Thursday, September 29, 2016

How to Take Family Portraits in Snow

How to Take Family Portraits in Snow

Photographing in the snow can be a difficult task because the snow acts as a light source by reflecting sunlight. Although daylight photos in the snow will never be lacking in natural light, too much light can be a problem. To avoid overexposure and discoloration, you have to manually tell the camera that it is in the snow. Properly setting up and metering ahead of time will ensure that you can focus the majority of your attention on the family seated in front of the lens.

Instructions

    1

    Set the white balance. The greatest difficulty of photographing in the snow is counterbalancing the extra light reflected by the sun. Many snow photographs come out either gray or blue. To avoid blue snow, set the white balance to either the cloudy or sun setting, or set it manually by taking a test shot of clear snow to set the colors. Off-balance colors will not only mean for discolored snow, but discolored subjects as well. Setting the white balance is different on every digital single reflex camera (DSLR), so you must consult your user manual if you are unfamiliar with the application.

    2

    Meter the light before you set up the family members so they do not get cold. Meter and set your aperture and shutter speed manually or set the exposure value between -2/3 and -2 if you are using automatic metering settings. Snow adds light even on an overcast day, so you should set your camera by test shooting even if you think you know what is best for the amount of sun.

    3

    Prepare the family for the shoot. As a family, costumes that correlate or match are often desired. Wool sweaters of various colors and knits, snow boots, knit hats, earmuffs and scarves are all appropriate accessories for a winter photo. Set up the family around a rustic bench or chair with the shortest adults seated and holding any babies on their laps. Stand the taller members directly behind those seated with any children framing the sides. For standing photographs, place the family in a straight line between two trees standing shoulder to shoulder. Trees add contrast to snow photos.

    4

    Take action shots. Stop down your aperture and have the family engage in a snowball fight. To catch snow flying through the air, use the flash even if there is plenty of sunlight. The flash will illuminate and fill in the details of snowflakes. Add props such as snowmen, old-fashioned sleighs or cups of steaming tea or cocoa. Take close-ups of each family member as well as shots that include laughing, hugging and kissing. The purpose of family photographs is to portray the love that is set up in front of the camera, and it is your job to capture it.


How to Take Family Portraits in Snow

Photographing in the snow can be a difficult task because the snow acts as a light source by reflecting sunlight. Although daylight photos in the snow will never be lacking in natural light, too much light can be a problem. To avoid overexposure and discoloration, you have to manually tell the camera that it is in the snow.

Enhance your photography skill,The Top Secret Photography Techniques

. Properly setting up and metering ahead of time will ensure that you can focus the majority of your attention on the family seated in front of the lens.

Instructions

    1

    Set the white balance. The greatest difficulty of photographing in the snow is counterbalancing the extra light reflected by the sun. Many snow photographs come out either gray or blue. To avoid blue snow, set the white balance to either the cloudy or sun setting, or set it manually by taking a test shot of clear snow to set the colors. Off-balance colors will not only mean for discolored snow, but discolored subjects as well. Setting the white balance is different on every digital single reflex camera (DSLR), so you must consult your user manual if you are unfamiliar with the application.

    2

    Meter the light before you set up the family members so they do not get cold. Meter and set your aperture and shutter speed manually or set the exposure value between -2/3 and -2 if you are using automatic metering settings. Snow adds light even on an overcast day, so you should set your camera by test shooting even if you think you know what is best for the amount of sun.

    3

    Prepare the family for the shoot. As a family, costumes that correlate or match are often desired. Wool sweaters of various colors and knits, snow boots, knit hats, earmuffs and scarves are all appropriate accessories for a winter photo. Set up the family around a rustic bench or chair with the shortest adults seated and holding any babies on their laps. Stand the taller members directly behind those seated with any children framing the sides. For standing photographs, place the family in a straight line between two trees standing shoulder to shoulder. Trees add contrast to snow photos.

    4

    Take action shots. Stop down your aperture and have the family engage in a snowball fight. To catch snow flying through the air, use the flash even if there is plenty of sunlight. The flash will illuminate and fill in the details of snowflakes. Add props such as snowmen, old-fashioned sleighs or cups of steaming tea or cocoa. Take close-ups of each family member as well as shots that include laughing, hugging and kissing. The purpose of family photographs is to portray the love that is set up in front of the camera, and it is your job to capture it.



