Saturday, December 29, 2018

Instructions for a Gossen Sixticolor Color Temperature Meter

When taking photographs using film, it is important to understand the color temperature at the location you are shooting. This will help you select what type of film to use in your camera as well as choosing a filter to put over the lens, if necessary, to get the proper color in the finished photo. The Gossen Sixticolor Color Temperature Meter is a device that will show you exactly what the color temperature in an area is and suggest filters to use for that situation.

Instructions

    1

    Turn the red dial on the scale side of the instrument in a clockwise motion to set the arrow at the bottom of the device to the type of film you want to use. The "D" setting is for standard daylight type film while the "B" corresponds to tungsten film used for night shooting.

    2

    Stand in a location near the subject of the photograph. You want to measure the light as close to the focal point of the photograph as possible in order to get the best results. If you are using studio lights, adjust these before measuring the light.

    3

    Hold the meter outward so the opal disc on the front is directly facing your light source. While holding it there, press the red button on the back and hold it down. You will see the needle on the instrument begin to move. It will move around for a few seconds and then rest on a specific spot.

    4

    Read the chart that the needle stops on to determine the color temperature of the scene and a possible filter to use. The needle will stop on either the blue or the red side of the chart. Where it stops shows how blue or red the light is and what strength of the opposite filter you will need to counterbalance the color.


When taking photographs using film, it is important to understand the color temperature at the location you are shooting. This will help you select what type of film to use in your camera as well as choosing a filter to put over the lens, if necessary, to get the proper color in the finished photo. The Gossen Sixticolor Color Temperature Meter is a device that will show you exactly what the color temperature in an area is and suggest filters to use for that situation.

Instructions

    1

    Turn the red dial on the scale side of the instrument in a clockwise motion to set the arrow at the bottom of the device to the type of film you want to use. The "D" setting is for standard daylight type film while the "B" corresponds to tungsten film used for night shooting.

    2

    Stand in a location near the subject of the photograph. You want to measure the light as close to the focal point of the photograph as possible in order to get the best results. If you are using studio lights, adjust these before measuring the light.

    3

    Hold the meter outward so the opal disc on the front is directly facing your light source. While holding it there, press the red button on the back and hold it down. You will see the needle on the instrument begin to move. It will move around for a few seconds and then rest on a specific spot.

    4

    Read the chart that the needle stops on to determine the color temperature of the scene and a possible filter to use. The needle will stop on either the blue or the red side of the chart. Where it stops shows how blue or red the light is and what strength of the opposite filter you will need to counterbalance the color.



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How to Remove the Time & Date Stamp From a Digital Photo

Having the date and time stamped right across the front of a photo can not only block elements of the photo, but cause it to look cheap and unprofessional as well. If you want your photos to look clean and professional, the time and date need to be removed. There are two ways this can be done--by cropping, or by using a clone or rubber stamp tool in digital editing software.

Instructions

Using the Clone or Rubber Stamp Tool

    1

    Acquire a digital photo. This can be done either by transferring images from a digital camera or by scanning a photo into your computer.

    2

    Open the photo in your editing software.

    3

    Zoom in on the area with the date and time stamp.

    4

    Select the cloning or rubber stamp tool.

    5

    Set the area in the photo for the tool to copy. Chose a spot in the photo that resembles what is being blocked by the date and time stamp. For example, if the stamp is blocking part of someone's pants, select a similar area on their pants and copy that.

    6

    Click on the area of the date and time stamp you want to patch with your copied selection. This should cover it with a duplicate of the area you previously selected.

    7

    Repeat steps 5 and 6 until you have completely covered the date and time stamp.

Cropping

    8

    Open the image in your editing software.

    9

    Click on the object selection tool. In some programs it is referred to as the rectangular marquee tool or rectangular selection tool. The icon is usually shown as a rectangle or square with a dotted outline and is typically located on the standard toolbar.

