Tuesday, December 31, 2019

How to Use a 35mm Camera

How to Use a 35mm Camera

Do you have an old 35mm camera sitting around gathering dust? A 35mm film camera outperforms digital cameras in taking rapid series of photos, and is still the preferred instrument for fine art photography. A 35mm camera is ideal for learning the basics of photography, because it gives the user complete control over lens openings, focus, shutter speed and medium.

Instructions

    1

    Check the battery on your 35mm camera by turning on the power switch and checking the exposure meter. You may have to advance the film wind lever or slightly depress the shutter button to activate the meter, which is usually on the right side of the viewfinder. You will either see lit LEDs or a needle that moves when you point towards the light or change the lens opening.

    2

    Remove the battery, usually located under a screw cap on the bottom of the body, if the meter isnt working. Buy and install replacement battery. If your 35mm has a motor drive for film advance, it will have separate batteries.

    3

    Buy film for your camera. Film comes in color or black and white for prints, or color transparencies, with speeds ranging typically from 100 to 800 ASA. Faster film can be used with faster shutter speeds to stop motion, but produces grainier results than slow film.

    4

    Load the film by opening the camera back using the locking device usually activated by pulling up on the film winding lever. Pull the winding lever all the way up to slide the film cartridge into the cavity on the left side of the body. The flap of film should face to the right. Push the winding lever down to lock the film case in place.

    5

    Pull the film strip to the right about an inch past the winding spool. Insert the end of the film into the spool slot and wind the film spool clockwise about two turns by hand or with the film advance lever. Make sure the film advances when you push the advance lever, and close and lock the back of the camera body.

    6

    Advance the film one frame and, using 1/500 or 1/1000 speed shutter setting, press the shutter button, covering the lens with your hand. This will position an unexposed piece of film in front of the shutter for your first exposure.

    7

    Familiarize yourself with all the functions of the camera. Locate the shutter speed dial, usually next to the film wind lever, which may have a small unlocking button or a pull-up to unlock function.

    8

    Try different shutter settings. The A setting is automatic, which automatically adjusts shutter speed to correspond with the lens opening selected. The B setting stands for bulb, which keeps the shutter open as long as the shutter button is held down. The numbered settings are all fractions of a second, with 60 or 1/60 of a second being a normal speed setting, and quicker speeds being used to stop motion.

    9

    Look for the self-timer shutter lever, which is usually on the front of the body and is cocked to time-delay the shutter if you want to get in the picture. If your 35mm camera is of a certain vintage it may also have a mirror lock function located close to the lens mount. The mirror lock is used mostly for tripod shots to eliminate the motion of the mirror during shutter activation.

    10

    Shoot your first roll of film using as many different functions and settings as you can. Learn to use small lens openings to increase depth of focus, by turning the aperture setting on the lens to f11 to f22. Use your widest lens opening, like f1.8 to decrease depth of focus and blur the background.


How to Use a 35mm Camera

Do you have an old 35mm camera sitting around gathering dust? A 35mm film camera outperforms digital cameras in taking rapid series of photos, and is still the preferred instrument for fine art photography. A 35mm camera is ideal for learning the basics of photography, because it gives the user complete control over lens openings, focus, shutter speed and medium.

Instructions

    1

    Check the battery on your 35mm camera by turning on the power switch and checking the exposure meter. You may have to advance the film wind lever or slightly depress the shutter button to activate the meter, which is usually on the right side of the viewfinder. You will either see lit LEDs or a needle that moves when you point towards the light or change the lens opening.

    2

    Remove the battery, usually located under a screw cap on the bottom of the body, if the meter isnt working. Buy and install replacement battery. If your 35mm has a motor drive for film advance, it will have separate batteries.

    3

    Buy film for your camera. Film comes in color or black and white for prints, or color transparencies, with speeds ranging typically from 100 to 800 ASA. Faster film can be used with faster shutter speeds to stop motion, but produces grainier results than slow film.