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How to Choose Photography Props

Selecting photography props can be fun. Think about who or what youll be photographing, and make a list of prop ideas. When choosing photography props, you will want to make sure you select appropriate, durable props that will last for several sessions. Always keep in mind how the photography props will look on the backdrops that you use, and what types of clients will be using the props.

Instructions

    1

    Choose strong items for photography props. Test prop benches, seats, stools and chair for strength. Even if it is designed for a child, it may be used by several children at once. Can the photography prop handle extra weight? Make sure these types of props are sturdy, dont wobble on a flat surface and are reinforced.

    2

    Coordinate the colors of your props with your backdrops. Make a list of backdrops that you use before shopping for photography props. Choose colors to complement your backdrops. Neutral colors are a good option, because they will match several backdrops. Use painters color pallets to coordinate colors successfully.

    3

    Select age appropriate props. When shopping for childrens props, look for smaller chairs and child-sized tables. Browse the childrens section at a furniture store for smaller versions of adult furniture. When choosing props for an infant, think of baby blankets and baskets. For adults, full sized chairs and ottomans are best.

    4

    Pick a variety of seasonal photography props. Select photography props that will enhance photos taken at the holidays. Santa hats, a string of old fashioned bulbs and even ornaments can make great props for children during the holiday season. Choose plastic eggs for Easter and bright colored flowers for spring portraits.

    5

    Choose timeless photography props. Avoid logos, themes or popular childrens characters. These will become outdated quickly. Neutral solid colored props are the best option for timeless photographs. Thick shaggy rugs, pillows, furniture, single stem flowers and strings of beads are also good options.

    6

    Look at photography magazines and browse the internet for prop ideas. Choose photography props that you see used in photographs that you admire. Get ideas by looking at the work of other photographers in magazines, newspapers and even childrens books.


Selecting photography props can be fun. Think about who or what youll be photographing, and make a list of prop ideas. When choosing photography props, you will want to make sure you select appropriate, durable props that will last for several sessions. Always keep in mind how the photography props will look on the backdrops that you use, and what types of clients will be using the props.

Instructions

    1

    Choose strong items for photography props. Test prop benches, seats, stools and chair for strength. Even if it is designed for a child, it may be used by several children at once. Can the photography prop handle extra weight? Make sure these types of props are sturdy, dont wobble on a flat surface and are reinforced.

    2

    Coordinate the colors of your props with your backdrops. Make a list of backdrops that you use before shopping for photography props. Choose colors to complement your backdrops. Neutral colors are a good option, because they will match several backdrops. Use painters color pallets to coordinate colors successfully.

    3

    Select age appropriate props. When shopping for childrens props, look for smaller chairs and child-sized tables. Browse the childrens section at a furniture store for smaller versions of adult furniture. When choosing props for an infant, think of baby blankets and baskets. For adults, full sized chairs and ottomans are best.

    4

    Pick a variety of seasonal photography props. Select photography props that will enhance photos taken at the holidays. Santa hats, a string of old fashioned bulbs and even ornaments can make great props for children during the holiday season. Choose plastic eggs for Easter and bright colored flowers for spring portraits.

    5

    Choose timeless photography props.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Avoid logos, themes or popular childrens characters. These will become outdated quickly. Neutral solid colored props are the best option for timeless photographs. Thick shaggy rugs, pillows, furniture, single stem flowers and strings of beads are also good options.

    6

    Look at photography magazines and browse the internet for prop ideas. Choose photography props that you see used in photographs that you admire. Get ideas by looking at the work of other photographers in magazines, newspapers and even childrens books.



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Wednesday, September 28, 2016

Coffee Shop Photo Ideas

Coffee Shop Photo Ideas

Coffee shops are full of ambiance and character, and are rich with subjects for photography. Find a location with lots of windows to provide adequate available light. Plan your shoot for a slightly overcast day so that there is less glare from the sun shining through the windows. Be respectful of the other customers by not being intrusive with your camera, and consider asking permission from a coffee shop employee before proceeding.

Use Shallow Depth of Field

    This image shows just the hands and mug in focus.
    This image shows just the hands and mug in focus.

    Shallow depth of field refers to a narrow range of focus. Experiment with images, such as precisely focused latte foam with gently blurred surroundings, or catch steam rising from a cup in front of a blurred background. If the depth of field is shallow enough and the lighting and composition are done correctly, the image can be very compelling.