    10

    Create a rectangle with the selection tool over the area of the photo you would like to keep. For example, if you have a full-body photograph of a person but would just like to include their face, use the selection tool to select only their face. This is normally done by clicking on the top left corner of where you would like to begin your selection, holding down the left mouse button, and then dragging the marquee at a diagonal, vertically, or to the right until you have the size you desire.

    11

    Copy your selection and paste it into a new document. It should now be cropped the way you wish, but if you are unhappy with it you may need to try again. Sometimes it takes practice to get the proper area selected.

    12

    Save the photo.


Having the date and time stamped right across the front of a photo can not only block elements of the photo, but cause it to look cheap and unprofessional as well. If you want your photos to look clean and professional, the time and date need to be removed. There are two ways this can be done--by cropping, or by using a clone or rubber stamp tool in digital editing software.

Instructions

Using the Clone or Rubber Stamp Tool

    1

    Acquire a digital photo. This can be done either by transferring images from a digital camera or by scanning a photo into your computer.

    2

    Open the photo in your editing software.

    3

    Zoom in on the area with the date and time stamp.

    4

    Select the cloning or rubber stamp tool.

    5

    Set the area in the photo for the tool to copy. Chose a spot in the photo that resembles what is being blocked by the date and time stamp. For example, if the stamp is blocking part of someone's pants, select a similar area on their pants and copy that.

    6

    Click on the area of the date and time stamp you want to patch with your copied selection. This should cover it with a duplicate of the area you previously selected.

    7

    Repeat steps 5 and 6 until you have completely covered the date and time stamp.

Cropping

    8

    Open the image in your editing software.

    9

    Click on the object selection tool. In some programs it is referred to as the rectangular marquee tool or rectangular selection tool.

    Enhance your photography skill,The Top Secret Photography Techniques

    . The icon is usually shown as a rectangle or square with a dotted outline and is typically located on the standard toolbar.

    10

    Create a rectangle with the selection tool over the area of the photo you would like to keep. For example, if you have a full-body photograph of a person but would just like to include their face, use the selection tool to select only their face. This is normally done by clicking on the top left corner of where you would like to begin your selection, holding down the left mouse button, and then dragging the marquee at a diagonal, vertically, or to the right until you have the size you desire.

    11

    Copy your selection and paste it into a new document. It should now be cropped the way you wish, but if you are unhappy with it you may need to try again. Sometimes it takes practice to get the proper area selected.

    12

    Save the photo.



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Tuesday, December 25, 2018

Night Football Photography Tips

Night Football Photography Tips

Photographing football games at night presents unique challenges due to the quality of the light created by stadium lights, along with distractions from large crowds. Football photographers who shoot night games must control white-balance settings, use long lenses with wide apertures that provide focal-length flexibility, set optimal camera sensor light sensitivity, and avoid distractions created by activities at the game.

White Balance

    Stadium lights at night football games often use non-continuous lights that cycle through multiple portions of the light spectrum. These lights make it difficult to set the appropriate white balance on the camera. Use a flash to photograph subjects within 10 feet of the flash, or set up strobes on stands for important shots at the end zone or on the sidelines. Set the white-balance metering mode to center-weighted metering, and sync the white-balance metering with the auto-focus point on the camera. These settings meter the white balance for the light that is concentrated on the subject in focus.

Focal Length

    Use long, variable focal-length lenses (i.e., telephoto zoom) such as a 70-200 or 300-400 millimeter lens. Longer focal lengths make distant subjects appear closer by narrowing the angle of view, and wider ranges provide a greater degree of flexibility. If possible, use two cameras with lenses that cover different ranges. Telephoto zooms provide the flexibility to capture shots at various distances without changing the lens. For example, some tele-zooms enable football photographers to shoot extreme close-ups of the ball or players' facial expressions and wider shots of plays between downs, all without missing parts of the game while they stop to change the lenses.

