see it as a distinguishing feature.

    On the flip side, some men who are not bald by choice may feel uncomfortable being photographed. Keep the lighting and angles in your own mind, make adjustments or ask him to move, but you don't have to point out you're doing it because of his head.

    Don't ask him if he'd like to cover up his head. If he wanted to do that, he'd have worn a hat. Set him at ease by accepting him as he is and not making a fuss over his bald head.

Lighting

    Consider your light source. You can use natural light or artificial light to photograph a bald head, just pay attention to the direction and the strength of the light. Any strong, direct light that shines on a downward angle onto the top of a bald head can reflect back at the camera, causing glare.

    Move your subject out of direct sunlight if you're outdoors. Soft sun in the early morning or late afternoon, when it's on an angle, is most flattering and will eliminate problems with glare. Cloudy, overcast days are also preferable. If the sun is high in the sky and beaming down, stand your subject in the shade of a tree or a building.

    Avoid directly overhead light sources if photographing indoors. Move your subject out of the way of strong overhead light sources, such as track lighting or reading lamps. Lower lights on adjustable light stands to be at equal height with the subject's face. If you're using a studio lighting set up, turn off the hair light.

    If you're using a flash, keep the flash at equal height, or slightly lower, than the subject's face. A diffuser on your flash will help avoid glare on the head, however not all cameras are equipped to hold a diffuser. Alternately, you can use a polarizing filter on your lens, which will intensify colors and cut down on glare.

Angles and Background

    Consider the angle you are shooting from. The angle can draw more attention to the bald head, or less, depending on the desired effect.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Make a bald man's forehead look shorter by shooting from equal or lower height than his head, or by having him hold his head straight to the camera or slightly tilted up. Make his head look longer and more drawn out by shooting downward from above, or by having him lower his head to the camera.

    You can draw less attention to a bald head by using a light colored backdrop for fair skin, or a dark color backdrop for dark skin. Some men may wish to accentuate their bald head. In this case, you can do the opposite. Use a dark color backdrop for fair skin, and a light colored backdrop for dark skin.

    Be careful if the background is busy; make sure it doesn't look like anything is "growing" out of his head by standing him in front of a sapling, lamp post or shelving with items stacked on it. In most cases, the simpler the background, the better.



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Sunday, September 27, 2015

How to Become an Amateur Photographer

You have probably been taking photos for a long time. Maybe you even thought that you could be a photographer at one time. Well, you can with a little time and a little practice. Read on to learn how to become an amateur photographer.

Instructions

    1

    Have your equipment. This might be something as simple as having a good camera. You can get good ones for less than $100 and you can also go with a digital format for a decent price. That's all the equipment that you really need and you can be on your way to becoming that photographer that you want to be.

    2

    Decide if you want to sell your work. You might be surprised at the odd places that your work might sell. You can try and enter it into state fairs as well as displaying it on your own walls. This will make it easy for people to see your work as well as for people to understand who you are as a photographer.

    3

    Decide if you plan to stay with color or black and white or if you will do both. Once you start taking photos, you might decide that color is just like what you already see and you might decide that black and white is more for you. This is fine and will give a new dimension to your work. It will also help you to get experience with that scheme.

    4

    Find things to take photos of. This might seem like a no brainer, but you should think about what you are taking photos of. You might find that a fence in your backyard becomes something that really is dramatic and makes for some great photos.

    5

    Take your camera everywhere. You never know when that great shot is going to show itself. If you have your camera with you all of the time, you will be more likely to actually get it and have a great shot too.


You have probably been taking photos for a long time. Maybe you even thought that you could be a photographer at one time. Well, you can with a little time and a little practice. Read on to learn how to become an amateur photographer.

Instructions

    1

    Have your equipment. This might be something as simple as having a good camera. You can get good ones for less than $100 and you can also go with a digital format for a decent price. That's all the equipment that you really need and you can be on your way to becoming that photographer that you want to be.

    2

    Decide if you want to sell your work. You might be surprised at the odd places that your work might sell. You can try and enter it into state fairs as well as displaying it on your own walls.

    Enhance your photography skill,The Top Secret Photography Techniques

    . This will make it easy for people to see your work as well as for people to understand who you are as a photographer.

    3

    Decide if you plan to stay with color or black and white or if you will do both. Once you start taking photos, you might decide that color is just like what you already see and you might decide that black and white is more for you. This is fine and will give a new dimension to your work. It will also help you to get experience with that scheme.

    4

    Find things to take photos of. This might seem like a no brainer, but you should think about what you are taking photos of. You might find that a fence in your backyard becomes something that really is dramatic and makes for some great photos.

    5

    Take your camera everywhere. You never know when that great shot is going to show itself. If you have your camera with you all of the time, you will be more likely to actually get it and have a great shot too.



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Saturday, September 26, 2015

How to Create Pop Art from Photographs

How to Create Pop Art from Photographs

GIMP is an open source and FREE image-editing rival to Adobe Photoshop. It has a number of unique tools that allow the photographer to make images into print art. If your images have enough resolution, they can be transformed into limited edition prints that can be signed and sold as original pieces of art. If you plan to do this, it is recommended that you choose a commercial printer that will help you select the best paper and help you to proof your art to assure that it is worthy of a limited run. In this article we will describe how to use the ALIEN MAPPING tool in GIMP to create pop art pieces.