    4

    Load the film by opening the camera back using the locking device usually activated by pulling up on the film winding lever. Pull the winding lever all the way up to slide the film cartridge into the cavity on the left side of the body. The flap of film should face to the right. Push the winding lever down to lock the film case in place.

    5

    Pull the film strip to the right about an inch past the winding spool. Insert the end of the film into the spool slot and wind the film spool clockwise about two turns by hand or with the film advance lever. Make sure the film advances when you push the advance lever, and close and lock the back of the camera body.

    6

    Advance the film one frame and, using 1/500 or 1/1000 speed shutter setting, press the shutter button, covering the lens with your hand. This will position an unexposed piece of film in front of the shutter for your first exposure.

    7

    Familiarize yourself with all the functions of the camera.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Locate the shutter speed dial, usually next to the film wind lever, which may have a small unlocking button or a pull-up to unlock function.

    8

    Try different shutter settings. The A setting is automatic, which automatically adjusts shutter speed to correspond with the lens opening selected. The B setting stands for bulb, which keeps the shutter open as long as the shutter button is held down. The numbered settings are all fractions of a second, with 60 or 1/60 of a second being a normal speed setting, and quicker speeds being used to stop motion.

    9

    Look for the self-timer shutter lever, which is usually on the front of the body and is cocked to time-delay the shutter if you want to get in the picture. If your 35mm camera is of a certain vintage it may also have a mirror lock function located close to the lens mount. The mirror lock is used mostly for tripod shots to eliminate the motion of the mirror during shutter activation.

    10

    Shoot your first roll of film using as many different functions and settings as you can. Learn to use small lens openings to increase depth of focus, by turning the aperture setting on the lens to f11 to f22. Use your widest lens opening, like f1.8 to decrease depth of focus and blur the background.



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Monday, December 30, 2019

Instructions for a PS-101 Portable Light Studio

Instructions for a PS-101 Portable Light Studio

The Digital Concepts PS-101 Portable Lighting Studio is mini studio that comes with all the equipment, other than the camera, that you need to take product shots of small items. The mini studio includes a small tripod, two lights with stands, three mesh walls and a dual-sided backdrop. The equipment comes in a carrying case and can be taken to remote or client locations for setup and use.

Instructions

    1

    Open the carrying case by lifting the Velcro latch on the top of the case.

    2

    Unfold the case so the three semi-opaque mesh sides form the left and right walls. Attach the third across the top to form the roof.

    3

    Unroll the dual-sided background that will be used for the back and floor of the mini studio.

    4

    Holding one of the two lights, unfold the legs so the light will stand by itself, and position it light on the outside of the mini studio with the light pointed toward the mesh wall. Place the second light on the other side of the studio, also pointed toward the mesh wall.

    5

    Plug the lights into a 110-volt outlet, and turn the lights on by rotating the "On/off" switch.

    6

    Attach your camera to the small tripod. Turn the camera on and set the white balance on your camera to "Daylight."

    7

    Place the object you want to photograph inside the mini studio. Reposition the lights to get the best possible light on your subject. Compose the picture in your camera and take the picture.


Instructions for a PS-101 Portable Light Studio

The Digital Concepts PS-101 Portable Lighting Studio is mini studio that comes with all the equipment, other than the camera, that you need to take product shots of small items. The mini studio includes a small tripod, two lights with stands, three mesh walls and a dual-sided backdrop. The equipment comes in a carrying case and can be taken to remote or client locations for setup and use.

Instructions

    1

    Open the carrying case by lifting the Velcro latch on the top of the case.

    2

    Unfold the case so the three semi-opaque mesh sides form the left and right walls. Attach the third across the top to form the roof.

    3

    Unroll the dual-sided background that will be used for the back and floor of the mini studio.

    4

    Holding one of the two lights, unfold the legs so the light will stand by itself, and position it light on the outside of the mini studio with the light pointed toward the mesh wall. Place the second light on the other side of the studio, also pointed toward the mesh wall.