Aperture

    Use lenses that have wide maximum apertures. Some zoom lenses can shoot as wide as f/2.8. Set your camera to aperture priority mode (i.e., Av mode), and shoot at the widest aperture (i.e., lowest f/number) at night games, especially when shooting subjects in motion. Wide apertures have greater light-gathering ability and permit faster shutter speeds that can capture subjects in motion and help prevent motion blur. Wide apertures help emphasize the subject by blurring backgrounds and reducing clutter in the shot, and at night, these aperture sizes enhance this emphasis by blurring dark backgrounds.

ISO

    Set the camera's light sensitivity to ISO 400 or higher. Higher ISO settings allow photographers to use faster shutter speeds that help stop motion and prevent motion blur. Higher ISO settings increase digital noise from small, light-reflecting particles in a shot, so only use ISO settings above 400 if the lens aperture is not wide enough to gather sufficient light. Use electronic flash to photograph subjects within 10 feet to reduce the need for higher ISO settings.

Subjects

    Night games attract particularly large crowds, because more members of the community are out of work or out of school. Night football games present various potential subjects, including the players, coaches, fans, cheerleaders, mascot, band and others. However, avoid distractions by focusing on the three primary photo subjects - the fans, the players and the ball. Anticipate the quick, game-changing plays by the wide receivers during third downs. Anticipate punting the ball or aggressive plays during fourth downs. The ball is usually the most important subject of a photo taken during a play. The players are the most important subjects immediately after a play, and the fans are important subjects after plays that change the course of the game, as well as during halftime and pre-game activities.


Night Football Photography Tips

Photographing football games at night presents unique challenges due to the quality of the light created by stadium lights, along with distractions from large crowds. Football photographers who shoot night games must control white-balance settings, use long lenses with wide apertures that provide focal-length flexibility, set optimal camera sensor light sensitivity, and avoid distractions created by activities at the game.

White Balance

    Stadium lights at night football games often use non-continuous lights that cycle through multiple portions of the light spectrum. These lights make it difficult to set the appropriate white balance on the camera. Use a flash to photograph subjects within 10 feet of the flash, or set up strobes on stands for important shots at the end zone or on the sidelines. Set the white-balance metering mode to center-weighted metering, and sync the white-balance metering with the auto-focus point on the camera. These settings meter the white balance for the light that is concentrated on the subject in focus.

Focal Length

    Use long, variable focal-length lenses (i.e., telephoto zoom) such as a 70-200 or 300-400 millimeter lens. Longer focal lengths make distant subjects appear closer by narrowing the angle of view, and wider ranges provide a greater degree of flexibility. If possible, use two cameras with lenses that cover different ranges. Telephoto zooms provide the flexibility to capture shots at various distances without changing the lens. For example, some tele-zooms enable football photographers to shoot extreme close-ups of the ball or players' facial expressions and wider shots of plays between downs, all without missing parts of the game while they stop to change the lenses.

Aperture

    Use lenses that have wide maximum apertures. Some zoom lenses can shoot as wide as f/2.8. Set your camera to aperture priority mode (i.e., Av mode), and shoot at the widest aperture (i.e., lowest f/number) at night games, especially when shooting subjects in motion. Wide apertures have greater light-gathering ability and permit faster shutter speeds that can capture subjects in motion and help prevent motion blur. Wide apertures help emphasize the subject by blurring backgrounds and reducing clutter in the shot, and at night, these aperture sizes enhance this emphasis by blurring dark backgrounds.

ISO

    Set the camera's light sensitivity to ISO 400 or higher. Higher ISO settings allow photographers to use faster shutter speeds that help stop motion and prevent motion blur. Higher ISO settings increase digital noise from small, light-reflecting particles in a shot, so only use ISO settings above 400 if the lens aperture is not wide enough to gather sufficient light. Use electronic flash to photograph subjects within 10 feet to reduce the need for higher ISO settings.