Employ Juxtaposition

    The coffee cup is in juxtaposition to the water.
    The coffee cup is in juxtaposition to the water.

    Juxtaposition refers to positioning two different elements together in a photograph for the purpose of comparison or contrast. Examples include an old building next to a new one, or a dish of ice cream next to a can marked "diet" soda. In a coffee shop you could pair things such as a full cup next to an empty one, or an empty table in the foreground with one that is occupied in the background. Subjects do not have to be exact opposites to create juxtaposition, but they should compete for attention and in doing so, draw attention to each other.

People

    People make wonderful candid photograph subjects.
    People make wonderful candid photograph subjects.

    People are excellent photographic subjects that fit in well in coffee shop photos. Try and make your shots candid and relaxed. Arrive with a friend or two and photograph them as they enjoy their beverages. Never photograph other customers without asking permission first. Photographs that contain recognizable images of people may require model releases. Editorial photos generally do not need a release, but images for sale do. If your photo is for anything other than your own use, obtaining a release is prudent.

Tell a Story

    A properly composed image can tell a story.
    A properly composed image can tell a story.

    The 1,000 words that a picture is said to be worth can describe so much more than the colors and subjects or composition and layout. Tell a story with your photograph. Catch a barista in conversation with a customer as money exchanges hands, or capture an abandoned table littered with pastry crumbs, an empty mug and a crumpled napkin.

Macro

    Coffee bean macro photos are a coffee shop classic.
    Coffee bean macro photos are a coffee shop classic.

    Macro refers to extreme close-up. If you have a good macro lens, coffee shops are full of interesting macro possibilities. Look for subjects such as coffee beans, mug detail or espresso foam.

Still Life

    A table setting is an example of a still life.
    A table setting is an example of a still life.

    Think of a still life as objects posing for a photograph. Bring some small items with you to arrange on your table next to your coffee, such as an agenda and pen, or a stack of bills and a calculator.


Coffee Shop Photo Ideas

Coffee shops are full of ambiance and character, and are rich with subjects for photography. Find a location with lots of windows to provide adequate available light. Plan your shoot for a slightly overcast day so that there is less glare from the sun shining through the windows. Be respectful of the other customers by not being intrusive with your camera, and consider asking permission from a coffee shop employee before proceeding.

Use Shallow Depth of Field

    This image shows just the hands and mug in focus.
    This image shows just the hands and mug in focus.

    Shallow depth of field refers to a narrow range of focus. Experiment with images, such as precisely focused latte foam with gently blurred surroundings, or catch steam rising from a cup in front of a blurred background. If the depth of field is shallow enough and the lighting and composition are done correctly, the image can be very compelling.

Employ Juxtaposition

    The coffee cup is in juxtaposition to the water.
    The coffee cup is in juxtaposition to the water.

    Juxtaposition refers to positioning two different elements together in a photograph for the purpose of comparison or contrast. Examples include an old building next to a new one, or a dish of ice cream next to a can marked "diet" soda. In a coffee shop you could pair things such as a full cup next to an empty one, or an empty table in the foreground with one that is occupied in the background. Subjects do not have to be exact opposites to create juxtaposition, but they should compete for attention and in doing so, draw attention to each other.

People

    People make wonderful candid photograph subjects.
    People make wonderful candid photograph subjects.

    People are excellent photographic subjects that fit in well in coffee shop photos. Try and make your shots candid and relaxed. Arrive with a friend or two and photograph them as they enjoy their beverages. Never photograph other customers without asking permission first. Photographs that contain recognizable images of people may require model releases. Editorial photos generally do not need a release, but images for sale do. If your photo is for anything other than your own use, obtaining a release is prudent.

Tell a Story

    A properly composed image can tell a story.
    A properly composed image can tell a story.

    The 1,000 words that a picture is said to be worth can describe so much more than the colors and subjects or composition and layout. Tell a story with your photograph. Catch a barista in conversation with a customer as money exchanges hands, or capture an abandoned table littered with pastry crumbs, an empty mug and a crumpled napkin.

Macro

    Coffee bean macro photos are a coffee shop classic.
    Coffee bean macro photos are a coffee shop classic.

    Macro refers to extreme close-up. If you have a good macro lens, coffee shops are full of interesting macro possibilities. Look for subjects such as coffee beans, mug detail or espresso foam.

Still Life

    A table setting is an example of a still life.
    A table setting is an example of a still life.