Instructions

    1
    Select Image

    Open GIMP and open your digital image for editing. This is a less-than-perfect picture of the Chicago Skyline. It was the wrong time of day to take a picture of Chicago from this angle. Most of the skyline is in shadow; the gull is too far away to have an impact. Can I make this rather dull picture into something more interesting? I like to select images for these experiments that have relatively little merit on their own. If it were a good image, why would I want to mess with it?

    2
    Alien Map

    Once you have opened your image in GIMP, select COLORS and then MAP. Under MAP select Alien Map. Click on Alien Map to open the applet's panel. Notice that there are a number of sliders and modes and a small preview window. The preview window will get larger as you use the stretch handle to enlarge the window for the applet. You can zoom in on the image by using the PLUS and MINUS buttons.

    3
    Change Mode

    You can change the MODE, which allows you to choose from the two most popular color models: RGB and HSV (Hue Saturation Value). The Color Space makes a dramatic difference in the overall tone of the print you are creating. You also have three channel options for each mode. You can choose to impact the HUE, SATURATION and VALUE or RED, Blue and Green channels separately or in any combination.

    4
    Use the Preview

    Make your changes and use the PREVIEW window to see the impact. These settings almost make this look like a background for a cartoon. Use the sliders to see the impacts with each mode setting. Small changes in the sliders will make a great impact on the image. Experiment, and as you do, make small moves to study the impact on the image.

    5
    Phase Shift

    This is an example of what adjusting the PHASE SHIFT will accomplish. When you change the PHASE you are changing the frequency of the wave and impacting the color by sending it out of phase. So for example, I can shift the phase of the BLUES to make them look like GREENS.

    6
    Adjust Single Color

    Here is what happens when we only adjust the GREENS. Each selection of MODE and slider adjustments will give you a different effect. Once you have made your adjustment, click OK and the original will be rendered with your new map. Remember to save under a different file name to protect the integrity of the source image. Who knows, you might have a need for a picture like this again.

    7
    Final Image

    Here is the final image. Looks like pop art to me. It is certainly an improvement over the bland original. This is just the first stage, however. Once you have an image you like, take it to your commercial printer. Use a heavyweight paper and select the paper carefully. The paper choice will dramatically impact the final print. Print it with the proper amount of bleed, so it can be mounted and framed. Make sure your printer understands the final product before you select a paper. Once you have the prints, sign the edition and have them mounted and framed. To print a 16 inch-by-20 inch print, you will need to have an image resolution of about 7 Megapixels.


How to Create Pop Art from Photographs

GIMP is an open source and FREE image-editing rival to Adobe Photoshop. It has a number of unique tools that allow the photographer to make images into print art. If your images have enough resolution, they can be transformed into limited edition prints that can be signed and sold as original pieces of art. If you plan to do this, it is recommended that you choose a commercial printer that will help you select the best paper and help you to proof your art to assure that it is worthy of a limited run. In this article we will describe how to use the ALIEN MAPPING tool in GIMP to create pop art pieces.

Instructions

    1
    Select Image

    Open GIMP and open your digital image for editing. This is a less-than-perfect picture of the Chicago Skyline. It was the wrong time of day to take a picture of Chicago from this angle. Most of the skyline is in shadow; the gull is too far away to have an impact. Can I make this rather dull picture into something more interesting? I like to select images for these experiments that have relatively little merit on their own. If it were a good image, why would I want to mess with it?

    2
    Alien Map

    Once you have opened your image in GIMP, select COLORS and then MAP. Under MAP select Alien Map. Click on Alien Map to open the applet's panel. Notice that there are a number of sliders and modes and a small preview window. The preview window will get larger as you use the stretch handle to enlarge the window for the applet. You can zoom in on the image by using the PLUS and MINUS buttons.

    3
    Change Mode

    You can change the MODE, which allows you to choose from the two most popular color models: RGB and HSV (Hue Saturation Value). The Color Space makes a dramatic difference in the overall tone of the print you are creating. You also have three channel options for each mode. You can choose to impact the HUE, SATURATION and VALUE or RED, Blue and Green channels separately or in any combination.

    4
    Use the Preview

    Make your changes and use the PREVIEW window to see the impact. These settings almost make this look like a background for a cartoon. Use the sliders to see the impacts with each mode setting. Small changes in the sliders will make a great impact on the image. Experiment, and as you do, make small moves to study the impact on the image.

    5
    Phase Shift

    This is an example of what adjusting the PHASE SHIFT will accomplish. When you change the PHASE you are changing the frequency of the wave and impacting the color by sending it out of phase. So for example, I can shift the phase of the BLUES to make them look like GREENS.

    6
    Adjust Single Color

    Here is what happens when we only adjust the GREENS.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Each selection of MODE and slider adjustments will give you a different effect. Once you have made your adjustment, click OK and the original will be rendered with your new map. Remember to save under a different file name to protect the integrity of the source image. Who knows, you might have a need for a picture like this again.

    7
    Final Image

    Here is the final image. Looks like pop art to me. It is certainly an improvement over the bland original. This is just the first stage, however. Once you have an image you like, take it to your commercial printer. Use a heavyweight paper and select the paper carefully. The paper choice will dramatically impact the final print. Print it with the proper amount of bleed, so it can be mounted and framed. Make sure your printer understands the final product before you select a paper. Once you have the prints, sign the edition and have them mounted and framed. To print a 16 inch-by-20 inch print, you will need to have an image resolution of about 7 Megapixels.



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