Subjects

    Night games attract particularly large crowds, because more members of the community are out of work or out of school. Night football games present various potential subjects, including the players, coaches, fans, cheerleaders, mascot, band and others. However, avoid distractions by focusing on the three primary photo subjects - the fans, the players and the ball. Anticipate the quick, game-changing plays by the wide receivers during third downs. Anticipate punting the ball or aggressive plays during fourth downs. The ball is usually the most important subject of a photo taken during a play. The players are the most important subjects immediately after a play, and the fans are important subjects after plays that change the course of the game, as well as during halftime and pre-game activities.



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Skylight Filter Effects

Skylight Filter Effects

Lens filters are an important tool in digital and film photography. In particular, a skylight filter, also known as a 1A filter, is useful whenever shooting outdoors. While digital cameras may have automatic features that perform many of the same functions as a skylight filter, photographers using color reversal film rely on screw-on skylight filters for a variety of effects that come from removing ultraviolet light.

Remove UV Light

    One of the primary effects of a skylight filter is to prevent ultraviolet, or UV, light from reaching the film inside the camera. The filter does this by using a series of layers to cancel out the particular wavelength of UV light. While UV light is invisible to the human eye, color reversal film can detect it and may not produce the image that the photographer expects unless it is filtered out.

Add Warmth

    Skylight filters add warmth to a color image. In the finished photograph, UV light reads as a bluish tint. By removing the blue tint, the image takes on a more natural tone that mimics what the human eye sees. This image may look slightly more orange when compared to an unfiltered image from the same session.

Reduce Haze

    Skylight filters also have the effect of reducing haze, especially in photographs taken from a great distance. It eliminates the haze effect that occurs when sunlight reflects off particles in the atmosphere between a viewer and a distant subject.

Increase Sharpness

    Skylight filters also function to increase the overall sharpness of an image. This gives objects more rigidly defined edges and may create a sense of depth as some objects pull into the foreground and others recede into the background.


Skylight Filter Effects

Lens filters are an important tool in digital and film photography. In particular, a skylight filter, also known as a 1A filter, is useful whenever shooting outdoors. While digital cameras may have automatic features that perform many of the same functions as a skylight filter, photographers using color reversal film rely on screw-on skylight filters for a variety of effects that come from removing ultraviolet light.

Remove UV Light

    One of the primary effects of a skylight filter is to prevent ultraviolet, or UV, light from reaching the film inside the camera. The filter does this by using a series of layers to cancel out the particular wavelength of UV light. While UV light is invisible to the human eye, color reversal film can detect it and may not produce the image that the photographer expects unless it is filtered out.

Add Warmth

    Skylight filters add warmth to a color image. In the finished photograph, UV light reads as a bluish tint. By removing the blue tint, the image takes on a more natural tone that mimics what the human eye sees. This image may look slightly more orange when compared to an unfiltered image from the same session.

Reduce Haze

    Skylight filters also have the effect of reducing haze, especially in photographs taken from a great distance. It eliminates the haze effect that occurs when sunlight reflects off particles in the atmosphere between a viewer and a distant subject.

Increase Sharpness

    Skylight filters also function to increase the overall sharpness of an image. This gives objects more rigidly defined edges and may create a sense of depth as some objects pull into the foreground and others recede into the background.



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Monday, December 24, 2018

Famous Photo Prints

Prints of famous photos are widely available at numerous retail locations and appear on everything from postcards to apparel. Each can help enhance your interior decoration while offering the viewer its own unique presence. Attend exhibitions that feature original photography and study reproductions of well-known works to begin understanding this medium.

Landscapes

    Charles O'Rear's 2000 photo "Bliss" is best known as the default background image of the Windows XP operating system. It shows a blue sky with clouds overlooking rolling hills. Other famous landscapes come from the work of Ansel Adams. Yosemite National Park was a favorite location for Adams, but other parts of the American West feature in his photos. His 1942 image "The Tetons and the Snake River" is one of his most recognized pieces.