    5

    Plug the lights into a 110-volt outlet, and turn the lights on by rotating the "On/off" switch.

    6

    Attach your camera to the small tripod. Turn the camera on and set the white balance on your camera to "Daylight."

    7

    Place the object you want to photograph inside the mini studio. Reposition the lights to get the best possible light on your subject. Compose the picture in your camera and take the picture.



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Thursday, December 26, 2019

How to Start a Photo Greeting Card Business

How to Start a Photo Greeting Card Business

Greeting Card's website states about 100,000 retail stores in the U.S. sell greeting cards. Many of these stores are looking for new artists that will bring a fresh look to their selection. Photo greeting cards are inexpensive to produce and amateur and professional photographers generally already have large amounts of material to start creating cards.

Instructions

    1

    Join photographer forums online to get software suggestions from other photo greeting card sellers. They can help you choose the best desktop publishing program software for the style of cards you wish to create. Many companies will allow you to download a free trial of its software.

    2

    Select your photos carefully to showcase your best work. Look for clarity, focus, subject and quality. Study businesses that sell cards by local photographers and try to choose pictures that are different. For example, if there are pictures of local landmarks and wildflowers in abundance, offer photos that showcase the area from a different point of view.

    3

    Obtain a standard photographer's model release form for anyone whose recognizable image appears in your photos. You will also need this for private property and pets. Keep these forms on file in case a situation arises.

    4

    Compare printer brands to find the best color printer to use for your cards. According to the Red River Catalog, the features to look for in a good printer are speed, color quality, price of ink and ability to feed paper in a continuous motion. Find an office supply store that will allow you to test various machines. Compare photo print-outs and use your artist's eye to choose the best printer.

    5

    Market your cards through local shops, craft booths on "town shopping days," or online through craft sites or with "print on demand" shops that allow you to open a free store and pay a commission based on designs sold. The more work you do to market your product, the better you will do.


How to Start a Photo Greeting Card Business

Greeting Card's website states about 100,000 retail stores in the U.S. sell greeting cards. Many of these stores are looking for new artists that will bring a fresh look to their selection. Photo greeting cards are inexpensive to produce and amateur and professional photographers generally already have large amounts of material to start creating cards.

Instructions

    1

    Join photographer forums online to get software suggestions from other photo greeting card sellers. They can help you choose the best desktop publishing program software for the style of cards you wish to create. Many companies will allow you to download a free trial of its software.

    2

    Select your photos carefully to showcase your best work. Look for clarity, focus, subject and quality. Study businesses that sell cards by local photographers and try to choose pictures that are different. For example, if there are pictures of local landmarks and wildflowers in abundance, offer photos that showcase the area from a different point of view.

    3

    Obtain a standard photographer's model release form for anyone whose recognizable image appears in your photos. You will also need this for private property and pets. Keep these forms on file in case a situation arises.

    4

    Compare printer brands to find the best color printer to use for your cards. According to the Red River Catalog, the features to look for in a good printer are speed, color quality, price of ink and ability to feed paper in a continuous motion. Find an office supply store that will allow you to test various machines. Compare photo print-outs and use your artist's eye to choose the best printer.

    5

    Market your cards through local shops, craft booths on "town shopping days," or online through craft sites or with "print on demand" shops that allow you to open a free store and pay a commission based on designs sold. The more work you do to market your product, the better you will do.



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Wednesday, December 25, 2019

How to Use a Photo Enlarger

How to Use a Photo Enlarger

Traditional darkroom procedures for developing film and photographic prints have changed little over the years, with the exception of commercial processes. In an age where digital photography has virtually eliminated the need for a darkroom, knowledge of traditional practices is essential for any serious photographer. This is a basic guide designed to furnish the beginner with simple steps in the use of an enlarger; see the Resources section at the end of this article for information on related processes.

Instructions

Instructions

    1

    Set up your work area. If you do not have access to a darkroom, set up a makeshift darkroom in a bathroom, closet or other area where sunlight and light from others rooms is completely blacked out. A photo enlarger uses a safelight (a red or amber light that does not activate the photo-sensitive materials in the photographic paper) and is the only light that should be used when the paper is exposed. Color photographs must be printed in total darkness.