    Think of a still life as objects posing for a photograph. Bring some small items with you to arrange on your table next to your coffee, such as an agenda and pen, or a stack of bills and a calculator.



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Sunday, September 25, 2016

How to Set Up Automotive Studio Lighting

How to Set Up Automotive Studio Lighting

In automotive studio photography, using hot lights is a better choice over strobes. Cars have a very reflective surface. If you use a strobe, it's hard to know where the glare and reflection will fall on your subject, unless you do a lot of test shots. With hot lights providing continuous lighting, setting up is easier because you see right away where the reflections will fall and even use it in artistic ways. Hot lights are also cheaper than strobes. Note that a bigger space is needed in automotive photography compared to shooting portraits.

Instructions

    1

    Set up your main light at least 4 feet away from your subject. Place it 45 degrees from your subject if you want to show details and shadows such as the sleek curves of a car. If you want to show depth and texture (for example, the front grill of a car), place your main light 90 degrees to the side of your subject.

    2

    Set up your fill-in light. Your main light has thrown a strong shadow once you have placed it in position. Your fill-in light will soften this shadow and show some details on that dark side. Depending on how you placed your main light, place your fill-in light 45 to 90 degrees opposite your main light.

    3

    Set up your background light. This light is used to separate the subject so it will not blend in with the background. You have the option of lighting the whole background or just a small area. Plain black or white backgrounds work well in studio automotive photography. A warehouse setting is also a popular background to show an industrial look.

    4

    Set up your camera and take test shots. Hot lights give off a yellowish color cast. This can be neutralized by setting your white balance to "Tungsten" or "Incandescent." Preview your camera's LCD after each test shot. Move the lights closer to photograph the interiors of a car or farther away to get the desired intensity of light.

    5

    Use a light meter to determine the right camera-speed-and-aperture setting. To get a sharp image from the bumper to the tail end of a car, use a small lens opening or aperture. A wide-angle lens will be very useful to take an image of the entire length of a car if you're in a small shooting area.

    6

    Upload your photos to a computer and edit if necessary. In a photo editing program you can crop, resize, touch up, recolor and do a lot of effects to your image. If you've used a wide-angle lens, check for linear distortions or straight lines that appear to be curved. To fix this in Photoshop, use the "Straighten" tool or the "Transform-Linear Perspective" tool.


How to Set Up Automotive Studio Lighting

In automotive studio photography, using hot lights is a better choice over strobes. Cars have a very reflective surface. If you use a strobe, it's hard to know where the glare and reflection will fall on your subject, unless you do a lot of test shots. With hot lights providing continuous lighting, setting up is easier because you see right away where the reflections will fall and even use it in artistic ways. Hot lights are also cheaper than strobes. Note that a bigger space is needed in automotive photography compared to shooting portraits.

Instructions

    1

    Set up your main light at least 4 feet away from your subject. Place it 45 degrees from your subject if you want to show details and shadows such as the sleek curves of a car. If you want to show depth and texture (for example, the front grill of a car), place your main light 90 degrees to the side of your subject.

    2

    Set up your fill-in light.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Your main light has thrown a strong shadow once you have placed it in position. Your fill-in light will soften this shadow and show some details on that dark side. Depending on how you placed your main light, place your fill-in light 45 to 90 degrees opposite your main light.

    3

    Set up your background light. This light is used to separate the subject so it will not blend in with the background. You have the option of lighting the whole background or just a small area. Plain black or white backgrounds work well in studio automotive photography. A warehouse setting is also a popular background to show an industrial look.

    4

    Set up your camera and take test shots. Hot lights give off a yellowish color cast. This can be neutralized by setting your white balance to "Tungsten" or "Incandescent." Preview your camera's LCD after each test shot. Move the lights closer to photograph the interiors of a car or farther away to get the desired intensity of light.

    5

    Use a light meter to determine the right camera-speed-and-aperture setting. To get a sharp image from the bumper to the tail end of a car, use a small lens opening or aperture. A wide-angle lens will be very useful to take an image of the entire length of a car if you're in a small shooting area.

    6

    Upload your photos to a computer and edit if necessary. In a photo editing program you can crop, resize, touch up, recolor and do a lot of effects to your image. If you've used a wide-angle lens, check for linear distortions or straight lines that appear to be curved. To fix this in Photoshop, use the "Straighten" tool or the "Transform-Linear Perspective" tool.



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