Landmarks

    The Brooklyn Bridge is one of the most photographed landmarks in America. Many of the photos showcase this national historic landmark's lights by using night photography. One example is the 2008 work of photographer Stephanie Izzo "Brooklyn Bridge at Midnight, New York City." New York City is also home to another often-photographed landmark, the Statue of Liberty. H. O'Neil photographed the statue's October 1886 inauguration. The Arc de Triomphe in Paris is featured in a famous 1900 photo credited to an unknown photographer. The city's Eiffel Tower appears in a widely seen 1889 Paris Exposition photo, also attributed to an unknown photographer.

People

    World War II was the catalyst for the famous photo "VJ Kiss." This Alfred Eisenstadt picture shows New York City Times Square as news of the war's resolution reaches residents and visitors. A navy serviceman and a nurse share the iconic kiss. Anthony Berger's 1864 image of Abraham Lincoln is reproduced on $5 bills. Dorthea Lange shows the Great Depression through her photo of a migrant mother and her children in 1936. This print is part of Lange's "Migrant Mother" collection. Joe Rosenthal's iconic 1945 picture showing the flag raising on Iwo Jima has inspired monuments as well as tributes to the soldiers of World War II. An image of the 1869 meeting of east and west railroad lines in Utah presents the time when travel across America became possible with the Transcontinental Railroad.

Space

    Many famous prints come from NASA and its programs. They range from taken during the Mercury Space Program to photos taken by the Hubble Telescope. An extensive array of photos showcase Hubble's unique view of distance stars, galaxies, planets and nebulae. Popular images include those of the Orion Nebula and the Omega Nebula. Other well-known photos in NASA's collection of images capture scenes from the moon landing of Apollo 11 in 1969. These include one of Buzz Aldrin and the American flag on the surface of the moon.


Prints of famous photos are widely available at numerous retail locations and appear on everything from postcards to apparel. Each can help enhance your interior decoration while offering the viewer its own unique presence. Attend exhibitions that feature original photography and study reproductions of well-known works to begin understanding this medium.

Landscapes

    Charles O'Rear's 2000 photo "Bliss" is best known as the default background image of the Windows XP operating system. It shows a blue sky with clouds overlooking rolling hills. Other famous landscapes come from the work of Ansel Adams. Yosemite National Park was a favorite location for Adams, but other parts of the American West feature in his photos. His 1942 image "The Tetons and the Snake River" is one of his most recognized pieces.

Landmarks

    The Brooklyn Bridge is one of the most photographed landmarks in America. Many of the photos showcase this national historic landmark's lights by using night photography. One example is the 2008 work of photographer Stephanie Izzo "Brooklyn Bridge at Midnight, New York City." New York City is also home to another often-photographed landmark, the Statue of Liberty. H. O'Neil photographed the statue's October 1886 inauguration. The Arc de Triomphe in Paris is featured in a famous 1900 photo credited to an unknown photographer. The city's Eiffel Tower appears in a widely seen 1889 Paris Exposition photo, also attributed to an unknown photographer.

People

    World War II was the catalyst for the famous photo "VJ Kiss." This Alfred Eisenstadt picture shows New York City Times Square as news of the war's resolution reaches residents and visitors. A navy serviceman and a nurse share the iconic kiss. Anthony Berger's 1864 image of Abraham Lincoln is reproduced on $5 bills. Dorthea Lange shows the Great Depression through her photo of a migrant mother and her children in 1936. This print is part of Lange's "Migrant Mother" collection. Joe Rosenthal's iconic 1945 picture showing the flag raising on Iwo Jima has inspired monuments as well as tributes to the soldiers of World War II. An image of the 1869 meeting of east and west railroad lines in Utah presents the time when travel across America became possible with the Transcontinental Railroad.

Space

    Many famous prints come from NASA and its programs. They range from taken during the Mercury Space Program to photos taken by the Hubble Telescope. An extensive array of photos showcase Hubble's unique view of distance stars, galaxies, planets and nebulae. Popular images include those of the Orion Nebula and the Omega Nebula. Other well-known photos in NASA's collection of images capture scenes from the moon landing of Apollo 11 in 1969. These include one of Buzz Aldrin and the American flag on the surface of the moon.



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