    2

    Mix the developing chemicals according to directions. There will be four trays---developer, stop bath, fixer, and water to rinse the chemicals from the paper. Pour the chemicals into the trays and have the photographic paper ready. Photo paper should be kept enclosed in its packaging until just prior to use, as exposure to light will activate the paper and render it useless.

    3

    Make sure the lens is properly placed in the head of the enlarger. Set the lens aperture to f8 by adjusting the ring. Turn the enlarger light on and raise or lower the head of the enlarger using the knob or lever located on the right of the column. Adjust the focus knob as needed to sharpen the edges of the light projected onto the enlarger base. If you are using 8-by-10-inch photographic paper, focus the light rectangle so that its edges are sharp and fall within the desired parameters on the enlargement easel.

    4

    Once you have chosen the negative you want to develop, place it in the negative carrier so that the shiny emulsion side faces up and the image is centered within the carrier frame. Place a piece of printer paper or other plain white paper in the easel and make further adjustments to focus the image as needed with the focusing knob.

    5

    Turn off the enlarger light. Set the timer and aperture; these settings can be determined using the test strip (see Resources section at the end of this article for information on how to create one). Insert the filter, if you are using one, into its place in the enlarger head and close the metal flap to prevent light leaks. (See Resources for a helpful e-How instructional video on using filters).

    6

    Place a piece of photographic paper in the easel with the shiny emulsion side up. Switch the timer on to expose the paper, then transfer it to your developing station to process in the chemicals (see Resources for information on chemical processing).


How to Use a Photo Enlarger

Traditional darkroom procedures for developing film and photographic prints have changed little over the years, with the exception of commercial processes. In an age where digital photography has virtually eliminated the need for a darkroom, knowledge of traditional practices is essential for any serious photographer. This is a basic guide designed to furnish the beginner with simple steps in the use of an enlarger; see the Resources section at the end of this article for information on related processes.

Instructions

Instructions

    1

    Set up your work area. If you do not have access to a darkroom, set up a makeshift darkroom in a bathroom, closet or other area where sunlight and light from others rooms is completely blacked out. A photo enlarger uses a safelight (a red or amber light that does not activate the photo-sensitive materials in the photographic paper) and is the only light that should be used when the paper is exposed. Color photographs must be printed in total darkness.

    2

    Mix the developing chemicals according to directions. There will be four trays---developer, stop bath, fixer, and water to rinse the chemicals from the paper. Pour the chemicals into the trays and have the photographic paper ready. Photo paper should be kept enclosed in its packaging until just prior to use, as exposure to light will activate the paper and render it useless.

    3

    Make sure the lens is properly placed in the head of the enlarger.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Set the lens aperture to f8 by adjusting the ring. Turn the enlarger light on and raise or lower the head of the enlarger using the knob or lever located on the right of the column. Adjust the focus knob as needed to sharpen the edges of the light projected onto the enlarger base. If you are using 8-by-10-inch photographic paper, focus the light rectangle so that its edges are sharp and fall within the desired parameters on the enlargement easel.

    4

    Once you have chosen the negative you want to develop, place it in the negative carrier so that the shiny emulsion side faces up and the image is centered within the carrier frame. Place a piece of printer paper or other plain white paper in the easel and make further adjustments to focus the image as needed with the focusing knob.

    5

    Turn off the enlarger light. Set the timer and aperture; these settings can be determined using the test strip (see Resources section at the end of this article for information on how to create one). Insert the filter, if you are using one, into its place in the enlarger head and close the metal flap to prevent light leaks. (See Resources for a helpful e-How instructional video on using filters).

    6

    Place a piece of photographic paper in the easel with the shiny emulsion side up. Switch the timer on to expose the paper, then transfer it to your developing station to process in the chemicals (see Resources for information on chemical processing).



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